Generated by All in One SEO Pro v5.0.1.1, this is an llms-full.txt file, used by LLMs to index the site. # Brian Walton Official Fanpage ## Posts ### [Walton's Mountaineers reorganization consolidates the fanbase](https://briangwalton.com/press-releases/2026/09/waltons-mountaineers-reorganization-consolidates-the-fanbase/) **Published:** September 9, 2026 **Author:** Yulia Lissitzky **Excerpt:** Walton's Mountaineers Fan Club is back with a new charter & website! Enjoy exclusive perks & stay connected with Brian Walton's global community of 250k fans. **Content:** When Brian Walton released his first album, “Made in the Shade,” in 1993, record companies handled A&R, booking, and fan relations. When the music industry underwent a massive transformation in the early 2000s, Brian’s record company dropped many responsibilities, including fan relations, and handed him a fan contact list with no guidance on how to engage them. While he explored various platforms—anyone recall the MySpace era?—it wasn’t until he signed with K&P Enterprises in 2010 and handed over his fan contact list that his community felt truly re-engaged. When Brian signed with publisher HarperCollins last year, they immediately got to work on his identity and reputation, providing fans with updated photos and information about the award-winning producer/composer and recording artist. With Brian’s work in Hollywood putting him on the fast track for prestigious awards, the sense of urgency to re-engage and reorganize the Walton’s Mountaineers Fan Club has been cranked up to 10. Now, with a spanking-new charter, Tanya Mellons will continue to chair international and US operations, while Tim Yo will direct Asia-Pacific (APAC) operations and Klaus Neumann will head European, Middle East, and African (EMEA) operations. Previously, the Walton’s Mountaineers Fan Club functioned independently with minimal support. The Mountaineer board’s goal is to clearly associate Brian’s fan club with Brian himself and give it the tools it needs to serve the fanbase effectively. To do this, they enhanced Brian’s official website with community features, allowing fans to register and access free perks such as VIP passes, exclusive photos, and news. The team adopted an ‘opt-in’ system, giving fans control over the type and amount of information they receive, while also enforcing strict privacy rules to safeguard fans’ personal data. In addition to the officially chartered communities, many independently managed communities and blogs discuss Brian’s work. The charter aims to support these groups through a worldwide outreach program that offers unified messaging, ensuring the roughly 250,000 Brian Walton fans receive the latest news and materials. And that’s only the beginning. As the board gets to work, stay tuned for many new and exciting updates, fellow Mountaineers! ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/press-releases/2026/09/waltons-mountaineers-reorganization-consolidates-the-fanbase/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/press-releases/2026/09/waltons-mountaineers-reorganization-consolidates-the-fanbase/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/press-releases/2026/09/waltons-mountaineers-reorganization-consolidates-the-fanbase/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/press-releases/2026/09/waltons-mountaineers-reorganization-consolidates-the-fanbase/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/press-releases/2026/09/waltons-mountaineers-reorganization-consolidates-the-fanbase/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/press-releases/2026/09/waltons-mountaineers-reorganization-consolidates-the-fanbase/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/press-releases/2026/09/waltons-mountaineers-reorganization-consolidates-the-fanbase/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20Walton%27s%20Mountaineers%20reorganization%20consolidates%20the%20fanbase&body=https%3A%2F%2Fbriangwalton.com%2Fpress-releases%2F2026%2F09%2Fwaltons-mountaineers-reorganization-consolidates-the-fanbase%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/press-releases/2026/09/waltons-mountaineers-reorganization-consolidates-the-fanbase/#print?share=print) - **Categories:** News, Press-Releases **Tags:** brian walton, mountaineers --- ### [Mountaineers Roll Out All-In-One Social Hub and Exclusive Content Vault on Brian Walton’s Official Site](https://briangwalton.com/press-releases/2026/09/mountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site/) **Published:** September 14, 2026 **Author:** Tanya Mellons **Excerpt:** New All-In-One Social Hub and Exclusive Content Vault on Brian Walton’s Official Site brings Fans together. **Content:** ## *Management Team Unveils Interactive Features, Private Messaging, and Rare Vault Downloads at briangwalton.com* Fans of multi-award-winning composer and singer-songwriter [Brian Walton](https://briangwalton.com/about/) have a major new reason to hang out online. The Mountaineers fan club management team has officially unveiled a comprehensive, fully custom social media platform integrated directly into the artist’s official website at [briangwalton.com](https://briangwalton.com). Designed to transform the online community from a standard fan destination into an interactive digital home, the upgraded site pairs dynamic social networking tools with an exclusive media vault reserved specifically for registered members. ### **A Full Social Ecosystem for the Mountaineers** At the core of the upgrade is an expansive social media network designed to connect Mountaineers worldwide. Members can build detailed personal profiles featuring customized bio fields, field groups, unique profile avatars, and personalized header imagery. Real-time community feeds—including sitewide, group, and personal activity streams—let fans post updates, share thoughts, tag fellow members using @mentions, favorite content, and stay up to date on everything happening in the fan community. Peer-to-peer connection is seamless thanks to a friend request system and a private internal messaging dashboard. Members can send direct private messages, organize their inbox, star key conversations, and customize their account notification settings. System-generated email notifications ensure fans never miss a message, group invitation, or profile interaction. ### **Interactive Groups and Community Discussion Forums** To help fans discuss specific projects, releases, and live events, the site now supports dynamic user groups. Community members can form public or private interest groups complete with customized roles, group avatars, cover images, and dedicated activity streams. Integrated discussion forums allow for organized, topic-driven conversations ranging from album reviews to tour coverage. Dynamic navigation menus and custom site widgets—such as online member indicators, active group lists, and network notices—make it easy to navigate the hub on both desktop and mobile devices. ### **Exclusive Access: The “My Downloads” Vault** Alongside the social features, the update introduces a brand-new “My Downloads” portal built exclusively for logged-in Mountaineers. This section serves as a digital vault where fans can directly download high-quality audio files of Brian Walton’s music, including standalone singles and tracks from his acclaimed album *‘Merica*. In addition to music files, the section offers an exclusive archive of never-before-published photographs spanning Walton’s five-decade career in the music industry. From candid studio moments alongside legendary producers like Phil Ramone to rare behind-the-scenes concert photos, the download center offers fans a rare glimpse into Walton’s legacy. The hub also hosts professional media kits, high-resolution promotional imagery, and official artwork, offering a one-stop resource for journalists and industry partners. ### **Unifying the Global Fanbase** The rollout marks a major step forward in how the Mountaineers management team engages with Walton’s audience. By hosting these features directly on briangwalton.com, the team has established an ad-free, self-contained community space free from third-party social media algorithms. Registration is free and open now at briangwalton.com, where fans can create their profiles, connect with fellow Mountaineers, and start exploring the new download vault immediately. ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/press-releases/2026/09/mountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/press-releases/2026/09/mountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/press-releases/2026/09/mountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/press-releases/2026/09/mountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/press-releases/2026/09/mountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/press-releases/2026/09/mountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/press-releases/2026/09/mountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20Mountaineers%20Roll%20Out%20All-In-One%20Social%20Hub%20and%20Exclusive%20Content%20Vault%20on%20Brian%20Walton%E2%80%99s%20Official%20Site&body=https%3A%2F%2Fbriangwalton.com%2Fpress-releases%2F2026%2F09%2Fmountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/press-releases/2026/09/mountaineers-roll-out-all-in-one-social-hub-and-exclusive-content-vault-on-brian-waltons-official-site/#print?share=print) - **Categories:** News, Press-Releases **Tags:** brian walton, mountaineers --- ### [Black Widow to be featured in Lionsgate's Karoshi coming January 2027](https://briangwalton.com/press-releases/2026/06/black-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027/) **Published:** June 19, 2026 **Author:** Tanya Mellons **Excerpt:** Black Widow is Brian’s second award-winning gold single, featured by everyone from Adidas to Warner Bros to electrify audiences and energize action scenes across TV and film. **Content:** Hollywood, California, June 19, 2026 Brian Walton’s music production company Musty Dungeon Studios has been a force in Hollywood since 2010 where it has been involved in such block-buster productions as “[The Mandalorian](https://www.imdb.com/title/tt8111088/)“, “[Wish](https://www.imdb.com/title/tt11304740/)“, and “[Mufasa](https://www.imdb.com/title/tt13186482/)” Today they announced that Brian Walton’s second gold single “Black Widow” will be featured in action scenes for the upcoming dystopian action thriller “[Karoshi](https://www.imdb.com/title/tt33295857/)” directed by Takashi Doscher and starring Cynthia Erivo and Teo Yoo. Julliard-trained Brian Walton, who apprenticed under the legendary Phil Ramone in the ’80s, has composed for icons like Diana Ross, Wynonna Judd, and 38 Special. He broke into Hollywood in the ’90s as a soundtrack composer and engineer, and he’s been thriving there ever since. Many of his singles over the years have gone on to become the foundation for movie and TV soundtracks, and vice versa. “Karoshi” marks the 69th time “Black Widow” has appeared in a major Hollywood production, making it one of his most prolific and popular tracks. Its success is boosted by its strong performance on European and Asian charts, where it consistently ranks in the top 100. Brian released “Black Widow” in the US in 2015, and it steadily climbed the charts, gaining a major boost in 2020 when, as Disney’s Associate Music Director, he featured the track in the TV series “Andor” and “The Mandalorian.” Both Brian Walton and “Black Widow” have a rich history worth exploring, as this is just the start of a multiyear contract that Musty Dungeon Studios has secured with the mega movie production company and its associates. Learn more about Brian Walton at: Learn more about “Black Widow” at: ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/press-releases/2026/06/black-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/press-releases/2026/06/black-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/press-releases/2026/06/black-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/press-releases/2026/06/black-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/press-releases/2026/06/black-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/press-releases/2026/06/black-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/press-releases/2026/06/black-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20Black%20Widow%20to%20be%20featured%20in%20Lionsgate%27s%20Karoshi%20coming%20January%202027&body=https%3A%2F%2Fbriangwalton.com%2Fpress-releases%2F2026%2F06%2Fblack-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/press-releases/2026/06/black-widow-to-be-featured-in-lionsgates-karoshi-coming-january-2027/#print?share=print) - **Categories:** News, Press-Releases **Tags:** black-widow --- ### [What the Hell! Under Consideration for Blues Foundation Award](https://briangwalton.com/press-releases/2026/07/what-the-hell-under-consideration-for-blues-foundation-award/) **Published:** July 7, 2026 **Author:** Tanya Mellons **Excerpt:** Brian Walton’s hit "What the Hell!" is under consideration for the 2027 Blues Foundation Song of the Year Award—a milestone for the acclaimed composer. **Content:** Tuesday, July 7th, 2026 Today, team BGW is proud to announce that Brian Walton’s “What the Hell!” is under consideration for the 2027 Blues Foundation Song of the Year Award. If nominated, this will mark the song’s first nomination from a prestigious organization and Brian’s 27th nomination as an artist. Originally composed in 2009 as part of the soundtrack for the documentary “Boobs: An American Obsession,” Brian added vocals and released the single later that year. The song quickly gained traction, buoyed by the documentary’s success, and climbed the blues charts, reaching the Top 100 in its release year. During Brian’s 2010 tour with the Toad House Band, they featured “What the Hell!,” which then rose to the Top 25 on the charts. Since then, the song has received multiple songwriting awards from the Society of Composers and Lyricists (SCL) and the Songwriters Guild of America (SGA). Additionally, variations of the song have appeared in Disney’s “The Mandalorian” and “Andor.” Brian is an award-winning artist, composer, and producer who began his career in the 80s at A&R Recording, working under the watchful eye of the legendary producer Phil Ramone and collaborating with superstars Billy Joel, Burt Bacharach, and Liza Minelli. He then moved to Capitol Records, where he collaborated on Spielberg’s “Schindler’s List” and Polanski’s “Ninth Gate” before launching a highly successful solo career as a recording artist. Brian has more than 450 published works that have either been recorded by other famous artists or featured in film and television more than 1,400 times, more than any other composer since 1989, according to the American Society of Composers, Authors and Publishers (ASCAP). Read more about [Brian Walton](https://briangwalton.com/bio "Brian Walton"). Read more about “[What the Hell](https://briangwalton.com/releases/what-the-hell-2009/ "What the Hell").” ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/press-releases/2026/07/what-the-hell-under-consideration-for-blues-foundation-award/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/press-releases/2026/07/what-the-hell-under-consideration-for-blues-foundation-award/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/press-releases/2026/07/what-the-hell-under-consideration-for-blues-foundation-award/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/press-releases/2026/07/what-the-hell-under-consideration-for-blues-foundation-award/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/press-releases/2026/07/what-the-hell-under-consideration-for-blues-foundation-award/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/press-releases/2026/07/what-the-hell-under-consideration-for-blues-foundation-award/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/press-releases/2026/07/what-the-hell-under-consideration-for-blues-foundation-award/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20What%20the%20Hell%21%20Under%20Consideration%20for%20Blues%20Foundation%20Award&body=https%3A%2F%2Fbriangwalton.com%2Fpress-releases%2F2026%2F07%2Fwhat-the-hell-under-consideration-for-blues-foundation-award%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/press-releases/2026/07/what-the-hell-under-consideration-for-blues-foundation-award/#print?share=print) - **Categories:** News, Press-Releases --- ### [Cowgirl Thang Claims Top Industry Honors and Worldwide Success](https://briangwalton.com/press-releases/2022/05/cowgirl-thang-claims-top-industry-honors-and-worldwide-success/) **Published:** May 1, 2022 **Author:** Tanya Mellons **Excerpt:** Experience the undeniable success of Cowgirl Thang, the critically acclaimed gold selling hit by Brian Walton that has captivated audiences worldwide. **Content:** **FOR IMMEDIATE RELEASE** **“Cowgirl Thang” by Brian Walton Claims Top Industry Honors and Worldwide Success** Following its rapid ascent to the top of the charts in May 2022, Brian Walton’s hit single [Cowgirl Thang](https://briangwalton.com/releases/cowgirl-thang/ "Cowgirl Thang (Let’s Skin a Buck!) by Brian Walton") continues to dominate, solidifying its place as one of the year’s most acclaimed tracks. Featuring a distinct pop-art aesthetic by Grammy Award-winning designer [Stefan Sagmeister](https://en.wikipedia.org/wiki/Stefan_Sagmeister) and global distribution via Sony Entertainment, the song has captured the attention of audiences and industry professionals alike. Key highlights of the track’s performance include: - Industry Recognition: Winner of the 2023 [Songwriters Guild of America](https://www.songwritersguild.com/) (SGA) American Standards Award and the 2022 [Society of Composers and Lyricists](https://thescl.com/) (SCL) Award. - Broad Media Exposure: Featured on Good Morning America and supported by ongoing placement in [Spotify](https://open.spotify.com/album/6iMIwEJImTr7tdpnijVeOu)’s and SiriusXM’s artist spotlight programs. - Audience Impact: The release successfully expanded Walton’s fanbase by 50,000 subscribers and currently maintains an audience of hundreds of thousands of daily listeners worldwide. - Professional Production: Managed by global powerhouse agency McCann-Erickson, the track blends Brian Walton’s signature songwriting with stellar percussion work from Steve Gadd.[1](https://docs.google.com/document/d/1JWsakHHBMY-wPSDtB4w3MHSVK0Dh03dJHRMjNAi1OUs/edit) “Cowgirl Thang” is available now on all major streaming platforms. For more information, tour dates, and future projects, visit [braingwalton.com](http://braingwalton.com). ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/press-releases/2022/05/cowgirl-thang-claims-top-industry-honors-and-worldwide-success/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/press-releases/2022/05/cowgirl-thang-claims-top-industry-honors-and-worldwide-success/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/press-releases/2022/05/cowgirl-thang-claims-top-industry-honors-and-worldwide-success/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/press-releases/2022/05/cowgirl-thang-claims-top-industry-honors-and-worldwide-success/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/press-releases/2022/05/cowgirl-thang-claims-top-industry-honors-and-worldwide-success/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/press-releases/2022/05/cowgirl-thang-claims-top-industry-honors-and-worldwide-success/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/press-releases/2022/05/cowgirl-thang-claims-top-industry-honors-and-worldwide-success/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20Cowgirl%20Thang%20Claims%20Top%20Industry%20Honors%20and%20Worldwide%20Success&body=https%3A%2F%2Fbriangwalton.com%2Fpress-releases%2F2022%2F05%2Fcowgirl-thang-claims-top-industry-honors-and-worldwide-success%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/press-releases/2022/05/cowgirl-thang-claims-top-industry-honors-and-worldwide-success/#print?share=print) - **Categories:** News, Press-Releases --- ### [Vinyl Records are Back! Thanks to ElasticStage.com](https://briangwalton.com/press-releases/2026/08/vinyl-records-are-back-thanks-to-elasticstage-com/) **Published:** August 21, 2026 **Author:** Amelia Fontaine **Excerpt:** Brian Walton's Label closes deal with vinyl record producer to re-create all his recordings. The Mountaineers are hard at work! **Content:** Today, [Musty Dungeon Studios](https://mustydungeon.com/) (MDS) announced a new partnership with [elasticStage.com](https://elasticstage.com/), an on-demand mechanical media producer, to produce vinyl records and compact discs for its entire catalog, including all of [Brian Walton](https://briangwalton.com/?elementor_library=biography-page "Biography Page")‘s recordings. The joint venture follows a newly inked three-year deal with Netflix, under which the powerhouse production company was tasked with providing mechanical production services as part of its service portfolio. ElasticStage is the world’s first on-demand vinyl and CD manufacturing platform, built for music creators and record labels to ship to over 90 countries worldwide. Since the traditional music distribution model collapsed in the 90s, driven by the internet, labels and distributors had to adapt to streaming-based business models, opening the door for independents to take over the market and putting record stores permanently out of business. In recent years, vinyl recordings have seen a massive resurgence, even surpassing compact disc sales, so ElasticStage stepped up to meet the demand. Sony Entertainment distributed most of [Brian Walton](https://briangwalton.com/?elementor_library=biography-page "Biography Page")‘s recordings under the classic distribution model. After MDS negotiated the release of Brian’s catalog from Sony, it didn’t include the original stampers (used to stamp vinyl records) or artwork, which Sony still owned exclusively. Each streaming release required new artwork, which is why Brian Walton records or CDs from before 2020 are different from those today and are no longer available for purchase. Through our partnership with ElasticStage, we can once again offer all of Brian’s recordings on vinyl and CD, and the Mountaineer team is diligently creating new artwork and releasing them as fast as possible. So stay tuned… ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/press-releases/2026/08/vinyl-records-are-back-thanks-to-elasticstage-com/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/press-releases/2026/08/vinyl-records-are-back-thanks-to-elasticstage-com/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/press-releases/2026/08/vinyl-records-are-back-thanks-to-elasticstage-com/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/press-releases/2026/08/vinyl-records-are-back-thanks-to-elasticstage-com/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/press-releases/2026/08/vinyl-records-are-back-thanks-to-elasticstage-com/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/press-releases/2026/08/vinyl-records-are-back-thanks-to-elasticstage-com/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/press-releases/2026/08/vinyl-records-are-back-thanks-to-elasticstage-com/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20Vinyl%20Records%20are%20Back%21%20Thanks%20to%20ElasticStage.com&body=https%3A%2F%2Fbriangwalton.com%2Fpress-releases%2F2026%2F08%2Fvinyl-records-are-back-thanks-to-elasticstage-com%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/press-releases/2026/08/vinyl-records-are-back-thanks-to-elasticstage-com/#print?share=print) - **Categories:** News, Press-Releases **Tags:** brian walton, elasticstage, musty dungeon studios, netflix --- ### [Why you should listen to Brian Walton's "In My Little Town"](https://briangwalton.com/news/2026/08/why-you-should-listen-to-brian-waltons-in-my-little-town/) **Published:** August 19, 2026 **Author:** Amelia Fontaine **Excerpt:** The song is a humorous take on the all-too-common subject of how people act when they've had too much to drink and run their mouth at the bar. **Content:** When I first listened to the full version of “In My Little Town,” not the radio edit, I was a little taken aback by the vinyl-scratched prelude, which sounded reminiscent of a turn-of-the-century vaudeville band, complete with a tinny sound and thin vocals, until it became apparent that it was setting the scene for the old Western mining town the song is about. A quirky and oddly genius setup, leaving one totally unprepared for the hard rock intro assault of muscular, crunching guitar riffs, peppered with heavy drum work and a quick sneak peek of Brian Walton’s blistering fiddle style. Then it’s off to the races, straight into the chorus. The song is a humorous take on the all-too-common subject of how people act when they’ve had too much to drink and run their mouth at the bar. One day, a drinking buddy told Brian, “You need to write a song about this bullshit,” and that’s just what he did. Brian never intended the song to be anything more than a novelty meant to poke fun at the local rumor mill in his hometown, as evidenced by the two iconic lines, “Got the sniffles at noon, you’re dead by 9” and “You don’t lose your partner, you lose your place in line”. But what makes the song a chart-topper is its straightforward classic-rock rhythm, with its unique use of the fiddle as a quasi-solo guitar alternative. The highlight is the solo break, where the song winds down, led by the fiddle, then pops up and punches you in the face with one of the fastest scale-ripping fiddle solos I’ve ever heard, crowned, of course, by Brian’s signature solo guitar prowess. I found myself rewinding to the fiddle solo over and over because I just couldn’t believe my ears. Released in 2021 as an EP featuring both the full version and a radio-edited version without the prelude, “In My Little Town” was an instant fan favorite. If you’re just now discovering Brian, he blends traditional instruments with rock elements to create his unique style of Americana. Take a listen. I betcha you’ll be impressed. More: [In My Little Town](https://briangwalton.com/releases/in-my-little-town/ "In My Little Town (EP)") \[scb-sound-cloud id=8857\] ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/news/2026/08/why-you-should-listen-to-brian-waltons-in-my-little-town/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/news/2026/08/why-you-should-listen-to-brian-waltons-in-my-little-town/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/news/2026/08/why-you-should-listen-to-brian-waltons-in-my-little-town/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/news/2026/08/why-you-should-listen-to-brian-waltons-in-my-little-town/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/news/2026/08/why-you-should-listen-to-brian-waltons-in-my-little-town/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/news/2026/08/why-you-should-listen-to-brian-waltons-in-my-little-town/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/news/2026/08/why-you-should-listen-to-brian-waltons-in-my-little-town/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20Why%20you%20should%20listen%20to%20Brian%20Walton%27s%20%22In%20My%20Little%20Town%22&body=https%3A%2F%2Fbriangwalton.com%2Fnews%2F2026%2F08%2Fwhy-you-should-listen-to-brian-waltons-in-my-little-town%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/news/2026/08/why-you-should-listen-to-brian-waltons-in-my-little-town/#print?share=print) - **Categories:** News **Tags:** brian walton, In My Little Town --- ### [Netflix Announces over 100 Original Projects in Development](https://briangwalton.com/news/2026/08/netflix-announces-over-100-original-projects-in-development/) **Published:** August 7, 2026 **Author:** Axeman **Excerpt:** Netflix eyes expansion with 101 new original projects. Musty Dungeon Studios, led by Brian Walton, nears a major deal to provide audio production for the slate. **Content:** Today, the [Movie Insider](https://www.movieinsider.com/c3899/netflix/status/development?page_offset=0) website published a list of 101 [Netflix](https://en.wikipedia.org/wiki/Netflix) original movie projects currently in development. However, [Netflix](https://en.wikipedia.org/wiki/Netflix) has much more in the works, including TV series and online games. That accounts for roughly 40% of the total projects in development at [Netflix](https://en.wikipedia.org/wiki/Netflix), just to give you an idea of how much more is to come. While details about [Musty Dungeon Studios](https://mustydungeon.com/)‘ (MDS) involvement with [Netflix](https://en.wikipedia.org/wiki/Netflix) have been hush-hush lately, Chairman [Brian Walton](https://briangwalton.com/about/) said his company would likely be the prime on most of the projects announced today. “We are still in negotiations, but have met major milestones, and both sides are confident that a deal will be made shortly,” says Walton. The three-year deal in the works with [Netflix](https://en.wikipedia.org/wiki/Netflix) would have the powerhouse [Musty Dungeon Studios](https://mustydungeon.com/) provide audio production services for a large share of the movies announced today, as well as the 40% yet to come. The deal came about after [Walton](https://briangwalton.com/about/) developed the [Zombie Love](https://briangwalton.com/releases/zombie-love/) soundtrack for the upcoming online game, series, and movie pilot. [Brian Walton](https://briangwalton.com/about/) rose quickly in Hollywood after a two-year stint at [Disney](https://en.wikipedia.org/wiki/The_Walt_Disney_Company), where he contributed to projects like [The Mandalorian](https://en.wikipedia.org/wiki/The_Mandalorian), [Elemental](https://en.wikipedia.org/wiki/Elemental_(2023_film)), and [Mufasa](https://en.wikipedia.org/wiki/Mufasa:_The_Lion_King), and earned membership in the [Motion Picture Association](https://en.wikipedia.org/wiki/Motion_Picture_Association). After leaving Disney, he founded Musty Dungeon Studios and collaborated with renowned composer [Hans Zimmer](https://en.wikipedia.org/wiki/Hans_Zimmer) before joining [Netflix](https://en.wikipedia.org/wiki/Netflix). [Walton](https://briangwalton.com/about/), a multi-award-winning composer and producer, is well established in the industry. In the 1980s and 90s, he worked on films such as [Arthur (1981)](https://en.wikipedia.org/wiki/Arthur_(1981_film)), [Schindler’s List](https://en.wikipedia.org/wiki/Schindler's_List), and [The Ninth Gate](https://en.wikipedia.org/wiki/The_Ninth_Gate). According to [ASCAP](https://en.wikipedia.org/wiki/American_Society_of_Composers,_Authors_and_Publishers), he is among the most recorded composers, with more than 450 published works recorded by artists including [Diana Ross](https://en.wikipedia.org/wiki/Diana_Ross), [38 Special](https://en.wikipedia.org/wiki/38_Special_(band)), and [Anne Murray](https://en.wikipedia.org/wiki/Anne_Murray), placing him on par with his contemporaries in Hollywood. ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/news/2026/08/netflix-announces-over-100-original-projects-in-development/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/news/2026/08/netflix-announces-over-100-original-projects-in-development/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/news/2026/08/netflix-announces-over-100-original-projects-in-development/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/news/2026/08/netflix-announces-over-100-original-projects-in-development/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/news/2026/08/netflix-announces-over-100-original-projects-in-development/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/news/2026/08/netflix-announces-over-100-original-projects-in-development/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/news/2026/08/netflix-announces-over-100-original-projects-in-development/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20Netflix%20Announces%20over%20100%20Original%20Projects%20in%20Development&body=https%3A%2F%2Fbriangwalton.com%2Fnews%2F2026%2F08%2Fnetflix-announces-over-100-original-projects-in-development%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/news/2026/08/netflix-announces-over-100-original-projects-in-development/#print?share=print) - **Categories:** News **Tags:** brian walton, musty dungeon studios, netflix --- ### [The American Heart Association and others join the 'Merica Initiative](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/) **Published:** January 17, 2026 **Author:** Tanya Mellons **Excerpt:** American Diabetes Association, the American Heart Association, and Habitat for Humanity join the 'Merica Initiative **Content:** The ‘Merica Initiative was an idea sparked while Brian Walton was producing his highly praised album ‘Merica in 2022. For over 25 years, Brian, a veteran himself, has supported veterans through charity events and appearances. As the music industry constantly evolves, he and other artists found it increasingly difficult to pledge support in a meaningful way. So, in collaboration with veteran organizations, Brian devised a plan to make it easier for artists to pledge some or all of their proceeds for any event without the burden of organizing or joining a specialized benefit. Brian reached out to his network and found many artists willing to participate. In its first year, the initiative brought in roughly $10K in donations. The business model also worked well for streaming and physical media sales, but artists themselves received only a fraction of those sales. So Brian used his industry connections to encourage record companies to pledge on artists’ behalf, and donations skyrocketed. By the end of Brian’s 2025 ‘Merica tour in support of the US Army’s 250th Anniversary, donations for participating members and associated charities exceeded $65K. Each participating member of the initiative has appointed a volunteer to serve as liaison, and together they decide how to route donations. No money changes hands, and all donations go directly to the charities involved, making the project highly efficient and free from impropriety. Brian has no role in the initiative and merely volunteers his time and resources when needed. In 2026, participating membership was expanded to include the [American Diabetes Association](https://diabetesjournals.org/), the [American Heart Association](https://www.heart.org/), and [Habitat for Humanity](https://www.habitat.org/), broadening support to not only veterans but all Americans in need. While still in its infancy and not much more than a few volunteers donating their time, pledges continue to grow rapidly, prompting the participating members of the initiative to begin planning to incorporate and take the project public in 2027. Something to watch out for. In the meantime, if you would like to generously contribute to one of the participating members or associated charities they sponsor directly, please refer to the links below. ## ‘Merica Initiative Participating Members - [American Legion](https://www.legion.org/) - [Veterans of Foreign Wars (VFW)](https://www.vfw.org/) - [Disabled American Veterans (DAV)](https://www.dav.org/) - [American Diabetes Association](https://diabetesjournals.org/) - [American Heart Association](https://www.heart.org/) - [Habitat for Humanity](https://www.habitat.org/) ### ‘Merica Initiative Associated Charities - [Wounded Warrior Project](https://www.woundedwarriorproject.org/) - [Fisher House Foundation](https://www.fisherhouse.org/) - [Semper Fi & America’s Fund](https://thefund.org/) - [Homes For Our Troops](https://www.hfotusa.org/) ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20The%20American%20Heart%20Association%20and%20others%20join%20the%20%27Merica%20Initiative&body=https%3A%2F%2Fbriangwalton.com%2Fpress-releases%2F2026%2F01%2Fthe-american-heart-association-and-others-join-the-merica-initiative%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/#print?share=print) - **Categories:** News, Press-Releases --- ### [Brian Walton, Darren Rupp Band highlight 2026 BBR Festival](https://briangwalton.com/press-releases/2026/07/brian-walton-darren-rupp-band-highlight-2026-bbr-festival/) **Published:** July 22, 2026 **Author:** Axeman **Excerpt:** Brian Walton and The Darren Rupp Band to highlight the 2026 BBR Festival at historic Bux's Place in Challis, Idaho **Content:** ACM award-winning recording artist Brian Walton will be performing during the [Braun Brothers Reunion Festival](https://braunbrothersreunion.com/), August 5th through 9th, 2026, at historic [Bux’s Place](https://en.wikipedia.org/wiki/Bux%27s_Place) in Challis, Idaho, featuring The Darren Rupp Band from Blackfoot, Idaho. Shows start between 9:30 and 10:30 pm each night. No cover charge. Seating is limited, and identification is required at the door. Vaping and smoking are allowed. Brian Walton’s ‘Merica Tour 2026 is a series of personal appearances and live performances supporting veterans’ organizations and important charities, including the [American Legion](https://www.legion.org/), the [Disabled American Veterans](https://www.dav.org/), the [Wounded Warrior Project](https://www.woundedwarriorproject.org/), the [American Diabetes Association](https://diabetesjournals.org/), and the [American Heart Association](https://www.heart.org/). All proceeds from the events, including streaming revenue from Brian’s gold-selling album [‘Merica](https://briangwalton.com/releases/merica-250th-commemorative-edition/), are being donated to the ‘Merica initiative in commemoration of America’s 250th birthday. Brian Walton, a veteran himself, has spent the past 25 years working alongside veteran organizations to support fellow veterans. In 2022, he initiated the ‘Merica initiative following the release of his album [America](https://briangwalton.com/releases/merica-250th-commemorative-edition/) (a.k.a. ‘Merica) to rally prominent figures to support veterans through appearances and performances organized by veteran organizations. Although still in its early stages, the initiative led to an 8% increase in donations for veterans in 2025. ### About Brian Walton Almost 50 years after apprenticing under the legendary producer [Phil Ramone](https://en.wikipedia.org/wiki/Phil_Ramone) at A&R Recording, [Brian Walton](https://briangwalton.com/about/) has racked up an impressive list of accomplishments. From collaborating with songwriting icons like [Burt Bacharach](https://en.wikipedia.org/wiki/Burt_Bacharach), [Peter Allen](https://en.wikipedia.org/wiki/Peter_Allen_(musician)), and [Christopher Cross](https://en.wikipedia.org/wiki/Christopher_Cross), to sharing the stage with big names like [Diana Ross](https://en.wikipedia.org/wiki/Diana_Ross), [Eric Clapton](https://en.wikipedia.org/wiki/Eric_Clapton), and [Dwight Yoakam](https://en.wikipedia.org/wiki/Dwight_Yoakam), to creating soundtracks for major studios like [Disney](https://en.wikipedia.org/wiki/The_Walt_Disney_Company), [Netflix](https://en.wikipedia.org/wiki/Netflix), and [Warner Bros.](https://en.wikipedia.org/wiki/Warner_Bros.), it’s no wonder this multi-award-winning artist is among the most respected musicians, singer-songwriters, and producers in the industry today. ### Share this: - [ Share on Facebook (Opens in new window) Facebook](https://briangwalton.com/press-releases/2026/07/brian-walton-darren-rupp-band-highlight-2026-bbr-festival/?share=facebook) - [ Share on X (Opens in new window) X](https://briangwalton.com/press-releases/2026/07/brian-walton-darren-rupp-band-highlight-2026-bbr-festival/?share=x) - [ Share on Pinterest (Opens in new window) Pinterest](https://briangwalton.com/press-releases/2026/07/brian-walton-darren-rupp-band-highlight-2026-bbr-festival/?share=pinterest) - [ Share on Tumblr (Opens in new window) Tumblr](https://briangwalton.com/press-releases/2026/07/brian-walton-darren-rupp-band-highlight-2026-bbr-festival/?share=tumblr) - [ Share on Reddit (Opens in new window) Reddit](https://briangwalton.com/press-releases/2026/07/brian-walton-darren-rupp-band-highlight-2026-bbr-festival/?share=reddit) - [ Share on LinkedIn (Opens in new window) LinkedIn](https://briangwalton.com/press-releases/2026/07/brian-walton-darren-rupp-band-highlight-2026-bbr-festival/?share=linkedin) - [ Share on Bluesky (Opens in new window) Bluesky](https://briangwalton.com/press-releases/2026/07/brian-walton-darren-rupp-band-highlight-2026-bbr-festival/?share=bluesky) - [ Email a link to a friend (Opens in new window) Email](mailto:?subject=%5BShared%20Post%5D%20Brian%20Walton%2C%20Darren%20Rupp%20Band%20highlight%202026%20BBR%20Festival&body=https%3A%2F%2Fbriangwalton.com%2Fpress-releases%2F2026%2F07%2Fbrian-walton-darren-rupp-band-highlight-2026-bbr-festival%2F&share=email) - [ Print (Opens in new window) Print](https://briangwalton.com/press-releases/2026/07/brian-walton-darren-rupp-band-highlight-2026-bbr-festival/#print?share=print) - **Categories:** News, Press-Releases --- ## Pages ### [Brian Walton Official Website](https://briangwalton.com/) **Published:** December 2, 2023 **Author:** Axeman **Excerpt:** The Official Website of Brian Walton. Get the latest Music, News, and Gear. Sign up now at no cost and get access to loads of Free Stuff! **Content:**  [ Facebook ](https://www.facebook.com/BrianGWalton/) [ X-twitter ](https://x.com/briangwalton) [ Youtube ](https://www.youtube.com/@BrianGWalton) [ Instagram ](https://www.instagram.com/bwalton64/) [ Vimeo ](https://vimeo.com/briangwalton) [ Tiktok ](https://www.tiktok.com/@briangwalton) [ Spotify ](https://open.spotify.com/artist/5nigiuSt4WVbotqjYkgVqq) [ Amazon ](https://music.amazon.com/artists/B001980VQA/brian-walton) [ Apple ](https://music.apple.com/us/artist/brian-walton/266396742) [ Soundcloud ](https://soundcloud.com/briangwalton) ![Brian Walton at Capitol Studios Hollywood, 2023]() ![Brian and Phil Ramone, Studio R1, NYC, 1980]() ![1996-brian-best-male-vocalist-nashville-tennesee]() ![Michael Omartian and Brian during the Arthur Soundtrack Postproduction, A&R Recording, Studio R1, NYC, 1981]() ![Brian receiving official recognition for his work on the Teachers Soundtrack, Nashville, Tennessee, 1984]() # [Brian Walton](https://briangwalton.com/about/) ### [*"The Magical Journey"* coming soon!](https://briangwalton.com/the-magical-journey/) Almost 50 years after apprenticing under the legendary producer [Phil Ramone](https://en.wikipedia.org/wiki/Phil_Ramone) at A&R Recording, [Brian](https://briangwalton.com/about/) has racked up an impressive list of accomplishments. From collaborating with songwriting icons like [Burt Bacharach](https://en.wikipedia.org/wiki/Burt_Bacharach), [Peter Allen](https://en.wikipedia.org/wiki/Peter_Allen_(musician)), and [Christopher Cross](https://en.wikipedia.org/wiki/Christopher_Cross), to sharing the stage with big names like [Diana Ross](https://en.wikipedia.org/wiki/Diana_Ross), [Eric Clapton](https://en.wikipedia.org/wiki/Eric_Clapton), and [Dwight Yoakam](https://en.wikipedia.org/wiki/Dwight_Yoakam), to creating soundtracks for major studios like [Disney](https://en.wikipedia.org/wiki/The_Walt_Disney_Company), [Netflix](https://en.wikipedia.org/wiki/Netflix), and [Warner Bros.](https://en.wikipedia.org/wiki/Warner_Bros.), it’s no wonder this multi-award-winning artist is among the most respected musicians, singer-songwriters, and producers in the industry today. “[The Magical Journey](https://briangwalton.com/the-magical-journey/)” is Brian’s upcoming picture biography, published by [HarperCollins](https://en.wikipedia.org/wiki/HarperCollins), that lays out his incredible career in detail, includes stunning never-before-seen photographs, and features humorous excerpts from the award-winning artist himself. Streams 0 [YTD, as reported by SoundCharts](https://soundcharts.com/en/) Soundtracks 0 [As reported by MPA](https://www.motionpictures.org/) Fans 0 [As reported by the Mountaineers Fanclub](https://briangwalton.com) Compositions 0 [As reported by ASCAP](https://www.ascap.com/) [Listen on Bandcamp](https://bandcamp.com) ## ['Merica Album](https://briangwalton.com/releases/merica/) Brian Walton’s critically acclaimed 2022 album, [‘Merica](https://briangwalton.com/releases/merica/), features chart-topping singles such as “[Cowgirl Thang](https://briangwalton.com/releases/cowgirl-thang/)” and “[Fly Higher](https://briangwalton.com/releases/fly-higher/),” heartfelt tributes, guest performances, and light-hearted tracks guaranteed to plant a smile on your face. This multifaceted masterpiece showcases the accomplished Hollywood composer’s immense versatility and musical depth. And through the [‘Merica initiative](https://tinyurl.com/mvence9w) proceeds from every stream goes directly to national charities like the [Wounded Warrior Project](https://www.woundedwarriorproject.org/) and [American Heart Association](https://www.heart.org/). By simply listening on [Spotify](https://open.spotify.com/artist/5nigiuSt4WVbotqjYkgVqq), [Apple Music](https://music.apple.com/us/artist/brian-walton/266396742), or [YouTube Music](https://music.youtube.com/@BrianGWalton), you directly help veterans, families, and neighbors in need nationwide. [ Info-circle ](https://briangwalton.com/releases/merica/) [ Spotify ](https://open.spotify.com/album/7b1qLeTnwj3e0IR3kZLiIk) [ Apple ](https://music.apple.com/us/album/america/1760955444) [ Youtube ](https://music.youtube.com/playlist?list=OLAK5uy_lcY-qO1YWc-gFBtPLQodMfys__74ljepY&si=ddW4z_Rzyyh9YlPZ) [ Amazon ](https://music.amazon.com/albums/B0DBZYRR73) [ Cart-plus ](https://briangwalton.com/product/merica-special-independence-day-edition-album/) [ Download for Free! ](https://briangwalton.com/product/merica-album-digital-download/) ## [Garb, Gear and More!](https://briangwalton.com/shop/) Welcome to your official backstage pass for everything Brian Walton. Whether you are looking to spin the vibes on high-quality vinyl, download the latest digital tracks, or wear your fandom on your sleeve with our exclusive, ultra-comfortable clothing lineup of tees and hoodies, we’ve got you covered. Don’t forget to round out your look with our custom accessories, featuring everything from statement hats to limited-edition pins that add the perfect edge to your daily routine. [ Shop Now! ](https://briangwalton.com/shop/)  ### In My Little Town $4.99 [Add to cart](/wp-cron.php?doing_wp_cron=1789437055.9236760139465332031250&add-to-cart=8856)  ### ‘Merica Album (Free for Members) $6.99 [Add to cart](/wp-cron.php?doing_wp_cron=1789437055.9236760139465332031250&add-to-cart=7787)  ## ['Merica Initiative](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/) The [‘Merica Initiative](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/) was an idea sparked while Brian was producing his highly praised album [‘Merica](https://briangwalton.com/releases/merica/) in 2022. For over 25 years, Brian, a veteran himself, has supported veterans through charity events and guest appearances, but he became frustrated that there were few options for artists to support veterans at their own events. So, in collaboration with veteran organizations like the [American Legion](https://www.legion.org/), [Disabled American Veterans (DAV)](https://www.dav.org/), and [Veterans of Foreign Wars (VFW)](https://www.vfw.org/), Brian devised a plan to make it easier for artists to pledge some or all of their proceeds for any event without organizing or attending a specialized benefit… [ Read More... ](https://briangwalton.com/press-releases/2026/01/the-american-heart-association-and-others-join-the-merica-initiative/) --- ### [My Downloads](https://briangwalton.com/my-downloads/) **Published:** September 14, 2026 **Author:** Axeman **Content:** ## My Downloads file found.files found.- [In My Little Town – Release Package](/shared-files/9936/?In-My-Little-Town-Brian-Walton-Release-Package.zip)58.07 MBSeptember 14, 2026Downloads: 0 in-my-little-town In My Little Town Release package - In My Little Town 360kbps MP3 - In My Little Town (Radio Edit) 360kbps MP3 - In My Little Town Release Media Kit (PDF) [Download](/shared-files/9936/?In-My-Little-Town-Brian-Walton-Release-Package.zip&download=1) - [In My Little Town – Release Package](/shared-files/9936/?In-My-Little-Town-Brian-Walton-Release-Package.zip)58.07 MBSeptember 14, 2026Downloads: 0 In My Little Town Release package - In My Little Town 360kbps MP3 - In My Little Town (Radio Edit) 360kbps MP3 - In My Little Town Release Media Kit (PDF) [Download](/shared-files/9936/?In-My-Little-Town-Brian-Walton-Release-Package.zip&download=1) No files found. --- --- ### [HTML Sitemap](https://briangwalton.com/sitemap/) **Published:** September 12, 2026 **Author:** Axeman --- ### [Mountaineer General Store](https://briangwalton.com/shop/) **Published:** August 31, 2025 **Author:** Axeman **Excerpt:** Welcome to your official backstage pass for everything Brian Walton. Sign up for Free and get access to all kinds of free and discounted stuff! --- ### [About Brian Walton](https://briangwalton.com/about/) **Published:** December 2, 2023 **Author:** Axeman **Excerpt:** What do Stevie Nicks, Dwight Yoakam and Netflix have in common? Brian Walton's journey through the music industry is chock full of such interesting twists... **Content:**  About Discography Gallery Fun Facts The Bands Brian began his music career in 1980 by hopping a bus from Buffalo, New York to New York City to attend [Juilliard](https://en.wikipedia.org/wiki/Juilliard_School). NYC proved challenging for a student on a budget, so to make ends meet, Brian juggled small acting roles with piano gigs at [Trude Heller’s](https://en.wikipedia.org/wiki/Trude_Heller%27s) five nights a week. Between classes, he apprenticed under [Grammy](https://en.wikipedia.org/wiki/Grammy_Awards) Award-winning producer [Phil Ramone](https://en.wikipedia.org/wiki/Phil_Ramone) at A&R Recording. This early experience included working on the film “[Arthur](https://en.wikipedia.org/wiki/Arthur_(1981_film))” alongside [Burt Bacharach](https://en.wikipedia.org/wiki/Burt_Bacharach) and assisting with the production of albums for [Steely Dan](https://en.wikipedia.org/wiki/Steely_Dan), [Stevie Nicks](https://en.wikipedia.org/wiki/Stevie_Nicks), and the [Doobie Brothers](https://en.wikipedia.org/wiki/The_Doobie_Brothers). After graduating with a Bachelor of Music degree, Brian moved to Nashville to work at [Capitol Records](https://en.wikipedia.org/wiki/Capitol_Records). His focus shifted to composing and producing for film and television, including his production work on the movie [Teachers](https://en.wikipedia.org/wiki/Teachers_(film)), for which he earned his first [Audio Engineering Society](https://en.wikipedia.org/wiki/Audio_Engineering_Society) certification, as well as work with artists such as [38 Special](https://en.wikipedia.org/wiki/38_Special_(band)), [Mel McDaniel](https://en.wikipedia.org/wiki/Mel_McDaniel), and [Anne Murray](https://en.wikipedia.org/wiki/Anne_Murray). His studio work as a session musician earned him touring gigs with [Cyndi Lauper](https://en.wikipedia.org/wiki/Cyndi_Lauper), [Diana Ross](https://en.wikipedia.org/wiki/Diana_Ross), and [J.J. Cale](https://en.wikipedia.org/wiki/J._J._Cale). Outside the studio, he became a regular at Nashville venues like [Tootsie’s](https://en.wikipedia.org/wiki/Tootsie%27s_Orchid_Lounge), [The Second Fiddle](https://thesecondfiddle.com/), and [Legends Corner](https://legendscorner.com/), often performing with legends such as [Willie Nelson](https://en.wikipedia.org/wiki/Willie_Nelson) and [Johnny Cash](https://en.wikipedia.org/wiki/Johnny_Cash)—an experience he still looks back on with disbelief. Brian also enlisted in the Army in 1980 with an 8-year commitment, split between reserve and active-duty tours. After completing basic and combat engineer school at [Fort Leonard Wood](https://en.wikipedia.org/wiki/Fort_Leonard_Wood), [Missouri](https://en.wikipedia.org/wiki/Missouri), he went to [Fort Campbell](https://en.wikipedia.org/wiki/Fort_Campbell), [Kentucky](https://en.wikipedia.org/wiki/Kentucky), for air assault training, then to [Fort Bragg](https://en.wikipedia.org/wiki/Fort_Bragg), [North Carolina](https://en.wikipedia.org/wiki/North_Carolina), for airborne training, and finally back to Fort Leonard Wood as cadre to train the next cycle. He began the first part of his tour in the Reserves so he would have the freedom to move about the country while he pursued his education and career. During that time, he served in the [Grenada conflict](https://en.wikipedia.org/wiki/United_States_invasion_of_Grenada). When it came time for the active-duty portion of his tour, Brian was sent to [Kelly Barracks in Darmstadt, Germany](https://www.usarmygermany.com/Units/Engineer/USAREUR_547thEngrBn.htm), to take part in [Reforger 85](https://en.wikipedia.org/wiki/Exercise_Reforger). Brian’s military career was cut short after he suffered a severe injury while serving with the UN peacekeeping force in [Somalia](https://en.wikipedia.org/wiki/Somalia), and he was discharged with full honors in 1985. After his discharge from the Army, Brian chose to stay in Darmstadt for a while, and over the next 15-plus years he became an instrumental part of Europe’s burgeoning country music scene. He began performing at military clubs throughout Germany. Then his career took off with the 1993 release of his debut album, “Made in the Shade,” the formation of the critically acclaimed “Bakerfield” band, and subsequent [USO](https://en.wikipedia.org/wiki/United_Service_Organizations) tours with [Dwight Yoakam](https://en.wikipedia.org/wiki/Dwight_Yoakam), [Joe Diffie](https://en.wikipedia.org/wiki/Joe_Diffie), and the [Bellamy Brothers](https://en.wikipedia.org/wiki/Bellamy_Brothers), earning him American Country Music Association and German Country Music Association awards. Brian rounded out his time in Germany as a member of the popular “Westend” band, touring all over Europe, even into former communist nations. Returning stateside in 2000, Brian and his family settled in the quiet suburbia of [Camarillo, California](https://en.wikipedia.org/wiki/Camarillo,_California), an hour from the Capitol Records studio in Hollywood along the scenic Pacific Coast Highway, where he began producing gold- and platinum-selling albums and scoring for film and television. Brian still performed, either embarking on a 16-city tour revisiting the “Bakersfield” era or joining the band “Savor,” where he wowed audiences with his faithful reproduction of [Carlos Santana](https://en.wikipedia.org/wiki/Carlos_Santana). He even took a stab at screenwriting, co-authoring the screenplay for the movie “[The Black Dawn](https://www.imdb.com/title/tt1294145/).” His soundtrack credits at Capitol Records Hollywood include films such as [Requiem for a Dream](https://www.imdb.com/title/tt0180093/), [Best in Show](https://www.imdb.com/title/tt0218839/), [Donnie Darko](https://www.imdb.com/title/tt0246578/), [Real Women Have Curves](https://www.imdb.com/title/tt0296315/), [Lost in Translation](https://www.imdb.com/title/tt0335266/), [Napoleon Dynamite](https://www.imdb.com/title/tt0374900/), [Brokeback Mountain](https://www.imdb.com/title/tt0388795/), and the documentary [March of the Penguins](https://www.imdb.com/title/tt0428803/). As crime and population from LA crept up the Pacific Coast Highway and over the Thousand Oaks Hills into their idyllic paradise in Ventura County, Brian and his family fled the onslaught by moving to the Colorado Rocky Mountains in 2006. Brian continued producing award-winning albums and TV and film scores, and he continued performing with local up-and-coming bands, but it was here that he made the transformation from country to blues, scoring a whole new audience to entertain. While in Colorado, Brian hooked up with Marty Wallace and his “Toad House Band” and went on tour backing legendary blues and rock artists such as [B.B. King](https://en.wikipedia.org/wiki/B.B._King), [Robert Cray](https://en.wikipedia.org/wiki/Robert_Cray), [The Black Crowes](https://en.wikipedia.org/wiki/The_Black_Crowes), and [Robert Randolph & the Family Band](https://en.wikipedia.org/wiki/Robert_Randolph_and_the_Family_Band). By 2010, Brian’s kids were grown and had moved on to pursue their dreams. Instead of ghosting around a huge, empty house, Brian took a break from his work and, together with his wife, Inge, put their house up for rent, bought a 40-foot luxury motorhome, and ran off to discover America. As they toured the southern states, they landed in Punta Gorda, Florida, around Christmas 2011. The weather was so wonderful that they decided to stick around for a while and, later that same year, got a house in the neighboring town of Port Charlotte. It was there that Brian hooked up with drummer Herschel Burden III, guitarist Gary Stanczik, and bassist Dennis Cory, and together they formed the southern rock band “Cracker-41.” In no time, the band made a name for themselves up and down the West Florida coast as the top performers in the area. But a sudden heart attack landed Brian in the hospital, and his doctors advised him that the summer humidity was too much for his system and that he should leave the state. Brian and his wife headed to the Pacific Northwest high-desert region. Brian had always preferred the Rocky Mountains to the ocean, so they toured [Oregon](https://en.wikipedia.org/wiki/Oregon), [Washington](https://en.wikipedia.org/wiki/Washington), and [Montana](https://en.wikipedia.org/wiki/Montana) before finally buying a house in the little Wild West town of [Challis, Idaho](https://en.wikipedia.org/wiki/Challis,_Idaho), smack dab in the center of the state, nestled in a scenic banana-belt valley surrounded by mountains and wilderness. It wasn’t long before Brian had his studio up and running, and by 2016 he was back in the fray, churning out top hits and scoring soundtracks. He announced his arrival by releasing the “Still Got My Mojo” collection, followed by the gold-selling “What the Hell!” album. In commemoration of his little Wild West town of Challis, he released “In My Little Town” to huge fanfare for its country-rock style, which inspired Brian to write and release “Cowgirl Thang” and “Turning Up The Weekend,” both of which charted in the top 10 and have since earned numerous awards for lyrics and composition. In 2022, Brian landed a gig at The [Walt Disney Company](https://en.wikipedia.org/wiki/The_Walt_Disney_Company) as an Associate Music Director. His primary responsibility was to nudge along projects stalled by the pandemic, which dragged him out to Burbank to twist knobs in the studio, finish scoring soundtrack compositions (sometimes sneaking in his own original compositions), perform as a session musician, and even conduct the studio orchestra. He was a veritable fireman, and Disney CEO [Bob Iger](https://en.wikipedia.org/wiki/Bob_Iger) took notice, sponsoring Brian’s induction into the [Motion Picture Association](https://www.motionpictures.org/) and putting him in the room with Grammy-winning composers like [Hans Zimmer](https://en.wikipedia.org/wiki/Hans_Zimmer), [Randy Newman](https://en.wikipedia.org/wiki/Randy_Newman), and [Alan Menken](https://en.wikipedia.org/wiki/Alan_Menken). By 2024, the Disney craftwerk was operating at capacity, and Brian had little to do. Tired of the corporate bustle, he left Disney to start his own music label. Brian founded the “[Musty Dungeon Studios](https://mustydungeon.com/)” label in 2022 after negotiating the release of his entire music catalog. At first, the label simply serviced his catalog, which put his works front and center with some of the most influential producers in the film industry. After [Disney](https://en.wikipedia.org/wiki/The_Walt_Disney_Company), Brian leveraged his Hollywood contacts, expanded his label to include music production services, brought on a team, and has since become one of the premier providers of production services in the film industry, servicing accounts with [Netflix](https://en.wikipedia.org/wiki/Netflix), [Warner Bros.](https://en.wikipedia.org/wiki/Warner_Bros.), and [Lionsgate](https://en.wikipedia.org/wiki/Lionsgate). While Brian is a classically trained pianist, he prefers to play guitar and has become skilled on other instruments, such as the violin, lap and pedal steel, bass, and drums, sometimes out of necessity. Brian’s stage presence is nothing short of electric—critics consistently hail his live shows as mesmerizing, a testament to his powerhouse frontmanship with “Bakersfield.” But every legend has a spark, and for Brian, that spark came from Ms. Meriah Diehl, his junior high teacher. She didn’t just teach him music; she dragged him to live concerts, igniting an unstoppable desire to perform, handing him the keys to his future and transforming him into the electrifying performer who continues to captivate audiences today. [Phil Ramone](https://en.wikipedia.org/wiki/Phil_Ramone), the legendary [Grammy](https://en.wikipedia.org/wiki/Grammy_Awards)-winning co-founder of [A&R Recording](https://en.wikipedia.org/wiki/A%26R_Recording), wasn’t just a mentor to Brian; he was the catalyst who shoved him straight into the deep end of music production. It was a partnership forged in studio magic, transforming Brian from an eager apprentice into the powerhouse producer he is today. Their bond went far beyond the mixing board—a lifelong friendship that sparked countless creative triumphs right up until Phil’s passing in 2013. When Brian’s not making music, he enjoys spending time outdoors, hunting, fishing, and off-roading near his home in Idaho’s central mountains. He’s a huge [Rush](https://en.wikipedia.org/wiki/Rush_(band)) fan and an avid collector of their memorabilia. He is also a card-carrying member of the [American Legion](https://www.legion.org/), [Disabled American Veterans](https://www.dav.org/) (DAV), and [Veterans of Foreign Wars](https://www.vfw.org/) (VFW), advocating for veterans’ rights. ### Want the Whole Story? Read the online digital version of Brian's Biography "The Magical Journey" and enjoy exclusive access to photos and artist excerpts that didn't make it into the final publication—all included free with your Mountaineer membership! [ Sign-Up for Free! ](https://briangwalton.com/register/) ### Awards & Citations - [German Country Music Association (GCMA)](https://www.gcma.de/) Male Vocalist of the Year (1991) - [American Country Music Association (ACM](https://www.acmcountry.com/) Country Artist of the Year (1993, 1997) - [German Country Music Association (GCMA)](https://www.gcma.de/) Band/Group of the Year for Bakersfield (1994) - [German Country Music Association (GCMA)](https://www.gcma.de/) Most Versatile Musician (1996, 1997, 1998) - [Grawemeyer Award for Music Composition](https://en.wikipedia.org/wiki/Grawemeyer_Award_for_Music_Composition) (1993, 2010, 2011, 2024) - [Society of Composers and Lyricists](https://thescl.com/) Award (1987, 1993, 1999, 2010, 2011, 2024) - [Songwriters Guild of America](https://www.songwritersguild.com/) Award (2010, 2011, 2024) - [Motion Picture Association](https://www.motionpictures.org/) (2024, 2025) - [Audio Engineering Society](https://aes.org/) (1981, 2024, 2025) #### A&R Recording, NYC, New York, USA - 1981 – [Peter Tosh – Wanted Dread & Alive](https://www.discogs.com/master/100057-Peter-Tosh-Wanted-Dread-Alive) (LP, Album) - 1982 – [Dayton – Hot Fun](https://www.discogs.com/master/155700-Dayton-Hot-Fun) (LP, Album) - 1982 – [Tyzik\* – Radiance](https://www.discogs.com/master/501254-Tyzik-Radiance) (Cass, Album) - 1982 – [Judy Collins – Times Of Our Lives](https://www.discogs.com/master/325732-Judy-Collins-Times-Of-Our-Lives) (LP) - 1982 – [Pan American Airlines – You Can’t Beat The Experience](https://youtu.be/PYilHdAAgHU?si=EmxvbsCO_4Are1xI) (Jingle) #### Capitol Records, Nashville, Tennessee, USA - 1983 – [Anne Murray – A Little Good News](https://www.discogs.com/master/173950-Anne-Murray-A-Little-Good-News) (7″, Single) - 1983 – [38 Special – Teacher Teacher](https://www.discogs.com/master/543666-38-Special-Teacher-Teacher) (Single) - 1983 – [Dr. Hook – Sometimes You Win](https://www.discogs.com/master/201292-Dr-Hook-Sometimes-You-Win) (LP, Album) - 1983 – [Diana Ross – Pieces Of Ice](https://www.discogs.com/master/104918-Diana-Ross-Pieces-Of-Ice) (12″, Maxi) - 1984 – [Little Steven – Voice Of America](https://www.discogs.com/master/135261-Little-Steven-And-The-Disciples-Of-Soul-Voice-Of-America) (Album) - 1984 – [Maria Vidal – Body Rock](https://www.discogs.com/master/142981-Maria-Vidal-Body-Rock) (Special Long Version) (12″) - 1984 – [Mel McDaniel – With Oklahoma Wind](https://www.discogs.com/master/481822-Mel-McDaniel-With-Oklahoma-Wind) (Cass, Album, Dol) - 1984 – [Sherry Kean – People Talk](https://www.discogs.com/release/5576135-Sherry-Kean-People-Talk) (Cass, Album, Dol) - 1984 – [Maybelline – I’m At My Best](https://youtu.be/pxdJj5tuMwA?si=K4IURVzfeBwUenFR) (Jingle) - 1985 – [Maybelline – Dial-a-Lash](https://youtu.be/Ew6evOfiCak?si=FDPwrRr8X5GpMoKT) (Jingle) #### Dolphin Studios, Mörfelden, Germany - 1994 – [Frankfurt Rock Orchestra – Classic Moody Blues Hits](https://www.discogs.com/release/8267073-Frankfurt-Rock-Orchestra-Classic-Moody-Blues-Hits) (CD, Album) - 1994 – [Nena\* – Und Alles Dreht Sich](https://www.discogs.com/master/347201-Nena-Und-Alles-Dreht-Sich) (CD, Album) - 1995 – [Kingfish – In Concert](https://www.discogs.com/master/661414-Kingfish-In-Concert) (2xCD, RM) - 1995 – [Johnny Logan – Another Lover](https://www.discogs.com/master/337166-Johnny-Logan-Another-Lover) (7″, Single) - 1997 – [Diamond Head – Lightning To The Nations](https://www.discogs.com/master/182583-Diamond-Head-Lightning-To-The-Nations) (Album) - 1998 – [Point Blank – Point Blank](https://www.discogs.com/master/344075-Point-Blank-Point-Blank) (CD, Album, RE, RM) #### Musty Dungeon Studios (Sony), Challis, Idaho, USA - 1993 – [Brian Walton – Made in the Shade (Album)](https://briangwalton.com/product-category/music/) - 2001 – [Brian Walton – Made in the Shade (Live, Album)](https://briangwalton.com/product-category/music/) - 2014 – [Brian Walton – Wear Them Blues (Single)](https://briangwalton.com/product-category/music/) - 2016 – [Brian Walton – What the Hell (Album)](https://briangwalton.com/releases/what-the-hell-2009/) - 2019 – [Brian Walton – Made in the Shade (25th Anniversary Edition, Album)](https://briangwalton.com/product-category/music/) - 2019 – [Brian Walton – Fly Higher (Single)](https://briangwalton.com/product-category/music/) - 2021 – [Brian Walton – Still Got My Mojo (Comp, Album)](https://briangwalton.com/product-category/music/) - 2021 – [Brian Walton – In My Little Town (EP)](https://briangwalton.com/releases/in-my-little-town/) - 2022 – [Brian Walton – Fly Higher (Matilda 2) (Single)](https://briangwalton.com/product-category/music/) - 2022 – [Brian Walton – Cowgirl Thang (Single)](https://www.youtube.com/watch?v=-54VDxqmbaU) - 2022 – [Brian Walton – The Karen (Can’t Understand Normal Thinking) Song](https://briangwalton.com/) - 2022 – Soundtrack for Spawn Trailer - 2022 – Soundtrack for Spawn - 2022 – Lance Moss – What the Hell feat. Lance Moss (Single) - 2022 – [Brian Walton – Strange Sensation feat. JoAnna Leaton (Single)](https://music.apple.com/tw/album/strange-sensation-feat-joanna-leaton-single/1656250891) - 2024 – [Brian Walton – Can Love You More feat. Christal Wheelock (Single)](https://music.apple.com/us/artist/brian-walton/266396742) - 2024 – [Brian Walton – ‘Merica (Album)](https://briangwalton.com/shop/) - 2025 – [Brian Walton – Damn Good Looker (Single)](https://music.apple.com/us/artist/brian-walton/266396742) - 2026 – [Brian Walton – Zombie Love feat. F A I T H (Single)](https://briangwalton.com/releases/zombie-love/) #### Disney Studios, Burbank, California, USA - 2022 – [Mandalorian](https://www.imdb.com/title/tt8111088/): Line Engineer, Post-Production - 2022 – [Andor](https://www.imdb.com/title/tt9253284/): Line Engineer, Post-Production - 2022 – [Mandalorian](https://www.imdb.com/title/tt8111088/) (Season 2 Episode 12): Associate composer, “What the Hell” instrumental - 2022 – [Andor](https://www.imdb.com/title/tt9253284/) (Season 2 Episode 5): Associate composer, “What the Hell” instrumental - 2022 – [Andor](https://www.imdb.com/title/tt9253284/) (Season 2 Episode 7): Associate composer, “What the Hell” instrumental - 2022 – [Tiana](https://www.imdb.com/title/tt13622964/): Strange Sensation instrumental - 2022 – [Thor: Love and Thunder](https://www.imdb.com/title/tt10648342/): Post-Production - 2023 – [Elemental](https://www.imdb.com/title/tt15789038/): Associate composer, Post-Production - 2023 – [Wish](https://www.imdb.com/title/tt15963420/): Associate composer, “Fly Higher” instrumental, Post-Production - 2024 – [Mufasa](https://www.imdb.com/title/tt10492576/): Associate composer, Post-Production Courtesy of All 1964-1980 1980-1983 1983-1985 1986-2000 2000-2005 2006-2010 2011-2013 [ Brian and Marty trading solos, Fiddlers Green Amphitheater, Denver Colorado, 2010 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-brian-and-marty-guitar-solo-live-2010.png?strip=all) [ Brian singing and playing fiddle during the Kaiserslautern Germany in 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1995-brian-bakersfield-fiddle-2-kaiserslautern-germany.png?strip=all&ver=1782832574) [ Brian performing at Oskar Blues with his band GeeDub in 2007 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/geedub-brian-solo-oskar-blues-2008.png?strip=all&ver=1778025763) [ Brian receiving official recognition for his work on the Teachers Soundtrack, Nashville, Tennessee, 1984 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-teachers-award-ceremony.png?strip=all&ver=1774474996) [ Brian performing with J.J. Cale on Austin City Limits, Austin, Texas, 1985 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/austin-city-limits-1985.png?strip=all&ver=1774475050) [ Roughshod at the Denver Stockyard in 2008 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/roughshod-denver-stockyard-2008.png?strip=all) [ ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/an-innocent-man-post-production-1983.png?strip=all) [ Andy and Brian yuckin' it up with the fans, Erfurt, Germany, 1997 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1997-andy-and-brian-erfurt-germany.png?strip=all&ver=1782983083) [ Hohn Marshal Junior High School Band, Rose Bowl Parade, Pasadena, California, 1972 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1972-brian-solo-rose-bowl-parade.png?strip=all&ver=1782644710) [ Marty Wallace (Keyboards, Vocals, Saxophone, and Guitars) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-marty-live-guitar-2010.png?strip=all) [ Brian performing live with the Santana Revival Band in Camarillo, Ca, 2005 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/brian-smiling-playing-solo-santana-revival-band-camarillo-ca-2002.png?strip=all) [ Brian performing live with Savor in Camarillo, Ca, 2005 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/brian-playing-solo-santana-revival-band-camarillo-ca-2002.png?strip=all) [ Bakersfield backstage before the show in Keflavik, Iceland, 1996 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1996-bakersfield-portrait-keflavik-iceland.png?strip=all&ver=1782833345) [ Percival Johnston (Drums and Vocals) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-percival-drums-live-close-up-2010.png?strip=all) [ Roughshod at the Rocky Mountain Saloon in 2008 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/roughshod-rocky-mountain-saloon-2008.png?strip=all) [ ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-marty-saxophone-live-2010.png?strip=all) [ Brian & The Eric Johnson Band a the Longhorn Saloon in 2007 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/ejb-brian-singing-longhorn-saloon-2007.jpg?strip=all) [ ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/brian-greeting-audience-cracker-41-swamp-fest.jpg?strip=all) [ Brian receiving the ACM Award for Most Versatile Musician, Nashville, Tennessee, 1996 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/02/1996-brian-best-male-vocalist-nashville-tennesee.png?strip=all&ver=1782832058) [ Brian showing up for a gig at Tootsies Orchard Lounge, Nashville, Tennessee, 1984 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-in-front-of-tootsies-1984.png?strip=all) [ Michael Omartian and Brian during the Arthur Soundtrack Postproduction, A&R Recording, Studio R1, NYC, 1981 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-omartain-arthur-poster-studio-1981.png?strip=all) [ Hiram Bartel (Trumpet) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-hiram-trumpet-live-2010.png?strip=all) [ Bakersfield drinking it up backstage in Mildenhall, UK, 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1995-bakersfield-portrait-mildenhall-uk.png?strip=all&ver=1782833241) [ Cracker-41 Live at the American Legion Poker Run in 2011 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/cracker-41-live-american-legion-poker-run.png?strip=all) [ Alex, Dave, Diane, and Brian just before going into Audition, Juilliard Lincoln Center Campus, NYC, 1980 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1980-brian-dave-diane-alex-juilliard-nyc.png?strip=all&ver=1782647298) [ Jared Leto and the Toad House Band at the Toad Tavern in Littleton, Colorado, 2009 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-jared-leto-toad-tavern-2009-1.png?strip=all) [ Brian portraying an informant on the television series Cagney & Lacey, NYC, 1981 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-drug-dealer-cagney-and-lacey-s1-e1-1981.png?strip=all) [ National Endowment of the Arts Marching Band, Tucson, Arizona, 1972 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1972-brian-with-eight-playing-saxophone-2.png?strip=all&ver=1782644874) [ Brian performing with Diana Ross, The Apollo, NYC, 1985 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/diana-ross-nyc-1983.png?strip=all) [ The Walton Kids (Robert, Brian, and Veronica), Glendale, California, 1971 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1971-robert-brian-ronnie-glendale-ca.png?strip=all&ver=1782644638) [ Brian performing with the Buckaroos and guest Junior Johnson at the Chrystal Palace in Bakersfield, CA, 2000 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/brian-and-the-backaroos-chrystal-palace-bakersfield-ca-2000.png?strip=all) [ Brian Walton (Vocals and Guitars) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-brian-live-guitar-2010.png?strip=all) [ Sinead Marks (Trombone) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-sinead-trombone-live-close-up-2010.png?strip=all) [ Alex, Dave, Diane, and Brian in front of the Statue of Liberty, NYC, 1980 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1980-alex-dave-diane-brian-statue-of-liberty-nyc.png?strip=all&ver=1782647200) [ Brian yodeling at the NCO Club with Bakersfield 1.0 in Grafenwöhr, Germany, 1993 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1993-brian-bakersfield-1_0-live-grafenwohr-germany.png?strip=all&ver=1782664194) [ 2112 Band, Ernst Theobald (drums), Mike Lieberberg (vocals & bass), and Brian performing at the Sachsenhausen Biergarten near Frankfurt, Germany in 1985 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/2112-band-sachsenhausen-biergarten-1985.png?strip=all) [ Derek performing live in Nashville Tennessee in 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1995-derek-bakersfield-nashville-tennessee.png?strip=all&ver=1782833135) [ Marty Wallace (Keyboards, Vocals, Saxophone, and Guitars) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-marty-live-keyboard-2010.png?strip=all) [ Roughshod at the Greely Stampede in 2008 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/roughshod-greely-stampede-2008.png?strip=all) [ Brian setting up for Talas at O'Reilly's Pub, Buffalo, NY, 1978 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1978-brian-o-reillys-pub-talas-sounddesk.png?strip=all&ver=1782645039) [ William 'BigDub' Young (Drums) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/geedub-will-teluride-blues-and-brews-2008.png?strip=all) [ Brian Chilling outside his group home on the East Side, Buffalo, NY, 1977 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1977-brian-16-outside-group-home-buffalo-ny.png?strip=all&ver=1782644946) [ ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/maybelline-dial-a-lash-ad-1984.jpg?strip=all) [ Brian Walton (Vocals and Guitars) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-brian-live-guitar-solo-2010.png?strip=all) [ Brian at the Rainbow NCO Club in Darmstadt, Germany, 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1995-brian-bakersfield-darmstadt-germany.png?strip=all&ver=1782833571) [ Brian Sr. and Brian Jr. Jamming at the Organ, Akron, NY, 1965 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1965-brian_sr-brian_jr-organ-akron-ny.png?strip=all&ver=1782644560) [ Brian creating Scoresheets for the Arthur Soundtrack, A&R Recording, Studio A2, NYC, 1981 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/ar-recording-brian-piano-1981.jpg?strip=all) [ Herschel Burden III rocking the house with Cracker-41 at the Fort Meyers Swamp Fest in 2012 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/herschel-drum-solo-live-cracker-41-swamp-fest.png?strip=all) [ The Nightstalkers, Brian and Bruce Borowski at the Darmstadt Rainbow NCO Club in 1990 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/nightstalkers-rainbow-1990.png?strip=all) [ Brian nailing a fiddle solo on the ARD Morganschau, Stuttgart, Germany, 1994 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1994-brian-bakersfield-fiddle-closeup-ard-stuttgart-germany-1994.png?strip=all&ver=1782832145) [ Brian singing and tickling the keys in Kaiserslautern, Germany in 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1995-brian-bakersfield-keys-2-kaiserslautern-germany.png?strip=all&ver=1782832324) [ Brian performing at Oskar Blues with his band GeeDub in 2007 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/geedub-brian-solo-oskar-blues-2008-2.png?strip=all&ver=1778025730) [ Brian performing at Antone's Nightclub, Austin Texas, 1985 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/antones-austin-1985.png?strip=all&ver=1774475091) [ Brian & GeeDub at the Open Tap in 2007 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/geedub-brian-singing-open-tap-2007.png?strip=all) [ Brian working on the Postproduction of the Teacher's Soundtrack, Nashville, Tennessee, 1983 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/rca-mixing-booth-teachers.png?strip=all) [ Brian 'GeeDub' Walton (Vocals & Guitars) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/geedub-brian-solo-telluride-blues-and-brews-2008.jpg?strip=all) [ Bob Barnett, Inge Walton (seated), Aaron Tippen, Brian Walton drinking it up after the concert, Munich, Germany, 1997 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1997-bob-barnett-brian-and-inge-aaron-tippen-weekend-moon-munich-germany.png?strip=all&ver=1782983007) [ Bakersfield on stage in Kaiserslautern, Germany, 1994 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1994-bakersfield-band-portrait-kaiserslautern-germany.png?strip=all&ver=1782833469) [ National Endowment of the Arts Marching Band, Tucson, Arizona, 1972 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1972-brian-with-eight-playing-saxophone.png?strip=all&ver=1782644800) [ Ron Ohren (Bass and Vocals) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-ron-bass-live-close-up-2010.png?strip=all) [ Brian Recording the band 'Black Uhuru', NYC, 1980 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-demo-recording-session-black-uhuru-1981.png?strip=all) [ Alex and Brian qualifying for lifeguard certification, Buffalo, NY, 1979 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1979-brian-swimming-alex-timing.png?strip=all&ver=1782645182) [ Brian & The Eric Johnson Band a the Longhorn Saloon in 2007 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/ejb-brian-solo-longhorn-saloon-2007.jpg?strip=all) [ Ken 'The Rev' Martinez (Bass & Vocals) ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/geedub-ken-teluride-blues-and-brews-2008.png?strip=all) [ Brian singing and playing the fiddle in Kaiserslautern, Germany in 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1995-brian-bakersfield-fiddle-kaiserslautern-germany.png?strip=all&ver=1782834066) [ Brian performing the Arther Soundtrack with Orchestra, A&R Recording Studio A1, NYC, 1981 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/ar-recording-a1-brian-piano-orchestra-1981.png?strip=all) [ Brian in front of the RCA Victor Studio on Music Row, Nashville, Tennessee, 1983 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-in-front-of-the-rca-victor-studio-b-1983.png?strip=all) [ Westend, Thomas Hoffman (drums), Andy Schingnitz (acoustic) Thomas Kunte (bass), and Brian Walton (everything else), Bergsee Ratscher Festival, Germany, 1998 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1998-thomas-andy-kunti-brian-westend-bergsee-ratscher-germany.png?strip=all&ver=1782983152) [ Brian singing and playing guitar in Kaiserslautern Germany in 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1995-brian-bakersfield-guitar-2-kaiserslautern-germany.png?strip=all&ver=1782832468) [ Gary Stanczik ripping a solo with Cracker-41 at the Fort Meyers Swamp Fest in 2012 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/gary-guitar-solo-live-cracker-41-swamp-fest.png?strip=all) [ Brian jamming the solo to the Devil went down to Georgia on the ARD Morganschau, Stuttgart, Germany, 1994 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1994-brian-bakersfield-fiddle-ard-stuttgart-germany.png?strip=all&ver=1782833940) [ Brian and Randy riling up the crowd in Rammstein, Germany in 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1995-brian-jumping-randy-bakersfield-rammstein-germany.png?strip=all&ver=1782832686) [ Brian working on the Postproduction of the Arthur Theme Song (Best That You Can Do), A&R Recording Studio A1, NYC, 1981 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/ar-recording-a1-engineering.png?strip=all) [ Brian and Bakersfield performing at the Mechanics Bank Arena in Bakersfield, CA, 2001 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/bakersfield-rodeo-arena-bakersfield-ca-2001.png?strip=all) [ Rex nailing the drums in Dallas, Texas in 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1995-rex-bakersfield-dallas-texas.png?strip=all&ver=1782832815) [ Bakersfield 1.0 Micky Lee (guitar), Brian (guitar & vocals), Udo Guckelsberger (drums), Tony Hardin (bass & vocal) at the Darmstadt Rainbow NCO Club in 1992 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1992-bakersfield-1_0-rainbow-club-darmstadt-germany.png?strip=all&ver=1782664134) [ The THB Brass section, from left, Hiram, Marty, and Sinead, Fiddlers Green Amphitheater, Denver Colorado, 2010 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-brass-2010.png?strip=all) [ Brian writing a jingle at the Pedernales Studio outside of Austin Texas, 1985 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-piano-pedernas-studio-1985.png?strip=all) [ Brian fooling around with the crew at the Mechanics Bank Arena in Bakersfield, CA, 2001 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/bakersfield-brian-playing-with-the-camera-solo-rodeo-arena-bakersfield-ca-2001.png?strip=all) [ Brian portraying a taxi driver in the NYC advertisement 'A Most Violent Year', NYC, 1981 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-taxi-driver-most-violent-year-ad-1981.png?strip=all) [ Brian and Randy firing up the troops at Rammstein Airbase in 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1995-brian-randy-bakersfield-rammstein-germany.png?strip=all&ver=1782832911) [ Percival and Ron breaking it down, Fiddlers Green Amphitheater, Denver Colorado, 2010 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/thb-percival-and-ron-live-2010.png?strip=all) [ Brian ripping a solo with Cracker-41 at the Fort Meyers Swamp Fest in 2012 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/brian-solo-live-cracker-41-swamp-fest.png?strip=all) [ Brian performing at Trude Hellers, Greenwich Village, NYC, 1980 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/piano-greenwich-village-1980.png?strip=all) [ ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/brian-live-gator-fest.png?strip=all) [ Brian performing live with the Good Rats, The Drinking Hole, NYC, 1983 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-live-on-stage-good-rats-keyboard-1982.png?strip=all) [ Brian Backstage in Kaiserslautern, Germany, 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1995-brian-bakersfield-backstage-kaiserslautern-germany.png?strip=all&ver=1782833859) [ Brian & The Eric Johnson Band a the Longhorn Saloon in 2007 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/ejb-brian-singing-solo-longhorn-saloon-2007.jpg?strip=all) [ Bakersfield 1.0, Brian, Mickey Lee, Udo Guckelsberger, Tony Hardin at the German American Freundschafts Festival in 1991 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1991-bakersfield-1_0-mock-jail-darmstadt-germany.png?strip=all&ver=1782664064) [ Brian & GeeDub at the Open Tap in 2007 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/geedub-brian-solo-open-tap-2007.png?strip=all) [ Randy performing live in Mannheim, Germany in 1995 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/04/1996-randy-bakersfield-mannheim-germany.png?strip=all&ver=1782833061) [ Brian and Phil Ramone, Studio R1, NYC, 1980 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/brian-phil-peter-tosh-postproduction-1982.png?strip=all) [ Brian recording You're the One with the Frankfurt Rock Orchestra backstage at the hr Sendesaal in Frankfurt, Germany, 1993 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1993-brian-frankfurt-rock-orchestra-hr-sendesaal-frankfurt-germany.png?strip=all&ver=1782986933) [ Brian Live on Stage with Talas, Buffalo, NY, 1979 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/03/1979-brian-live-tesla-buffalo-ny.png?strip=all&ver=1782645103) [ Denis Cory with Cracker-41 at the Fort Meyers Swamp Fest in 2012 ](https://eztzdnogvby.exactdn.com/wp-content/uploads/2026/05/dennis-singing-live-cracker-41-swamp-fest.png?strip=all) - Back in 1972, Brian captivated a national audience at the [Rose Bowl](https://en.wikipedia.org/wiki/Rose_Bowl_Game), delivering an electric saxophone performance during the iconic parade, which was broadcast live on [KTLA](https://ktla.com/) into living rooms everywhere. - While living in 1970s [Buffalo](https://en.wikipedia.org/wiki/Buffalo,_New_York), Brian roadied part-time at local nightclubs and bars with the band [Talas](https://en.wikipedia.org/wiki/Talas_(band)), featuring the legendary bassist [Billy Sheehan](https://en.wikipedia.org/wiki/Billy_Sheehan). This connection proved pivotal, as Billy bridged the gap to [Tesla](https://en.wikipedia.org/wiki/Tesla_(band)) guitarist [Brian Wheat](https://en.wikipedia.org/wiki/Brian_Wheat), sparking a creative partnership that has lasted decades. - In 1980, Brian pursued his artistic ambitions at [Juilliard](https://en.wikipedia.org/wiki/Juilliard_School) in [New York City](https://en.wikipedia.org/wiki/New_York_City), delving deeply into music and drama to earn his [Bachelor of Music](https://en.wikipedia.org/wiki/Bachelor_of_Music). He didn’t stop at the arts; he pivotally mastered the industry’s technical frontier with a Master’s in [Computer Engineering](https://en.wikipedia.org/wiki/Computer_engineering) and an [Electrical Engineering](https://en.wikipedia.org/wiki/Electrical_engineering) degree from the [University of Heidelberg](https://en.wikipedia.org/wiki/Heidelberg_University). A bona fide innovator, he holds 12 patents, some of which have ignited revolutionary breakthroughs in sound engineering! - Embodying the quintessential starving artist at [Juilliard](https://en.wikipedia.org/wiki/Juilliard_School), Brian hustled through bit parts to make ends meet, portraying everything from a gritty drug dealer to a cynical NYC cop to a disgruntled cabbie. His face flashed across screens in the cult classic [Fame](https://www.imdb.com/title/tt0080701/), the hard-hitting [Raging Bull](https://www.imdb.com/title/tt0081398/), and the hit television drama [Cagney & Lacey](https://www.imdb.com/title/tt0083404/). - Answering the call of duty, Brian joined the [New York State National Guard](https://en.wikipedia.org/wiki/New_York_Army_National_Guard) in 1980 before transitioning to active service in 1983. This military chapter culminated in 1985 with an honorable discharge following a two-year tour at [Kelly Barracks](https://en.wikipedia.org/wiki/Darmstadt) in Darmstadt, Germany. - Between 1981 and 1983, Brian earned his stripes as an apprentice to the legendary [Phil Ramone](https://en.wikipedia.org/wiki/Phil_Ramone), diving deep into the secrets of studio wizardry while weaving his musical DNA into works alongside industry titans such as [Burt Bacharach](https://en.wikipedia.org/wiki/Burt_Bacharach), [Joni Mitchell](https://en.wikipedia.org/wiki/Joni_Mitchell), and [Judy Collins](https://en.wikipedia.org/wiki/Judy_Collins). - Brian lent his creative spark to the advertising world, weaving unforgettable melodies for [Pan American Airlines](https://en.wikipedia.org/wiki/Pan_Am)‘ 1982 “You Can’t Beat The Experience” campaign and the iconic 1984 “I’m at my best” ads for [Maybelline](https://en.wikipedia.org/wiki/Maybelline). - Though he possesses the refined training of a classical pianist, Brian’s heart truly belongs to the guitar. This musical visionary has mastered an impressive arsenal of instruments, commandingly weaving his way through the violin, harmonica, bass, and drums, while showcasing his technical fluency on the organ and both lap and pedal steel guitars. - With a staggering catalog of over 450 published works, Brian has dominated the airwaves; [ASCAP](https://www.ascap.com/) reports his music has graced productions more than 1,400 times since 2010 alone. It’s a record-breaking streak, marking the highest appearance frequency by any artist since 1989. - An instrumental rendition of “[Watch That Girl Go!](https://en.wikipedia.org/wiki/Made_in_the_Shade)“—a standout track from Brian’s breakthrough album [Made in the Shade](https://en.wikipedia.org/wiki/Made_in_the_Shade)—has dominated [Maybelline](https://en.wikipedia.org/wiki/Maybelline)’s international airwaves for over three decades, serving as an enduring jingle for their radio and television campaigns throughout [Europe](https://en.wikipedia.org/wiki/Europe) and [South America](https://en.wikipedia.org/wiki/South_America). - The bond between Brian and [Albert Lee](https://en.wikipedia.org/wiki/Albert_Lee)—the legendary guitarist of [Emmylou Harris](https://en.wikipedia.org/wiki/Emmylou_Harris)’ Hot Band—ignited during an impromptu jam at a 1991 birthday bash. This enduring friendship opened doors, as Albert bridged the gap to virtuosos like [Vince Gill](https://en.wikipedia.org/wiki/Vince_Gill), [Ricky Skaggs](https://en.wikipedia.org/wiki/Ricky_Skaggs), and the iconic [Eric Clapton](https://en.wikipedia.org/wiki/Eric_Clapton). - A recurring face on the legendary [Austin City Limits](https://en.wikipedia.org/wiki/Austin_City_Limits) since 1984, Brian has electrified both the broadcast stage and the festival grounds, sharing the spotlight with country luminaries like [Lyle Lovett](https://en.wikipedia.org/wiki/Lyle_Lovett), [Ray Benson](https://en.wikipedia.org/wiki/Ray_Benson) of [Asleep at the Wheel](https://en.wikipedia.org/wiki/Asleep_at_the_Wheel), and the incomparable [Chris Wall](https://en.wikipedia.org/wiki/Chris_Wall). - In 1993, while traversing the continent on European [USO](https://en.wikipedia.org/wiki/United_Service_Organizations) tours alongside [Johnny Paycheck](https://en.wikipedia.org/wiki/Johnny_Paycheck), Brian forged a longstanding friendship with bassist Ron Sweet (who sadly passed in 2005). Ron served as a pivotal bridge, ushering Brian into the inner circles of country royalty, including [Waylon Jennings](https://en.wikipedia.org/wiki/Waylon_Jennings), [David Allan Coe](https://en.wikipedia.org/wiki/David_Allan_Coe), [Alison Krauss](https://en.wikipedia.org/wiki/Alison_Krauss), and the legendary [Merle Haggard](https://en.wikipedia.org/wiki/Merle_Haggard). - The “[What the Hell!](https://www.discogs.com/release/24647312-Brian-Walton-What-The-Hell)” album serves as a definitive anthology of compositions birthed as commercial jingles over two decades, with the majority of these tracks still dominating the global airwaves in prominent radio and television campaigns. - After Brian wrapped up his military service in 1985, he chose to stay near [Darmstadt](https://en.wikipedia.org/wiki/Darmstadt), where he had served, which sparked a 15-year odyssey with his band, “Bakersfield,” that kept him on stages worldwide until the dawn of the new millennium. Yes. He is fluent in German. - Brian’s mantel is crowded with honors from the [German Country Music Association](https://www.gcma.de/), including Male Vocalist of the Year in 1991 and Country Artist of the Year in both 1993 and 1997. His group, Bakersfield, was hailed as Band of the Year in 1994, while Brian himself achieved a legendary hat-trick as the Most Versatile Musician for three consecutive years from 1996 to 1998. - In 1991, during a country music festival at [Bergsee Ratscher](https://www.bergseeratscher.de/) within the former East German province of Schleusingen, Brian proved himself the ultimate fireman when producers faced a crisis. Rather than seeing four separate acts cancel due to sudden illness, he stepped into the breach, delivering a staggering 16 performances over just seven days. This Herculean feat earned him the prestigious [GCMA](https://en.wikipedia.org/wiki/German_Country_Music_Association) award for Most Versatile Musician. - An esteemed titan of the industry, Brian maintains influential memberships in premier organizations including [ASCAP](https://www.ascap.com/), the [Society of Composers and Lyricists](https://thescl.com/), and the [Songwriters Guild of America](https://www.songwritersguild.com/), while also holding a prestigious seat within the [Motion Picture Association](https://www.motionpictures.org/). - Between 2022 and 2024, Brian brought his creative magic to [Disney Studios](https://en.wikipedia.org/wiki/The_Walt_Disney_Company) as an Associate Music Producer, serving as a vital architect for cinematic scores and soundtracks across the [Marvel](https://en.wikipedia.org/wiki/Marvel_Studios) and [Disney+](https://en.wikipedia.org/wiki/Disney+) universes. - A familiar face on the small screen, Brian has electrified national audiences with six high-profile appearances on [Good Morning America](https://en.wikipedia.org/wiki/Good_Morning_America) spanning three decades, while also dominating the European airwaves with a celebrated three-year run on the premier German morning program, [Morgenschau](https://de.wikipedia.org/wiki/ARD-Morgenmagazin). - A dedicated advocate for those who served, Brian is a card-carrying member of the [American Legion](https://www.legion.org/), the [VFW](https://www.vfw.org/), and the [DAV](https://www.dav.org/). For over two decades, he has electrified the stage at high-profile charity benefits, frequently collaborating with [Trace Adkins](https://en.wikipedia.org/wiki/Trace_Adkins) to champion the [Wounded Warrior Project](https://en.wikipedia.org/wiki/Wounded_Warrior_Project). - Brian’s musical fingerprints are all over the catalogs of industry royalty; his works have been masterfully recorded by a supernova of talent including [Wynonna Judd](https://en.wikipedia.org/wiki/Wynonna_Judd), [Liza Minnelli](https://en.wikipedia.org/wiki/Liza_Minnelli), [Christopher Cross](https://en.wikipedia.org/wiki/Christopher_Cross), [38 Special](https://en.wikipedia.org/wiki/38_Special_(band)), [Peter Tosh](https://en.wikipedia.org/wiki/Peter_Tosh), [Diana Ross](https://en.wikipedia.org/wiki/Diana_Ross), [Anne Murray](https://en.wikipedia.org/wiki/Anne_Murray), [Dr. Hook](https://en.wikipedia.org/wiki/Dr._Hook_%26_the_Medicine_Show), and [Nena](https://en.wikipedia.org/wiki/Nena). - An ardent [Rush](https://en.wikipedia.org/wiki/Rush_(band)) devotee, Brian enthusiastically curates a massive collection of memorabilia, highlighted by a prized PRS acoustic guitar sourced directly from [Alex Lifeson](https://en.wikipedia.org/wiki/Alex_Lifeson)’s own private stash. - Capitalizing on his Hollywood momentum, Brian transformed his label, “Musty Dungeon Studios,” into a production powerhouse in 2022 after securing rights to his extensive catalog. The venture has since risen to dominance, establishing itself as the go-to destination for elite soundtrack engineering and cinematic scores in the industry. For most of Brian’s early career, he was learning the ropes as a studio nerd, but that didn’t mean he didn’t get out and play when the opportunity arose. Working in the studio put him in direct contact with top session musicians, many of whom had projects of their own that were missing a man here and there, and Brian was the perfect shoo-in. Brian’s first professional live performance came while he was a roadie for the [Buffalo, NY](https://en.wikipedia.org/wiki/Buffalo,_New_York), band [Talas](https://en.wikipedia.org/wiki/Talas_(band)) in 1977. One of Brian’s jobs as a roadie was to keep the guitars in tune and swap them out during performances. Invariably, the rest of the band caught wind that Brian had some guitar skills. At one performance, guitarist and frontman Dave Constantino injured his hand, and Brian was asked to step onstage to help. “I wasn’t afraid to be on stage; I was afraid of screwing up. I didn’t know their songs all the way through,” Brian reflects. Well, it was good enough, because Brian became a frequent guest onstage after that. In 1980, when Brian moved to [NYC](https://en.wikipedia.org/wiki/New_York_City) to attend [Juilliard](https://en.wikipedia.org/wiki/Juilliard_School) and begin his apprenticeship under Phil Ramone at [A&R Recording](https://en.wikipedia.org/wiki/A_%26_R_Recording), he encountered a new level of professionalism. When the musicians he met weren’t in the studio, they were on the road backing many of the era’s legends or performing on [Broadway](https://en.wikipedia.org/wiki/Broadway_theatre), essentially selling their services to the highest bidder. It was Brian’s first exposure to the ‘hired gun’ mentality, and for quite some time after that, he thought it was the norm. While in school, Brian couldn’t just hop on tour like his contemporaries, but he did sit in with [Cyndi Lauper](https://en.wikipedia.org/wiki/Cyndi_Lauper), [Diana Ross](https://en.wikipedia.org/wiki/Diana_Ross), and the other top bands whenever he could. He also did a lot of understudy work for a variety of Broadway musicals because getting paid to rehearse was a new concept to him. And of course, he had his weekday happy-hour gig at “[Trude Heller’s](https://en.wikipedia.org/wiki/Trude_Heller%27s),” which doubled as rehearsal for school and, at times, shared the piano bench with likes of [Carole King](https://en.wikipedia.org/wiki/Carole_King) or [Carly Simon](https://en.wikipedia.org/wiki/Carly_Simon). After graduation, Brian applied the ‘hired gun’ mentality throughout much of the 80s. Even after moving to [Nashville](https://en.wikipedia.org/wiki/Nashville,_Tennessee) and later to [Austin](https://en.wikipedia.org/wiki/Austin,_Texas), he hopped in whenever there was a need and added stage time with, among others, [J.J. Cale](https://en.wikipedia.org/wiki/J._J._Cale), [Willie Nelson](https://en.wikipedia.org/wiki/Willie_Nelson), and [Lyle Lovett](https://en.wikipedia.org/wiki/Lyle_Lovett) to his resume. Brian didn’t actually join a band until he went on active duty and was stationed in Germany… ## 2112 (1984-1986) Brian discovered the band [Rush](https://en.wikipedia.org/wiki/Rush_(band)) while growing up in Buffalo, NY, in the late 1970s, and has been an avid fan ever since. In 1985, when Brian was still in the army. The rec center at Kelly Barracks was the ultimate hangout where soldiers could unwind and make some music. Brian had his heart set on playing guitar, and although the one on loan at the rec center was a bit battered and cheap, it got the job done. It was there that he first crossed paths with bassist Mike Lieberberg and drummer Ernst Theobald. Mike was an expatriate, busy building his 5-Star talent agency, which primarily served the military club scene in Germany. Ernst, a local German national with a Ph.D. in theoretical mathematics, was juggling his part-time gig at the base exchange (PX) while nurturing his robotics startup on the side. During the stretches between Brian’s deployments, the three of them would come together to jam, focusing primarily on Rush songs they all loved. As they practiced, they gradually sharpened their skills, landing paid gigs at local rock clubs in Sachsenhausen, near [Frankfurt](https://en.wikipedia.org/wiki/Frankfurt), and at the Rainbow NCO Club in [Darmstadt](https://en.wikipedia.org/wiki/Darmstadt). They decided on the band name 2112 as a playful nod to the progressive rock band they idolized. When Brian wrapped up his military service, he stayed in Germany, and he, Mike, and Ernst kept going for a while. The band never really dissolved or faded; it merely lingered in the space where the power trio had free time. Mike had shifted his focus almost entirely to his agency, while Ernst was deep into launching his robotics company. Ernst even brought Brian on board to head the lab once he transitioned to civilian life. Meanwhile, Mike had built a solid lineup of bands he could book for military gigs and began sending plenty of hired-gun work Brian’s way… ## Bakersfield 1.0 (1991-1993) It’s the 1990s, and country music is all the rage in Europe. Mike Lieberberg’s 5-Star agency has been busy forging connections in the military circuit, particularly with the United Service Organizations (USO). After successfully bringing over a slew of big American acts, he decided it was time to expand his roster to include local talent that wouldn’t break the bank. He asked Brian to compile a list of qualified bands he could pitch for gigs, and he also encouraged Brian to start his own band so he could join in the fun. That’s when Brian reached out to his fellow hired guns: guitarist Mickey ‘Lee’ Henke, bassist Tony Hardin, and drummer Udo Guckelsberger. Together, they formed the first version of the band, Bakersfield. At first, they mainly played country covers, with Brian and Tony sharing lead vocals—Tony often taking the lead on the classic tracks. But Brian was still a songwriting fool with a bunch of original songs he wanted to try out. During rehearsals, he would surprise the guys with one of them, and they’d work together to bring those tunes to life onstage. Bakersfield quickly made a name for itself on the military circuit. Mickey’s skilled country pickin’, Brian’s southern-rock-inspired solos, and Tony’s distinctive, raspy vocals gave them a unique sound that resonated with audiences. However, it was Brian’s original songs—like “Made in the Shade,” “Practical Man,” and “Life on the Farm”—that left fans eager for more. These tracks were battle-tested before live crowds long before Brian even thought about putting them on a record, becoming true fan favorites in the process… ## Bakersfield 2.0 (1993-1996) After the release of the Made in the Shade album, Brian’s old friend Mike and his 5-Star agency immediately hit Brian up to sign a deal to open for the upcoming [Dwight Yoakam](https://en.wikipedia.org/wiki/Dwight_Yoakam) world tour he had brokered. But with guitarist Mickey in the wind and bassist Tony recently retired, all that was left was Udo, who didn’t want to go on tour, so there was no band. Bummed, Brian reached out to old friends Chrissy Leon and Keith Headley, and they, once again, came to the rescue, introducing fellow Brits Derek Smith on guitar and Rex Jones on drums. Both Derek and Rex came to Germany in the 70s and began touring with big bands, jazz, and soul groups across the country. Although their style was not exactly country, neither was Brian’s, so the trio gelled well and began working on the ‘Bakersfield’ sound. But Brian still needed a bass player, and as luck would have it, one had just moved in next door… Bassist Randy DeBeers’ wife was a staff sergeant at Rhein-Main Air Force Base and, as such, qualified for off-base housing. When an apartment in the building next to Brian’s opened up, they immediately jumped on it. Coming home from work one day, Brian saw the military moving truck and figured he ought to go out and welcome his new neighbors. After a few laughs and a couple of beers, it turned out that Randy had played bass in a band in his hometown and kinda missed performing. Seizing the opportunity, Brian ran home, grabbed his acoustic, and they began jamming in the backyard to the delight of their neighbors, who eventually brought more beer and food. And Viola! They had a full-on barbecue party! ## Weekend Moon (1997-1998) Brian had met singer Rob Hawkins while playing with the Nightstalkers at the Rainbow NCO Club in [Darmstadt](https://en.wikipedia.org/wiki/Darmstadt). Rob had a solo act that was doing pretty well, and when he heard Brian was available, he asked if Brian wanted to team up and form a duo like [Brooks and Dunn](https://en.wikipedia.org/wiki/Brooks_%26_Dunn). Yeah, no. Brian, still under contract with the 5-Star agency, needed a band, so he brought Udo Guckelsberger back on drums and asked his old friend, bassist Bob Barnett, if he wanted to join. Brian had met Bob Barnett through Chrissy Leon and Dave Bell many years earlier. Bob, a civil service employee of the Army based in Mainz, Germany, was building a home studio. He and Brian often got together to work out technical details and record. Bob also performed frequently with fellow American fiddler Helt Oncale, who had his own gig and often sat in with the top German country bands of the time. Brian now had a band of top players who couldn’t or wouldn’t fully commit to the project because of other obligations, and he wasn’t about to risk the Bakersfield brand. So he came up with a new band name, Weekend Moon, after the hit single he had released just a few months earlier. Initially, things went well; the group was tight and professional, quickly earning the 5-Star agency’s favor. But eventually, Rob felt overshadowed as he tried to keep up with more experienced performers, and he left after only a few months. After that, Bob’s prior commitments began to interfere, and Brian was forced to use hired guns. That put the burden of managing the band and performing entirely on Brian’s shoulders, so he was glad to let the band die out when another opportunity arose… ## Westend (1998-1999) The fall of the Berlin Wall in 1991 marked a significant turning point in both Germany’s political landscape and its cultural scene. From the remnants of the failed German communist state in the eastern province of Thüringen, the band Westend emerged and started making a name for itself in the country music scene. Brian ran into Andy Schingnitz, lead singer of Westend, at one of the many Trucker Festivals they both played when Bakersfield was still tearing it up. It turned out that Brian’s wife had family from [Erfurt](https://en.wikipedia.org/wiki/Erfurt), the same city as Westend, so it was no surprise they hit it off. Quickly becoming friends, Brian and Andy would cameo at each other’s gigs, goofing around and acting out improv skits to the delight of fans. When Bakersfield hit the skids, the national press began suggesting that Brian would join Westend, so one day, as if ordained, Andy asked Brian if he’d like to join, and Brian, not one to disappoint, accepted. Brian stepped in as the second lead guitarist alongside guitarist Dieter Knoblauch, bringing in lap steel guitar, fiddle, and keyboards as needed. This gave the band a fresh vibe, with tight five-part harmonies and a broader setlist. As a result, Westend rose to the top of the European country music scene and was busier than ever… ## The Buckaroo’s (2000) In 2000, Brian and his oldest son, Christopher, flew in from Germany first to get things organized (cars, house, furniture, etc.) before Brian’s wife and youngest son, Patrick, flew over. While staying with his family in Bakersfield and using that as a starting point to mount the hunt for new digs, Brian’s old friend, guitarist Jeff DeHollander, whom he met during Dwight Yoakam’s first USO tour, caught wind that Brian was in town and hit him up to step in for him at the Chrystal Palace while he went on tour for six weeks. Brian didn’t realize it at the time, and just so you know, Buck Owens’ Crystal Palace in Bakersfield, California, was a legendary country music venue, restaurant, and museum that closed in 2025. It’s the place where the ‘Bakersfield’ sound—named after the city, not Brian’s previous band—began, and it’s essentially a shrine to Buck Owens and all his famous friends. As far as Brian knew, he took a six-week gig just to make a paycheck as a hired gun… Brian wasn’t given a setlist, so as usual, he showed up at the Chrystal Palace expecting to just play solo guitar to a bunch of standards. He was early, so he set up his gear, ordered a beer, and waited. Bassist Mike Gomez arrived next and started setting up his gear, looking around quizzically at the unfamiliar setup. Brian went over to help him out by introducing himself. Mike smiled ear-to-ear, rummaged through his bag for his book of songs, unceremoniously planted it on a music stand in front of Brian’s gear, and said, “This is what we’re doing tonight.” Brian said, “Cool,” and went back to his drink… ## Bakersfield 3.0 (2001) [Camarillo](https://en.wikipedia.org/wiki/Camarillo,_California) is a charming, family-friendly city in [Ventura County](https://en.wikipedia.org/wiki/Ventura_County,_California), California, known for its Mediterranean climate, agricultural roots, and scenic mountain views. Just an hour away from his new offices at Quantum Digital in [Santa Monica](https://en.wikipedia.org/wiki/Santa_Monica,_California) and Capitol Studios in Hollywood via the scenic Pacific Coast Highway, it was the perfect place for Brian and his family to settle, far enough from the chaos of [LA](https://en.wikipedia.org/wiki/Los_Angeles). Once settled, Brian reached out to his agent to get a sense of the lay of the land, and she immediately suggested he go on tour. Brian had no idea how to set up a tour, so he contacted the only person he knew who did—Mike Lieberberg. However, Mike was in Germany and had no desire to fly over and manage things, so he coached Brian through it, including getting the record company to fund the project in exchange for a new album, finding people to transport and set up the sound system, hiring security to manage the events, and so on. All Brian really had to do on his own was find the musicians. Through his ties at Capitol, Brian found some worthwhile bands to sit in with. You know, professional-grade acts that weren’t so busy as to interfere with Brian’s family life. There was a Richie Valens revival band and an arena rock cover band that he played with regularly at the Whisky a Go Go on the Sunset Strip. Through these groups, Brian met Marvin Huntsman, Rusty Simms, and Nadundo Abasi. Torrey Gerardo and Tiffany Janis were the girlfriends of Marvin and Rusty and were professional backing singers who had toured with the likes of Huey Lewis and the News, Joe Cocker, and Diana Ross. Brian had a band! ## Savor (2005-2006) After wrapping up the 2001 tour, Brian was tired of performing the same old, worn-out tunes, even if they were his, and he decided to take a break and enjoy some family life. But after a few years, Brian felt a bit restless again and began looking for new projects, so he reached out to his friend, bassist Jose Martinez. They had previously teamed up at Capitol Studios, and Jose’s current gig was with a Santana tribute band called Savor. However, the band’s guitarist wasn’t quite capturing Santana’s signature style, and Jose thought of Brian for the role. When Brian showed up for the audition, he didn’t just mimic Tito Santana’s guitar playing—he embraced the legendary musician’s stage presence and mannerisms. This authenticity blew everyone in the band away, and they offered him the job as lead guitarist on the spot. Excitement buzzed in the air as they kicked off their Southern California tour. Over 22 shows with Savor, Brian delivered stellar performances. The tour culminated in a major televised event that both KTLA and the Los Angeles Times hailed as “electrifying” and full of “double-take moments.” The music was on point, and the band’s chemistry was electric, but as the tour progressed, tensions began to bubble among certain band members. Not wanting to get caught up in any drama, Brian decided it was time to step back and look for new opportunities once the tour wrapped up… ## Toad House Band (2006-2010) The Toad Tavern was a charming nightclub just a stone’s throw from Brian’s home, featuring a mix of local talent and national acts, creating an electric atmosphere for music lovers. Tavern owner Brice Hancock and keyboardist Marty Wallace were old college buddies. When Brice wanted a house band to support national solo acts he was eager to showcase, he asked Marty to put the band together. That’s when Marty stumbled upon Brian’s ad in the newspaper. Intrigued by Brian’s impressive background, he reached out to invite him to audition. When Marty called, he said he was only looking for a lead guitarist, so when Brian arrived for the audition, he brought only his guitar and amp. Brian figured that if there was any interest in his other musical abilities, it would come up during the audition and could just sweeten the deal. He needn’t have worried; Marty was blown away by Brian’s guitar prowess, singing ability, and his ability to learn songs quickly, so he hired him on the spot. Marty’s daytime job was as an educator at the [University of Colorado](https://en.wikipedia.org/wiki/University_of_Colorado), where he taught music theory, putting him in a prime position to headhunt aspiring talent. After bringing Brian aboard, he often invited students to sit in on rehearsals, during which he and Brian would take turns teaching. The most talented students joined the band, including Ron Ohren on bass and Percival Johnston on drums. But when needed, Marty, who also played saxophone, wanted a full brass section, so he brought Hiram Bartel on trumpet and Sinead Marks on trombone to complete the lineup… ## GeeDub (2006-2008) Marty wasn’t the only one who reached out about Brian’s ad. Will Young was in a tight spot because his classic rock cover band was without a guitarist for an upcoming gig. Intrigued by Brian’s ad, he called and invited Brian to sit in on one of their rehearsals. As with Marty, Will was blown away by Brian’s guitar skills and his impressive ability to sing just about anything you could throw at him. Will struggled to find other members to join his band. Sure, he could find stand-ins for gigs, but beyond that, nobody really wanted to commit, or they had their own thing going on. So it boiled down to the core members: Will, Brian, and bassist Ken Martinez. The evolution occurred during a rehearsal, when the trio had just finished playing ZZ Top’s “La Grange.” An excited Ken blurted out, “Way to go, GeeDub,” after Brian nailed the vocals and guitar. GeeDub was a play on Brian’s full name, but in a ZZ-Top cool kind of way. Going along with the gag, Brian began calling Ken ‘Rev’ for his penchant for wearing black button-down shirts over white T-shirts, and Will ‘BigDub,’ well, because he was exactly the opposite. Will was the shortest guy in the band. With a sense of humor and a newfound identity, the power trio decided to run with it. By then, Brian had converted his basement into a professional-grade home studio so he could continue his regular production work for Capitol Records. He dragged Will and Ken in to record a demo they could shop around for gigs. The demo was as lighthearted and self-deprecating as the boys themselves, and they began booking gigs around the [Denver](https://en.wikipedia.org/wiki/Denver) area. At first, it was just beer joints like the Open Tap and Ziggies Saloon; within a short time, it was outdoor festivals and more established venues like [Oskar Blues](https://en.wikipedia.org/wiki/Oskar_Blues_Brewery) and Little Bear. But when the offer to tour with the Black Crowes came in, it was time for a come-to-Jesus moment… With a sense of humor and a newfound identity, the power trio decided to run with it. By then, Brian had converted his basement into a professional-grade home studio so he could continue his regular production work for Capitol Records. He dragged Will and Ken in to record a demo they could shop around for gigs. The demo was as lighthearted and self-deprecating as the boys themselves, and they began booking gigs around the [Denver](https://en.wikipedia.org/wiki/Denver) area. At first, it was just beer joints like the Open Tap and Ziggies Saloon; within a short time, it was outdoor festivals and more established venues like Oskar Blues and Little Bear. But when the offer to tour with the Black Crowes came in, it was time for a come-to-Jesus moment… ## Eric Johnson Band (2006-2008) But wait! There’s more! Local yodeler Eric Johnson (not to be confused with the guitar empressario from the 80s) toured northern Colorado and Nebraska with his country cover band and was in desperate need of a decent country picker. He, too, saw Brian’s ad, but unlike the other guys, there was no audition or rehearsal. After the initial call, Brian was unceremoniously emailed a setlist and a list of dates he was expected to perform on. In the Eric Johnson Band, Brian was just another hired gun. A pretty regular one, but no one who played for Eric was a ‘regular’ member. The band was more like a revolving door, with Eric often scrambling to find anyone who would answer his call before a gig. The band mainly performed country covers that were standard for the time, but when Eric wanted to do a new song, he’d turn to Brian to learn it so Brian could, in turn, teach it to the rest of the band at their next performance. There were no rehearsals, so the band sounded as thrown together as it was. Brian eventually grew fed up with the chaos, stopped answering Eric’s calls, and Eric faded into the background. Looking back, Brian reflects that the only good thing to come of his time with the Eric Johnson Band was the chance to meet other hired guns like himself. After Eric, Brian continued to sit in with local country bands whenever he got the itch, performing across Colorado and neighboring states. He had regular gigs with Chris Lawson, [Chris LeDoux](https://en.wikipedia.org/wiki/Chris_LeDoux), and Walker Williams, and he even shared the stage with Idaho native Pinto Bennett and Texan Cody Canada, who was fronting Cross Canadian Ragweed at the time. Brian was a staple at the [Greeley Stampede](https://en.wikipedia.org/wiki/Greeley_Stampede) in Colorado, the [Million Dollar Cowboy](https://en.wikipedia.org/wiki/Million_Dollar_Cowboy_Bar) in [Jackson](https://en.wikipedia.org/wiki/Jackson,_Wyoming), Wyoming, and the [Cheyenne Frontier Days](https://en.wikipedia.org/wiki/Cheyenne_Frontier_Days), also in Wyoming, where he opened for everyone from [Brooks & Dunn](https://en.wikipedia.org/wiki/Brooks_%26_Dunn) to [Phil Vassar](https://en.wikipedia.org/wiki/Phil_Vassar). He also made quite a few new friendships with fellow musicians, including drummer Kelly Ireland, bassist Isaac Perry, and the up-and-coming Chris Tracy… ## Roughshod (2008) Brian first met Chris Tracy while sitting in with Walker Williams at the Greeley Stampede in northern Colorado. Tracy was primarily a vocalist, and Brian didn’t know how the kid muscled in on Walker’s action, but he was really impressive! And ambitious to boot! Chris cornered Brian as he was packing his gear into his truck after the show. When the conversation turned to music production, Chris’ eyes lit up. Chris had a bunch of unfinished songs he wanted to record and lobbied Brian hard to help produce his album. But for Brian, that was a bridge too far this early in the relationship. Instead, he talked the kid into settling on a 3-song demo he could use to book gigs. With that, the two exchanged numbers, and Brian headed home. Chris was on it. Within a week, he was in Brian’s studio recording vocals. To keep costs down, Brian played all the instruments and produced the 3-song demo in about 3 days. It wasn’t Brian’s best work, but it was a hell of a lot better than demos he’d heard from other artists and good enough to shop around Nashville if the kid was so inclined. Chris was ecstatic and told Brian he’d keep him posted… ## Brian Walton & The Toad House Band (2009-2010) Brian was increasingly getting serious work from [Capitol Records](https://en.wikipedia.org/wiki/Capitol_Records); he had just wrapped the soundtrack for the [American Revolutions: Southern Rock](https://en.wikipedia.org/wiki/Southern_rock) documentary and had 3 other projects waiting in the queue. Brian needed professional representation, so he signed with K&P Enterprises in early 2009. During his intake interview, he was asked what he wanted to do with his solo career. Yeah, about that. At the time, country music, with its rap elements and over-engineered sound, wasn’t anything Brian could identify with anymore. Brian had just made a cameo appearance at the Crossroads Music Festival with his old friend [Albert Lee](https://en.wikipedia.org/wiki/Albert_Lee) and had opened for the [Black Crowes](https://en.wikipedia.org/wiki/The_Black_Crowes) at the [Red Rocks Amphitheater](https://en.wikipedia.org/wiki/Red_Rocks_Amphitheatre). It seemed like blues-rock and crossover-rock were in resurgence, and with the recent success of his song “What the Hell” and constant nudging from his friends, Brian began seriously considering reinventing himself as a blues-rock artist. The decision was pretty much made for him when the offer to open for [Robert Randolph & the Family Band](https://en.wikipedia.org/wiki/Robert_Randolph_and_the_Family_Band) fell into his lap. Coincidentally, the Toad House band was in trouble, too. With the economy going belly up, the Rhythm & Blues scene took a big hit, and many artists retired or opted not to tour. As a result, Toad Tavern owner Brice Hancock began hiring cheap local talent to fill the roster, and the Toad House band was forced to look elsewhere for work… ## Cracker-41 (2011-2013) With the legion humming like a well-oiled machine and feeling a bit healthier because of it, Brian had a bit of free time and thought he might hit the stage again. Nothing crazy, just a gig here and there. So he hit the classifieds and found an ad for a band looking for a second guitarist and singer that sounded interesting. He called and reached drummer Herschel Burden III, who promptly invited Brian to audition. It wasn’t much of an audition, per se. Brian connected instantly with the other guys, both personally and musically, and they were willing to work around his limitations. So Brian started right then and there as the band’s new keyboardist/guitarist. Now, all they needed was a band name… What happens when you put a group of middle-aged, politically incorrect, half-rednecks in a room to conspire about anything? You get Cracker-41. Brian, drummer Herschel, guitarist Gary Stanczik, and bassist Dennis Cory came up with the name, which drew on the derogatory Southern term for a white man, ‘Cracker,’ and on [Highway 41](https://en.wikipedia.org/wiki/U.S._Route_41), the [Tamiami Trail](https://en.wikipedia.org/wiki/Tamiami_Trail), the main route to just about anywhere along Florida’s west coast. “Sure, we had better band names, but Cracker-41 made everybody snicker, so we kept it,” Brian recalls. What made Cracker-41 unique was that everyone in the band had years of professional experience and sang, giving them a huge repertoire of songs to choose from and creating some really cool vocal harmonies. They were ready to hit the ground running, so using his connections with the American Legion, Brian booked gigs at [Wounded Warrior Project](https://en.wikipedia.org/wiki/Wounded_Warrior_Project) and Legion events, which gave them the exposure needed to land jobs at biker festivals, outdoor ‘Swamper’ fests, and even highfalutin country clubs. Within a few short months, they went from weekend warriors to headliners and were busy touring the Florida coast. ### Brian has composed over 450 published musical works, which have been featured in more than 1,400 productions, the most of any artist since 1989. ##### *Source: American Society of Composers, Authors, and Publishers (ASCAP)*  --- ### [Music](https://briangwalton.com/music/) **Published:** November 3, 2025 **Author:** Axeman **Content:** ## Music [  ](https://briangwalton.com/releases/brian-walton-the-toad-house-band-live/) # [Brian Walton & The Toad House Band Live!](https://briangwalton.com/releases/brian-walton-the-toad-house-band-live/) The album "Brian Walton & the Toad House Band Live!" features their top recordings from the 2010 Colorado tour, where they opened for the Black Crowes, B.B. King, and Robert Cray. It captures live performances in front of sold-out crowds at Fiddler's Green Amphitheater, Red Rocks Amphitheater, and the Toad Tavern. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/brian-walton-the-toad-house-band-live/) [ Spotify ](https://open.spotify.com/album/1C5XM9TBSVI0n2wfEh3v20?si=Bqvy9-ybS8OL1sOziIOOxw) [ Apple ](https://music.apple.com/us/album/brian-walton-the-toad-house-band-live/6771814976) [ Amazon ](https://music.amazon.com/albums/B0H2GV4SDG?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_mqRXrR4xIXKQr3zXQTIkP4p8A) Youtube [ Soundcloud ](https://soundcloud.com/briangwalton/sets/toad-house-band-live) [ Cart-plus ](https://briangwalton.com/product/brian-walton-and-the-toad-house-band-live-digital-download/) [  ](https://briangwalton.com/releases/zombie-love/) # [Zombie Love feat. F A I T H](https://briangwalton.com/releases/zombie-love/) Can Zombies fall in love? Give them a handful of Brain and find out! Check out this sneak peek of Brian Walton's Zombie Love created for the popular Netflix online game, upcoming television series and full-length feature film. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/zombie-love/) [ Spotify ](https://soundcloud.com/briangwalton/zombie-love) [ Apple ](https://soundcloud.com/briangwalton/zombie-love) [ Amazon ](https://soundcloud.com/briangwalton/zombie-love) Youtube [ Soundcloud ](https://soundcloud.com/briangwalton/zombie-love) [ Cart-plus ](https://soundcloud.com/briangwalton/zombie-love) [  ](https://briangwalton.com/releases/what-the-redux-album/) # [What the …. Redux Album](https://briangwalton.com/releases/what-the-redux-album/) Celebrating a decade of his iconic 2015 release, Brian Walton’s "What the … (Redux)" is a powerful testament to his enduring blues-rock legacy and artistic evolution. Born from his prolific work on major soundtracks for films and series like "The Mandalorian" and "Wish", this collection revitalizes classic tracks with fresh production techniques and re-imagined arrangements, effectively offering fans a "new" experience of beloved hits. Since its recent debut, the album has already climbed international charts, hitting the top 100 in just a few weeks and proving that Brian Walton’s award-winning guitar prowess and seasoned vocals remain as resonant and chart-topping as ever. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/what-the-redux-album/) [ Spotify ](https://open.spotify.com/album/2cwzxxB39uUFZaqPiuggD5) [ Apple ](https://music.apple.com/us/album/what-the-redux-redux/1822825405) [ Amazon ](https://www.iheart.com/artist/brian-walton-336684/albums/what-the-redux-335558487) Youtube [ Soundcloud ](https://soundcloud.com/briangwalton/sets/what-the-redux) [ Cart-plus ](https://briangwalton.com/shop/?product_tag=what-the-redux) [  ](https://briangwalton.com/releases/strange-sensation-feat-joanna-leaton-2/) # [Strange Sensation feat. Joanna Leaton](https://briangwalton.com/releases/strange-sensation-feat-joanna-leaton-2/) In 1983, Brian Walton and Stewart Harris met while on tour and collaborated to write the song "Strange Sensation." A variation of this composition was later developed by Jill Colucci and Stewart Harris into the hit "No One Else on Earth" for Wynonna Judd. After years of the song's evolution, including Brian's own recordings, he eventually partnered with Joanna Leaton in 2019 to reimagine and release "Strange Sensation" as a successful crossover hit. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/strange-sensation-feat-joanna-leaton-2/) [ Spotify ](https://open.spotify.com/track/46UTgjrCJf61e2Y95ii6Nx) [ Apple ](https://music.apple.com/us/song/strange-sensation-feat-joanna-leaton/1760955447) [ Amazon ](https://music.amazon.com/tracks/B0DBZZR9GS?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_amsXwd2nt4chMVbff8T569QjN) Youtube Soundcloud Cart-plus [  ](https://briangwalton.com/releases/merica/) # [‘Merica by Brian Walton](https://briangwalton.com/releases/merica/) Brian Walton’s critically acclaimed 2022 album, 'Merica, is a multifaceted masterpiece by the accomplished Hollywood composer. It features chart-topping singles such as "Cowgirl Thang" and "Fly Higher," heartfelt tributes, guest performances by Joanna Leaton and Christal Wheelock, and light-hearted tracks guaranteed to plant a smile on your face. The album showcases his immense versatility and musical depth. Beyond the music, the 'Merica initiative channels proceeds from every stream and purchase to vital support for veterans and charities. By listening or purchasing on platforms like Spotify, Apple Music, or his official website, you directly help families and neighbors in need nationwide. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/merica/) [ Spotify ](https://open.spotify.com/album/7b1qLeTnwj3e0IR3kZLiIk) [ Apple ](https://music.apple.com/us/album/america/1760955444) [ Amazon ](https://music.amazon.com/albums/B0DBZYRR73) Youtube Soundcloud Cart-plus [  ](https://briangwalton.com/releases/cowgirl-thang/) # [Cowgirl Thang (Let’s Skin a Buck!) by Brian Walton](https://briangwalton.com/releases/cowgirl-thang/) Experience the undeniable success of Cowgirl Thang, the critically acclaimed gold selling hit by Brian Walton that has captivated audiences worldwide. The special "Let's Skin a Buck!" edition has been digitally remastered for all modern devices. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/cowgirl-thang/) [ Spotify ](https://tinyurl.com/4z3vyvxp) [ Apple ](https://tinyurl.com/2pbebzxy) [ Amazon ](https://tinyurl.com/mw56hbk9) Youtube [ Soundcloud ](https://soundcloud.com/briangwalton/cowgirl-thang) [ Cart-plus ](https://briangwalton.com/product/cowgirl-thang-digital-download/) [  ](https://briangwalton.com/releases/in-my-little-town/) # [In My Little Town](https://briangwalton.com/releases/in-my-little-town/) In My Little Town by Brian Walton is a country-rock track inspired by the scandalous rumors circulating at his favorite watering hole, Bux's Place in Challis, Idaho. Blending traditional instrumentation with high-energy rock elements, the song became a local favorite when the rumors it teased proved true. Bux's Place itself, a historic landmark featuring Old West nostalgia like bullet-marked bartops and a 1930s-era neon sign, adds to the song's authentic, storied atmosphere. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/in-my-little-town/) [ Spotify ](https://open.spotify.com/album/2FIGoOVr6xUQbgPLjNPVHc?si=JdOvu4hDRq2E8MOQ6_y_MA) [ Apple ](https://music.apple.com/us/album/in-my-little-town-single/1591953390) [ Amazon ](https://music.amazon.com/albums/B09K9LRRRQ?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_aZmPEJEiHYNnAeEGIxz6wwHoY) Youtube [ Soundcloud ](https://soundcloud.com/briangwalton/sets/in-my-little-town) [ Cart-plus ](https://briangwalton.com/product/in-my-little-town/) [  ](https://briangwalton.com/releases/fly-higher/) # [Fly Higher by Brian Walton](https://briangwalton.com/releases/fly-higher/) Fly Higher is a heartwarming coming-of-age story told from the father's perspective, following a daughter as she goes on her first date, gets married, and has a daughter of her own. This touching song by Brian Walton has won multiple SGA American Standards Awards... [ Arrow-alt-circle-right ](https://briangwalton.com/releases/fly-higher/) [ Spotify ](https://open.spotify.com/track/2wPEsMi3BKUryCnqJ17LuX) [ Apple ](https://music.apple.com/ng/song/fly-higher-redeux/1619327459) [ Amazon ](https://amazon.com/music/player/albums/B09XXW5HV2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_6KXB4L8cBkkVfVg8jlYbAJVt6) Youtube [ Soundcloud ](https://soundcloud.com/briangwalton/fly-higher) [ Cart-plus ](https://briangwalton.com/product/fly-higher-single-digital-download/) [  ](https://briangwalton.com/releases/what-the/) # [Groundbreaking What the … Album](https://briangwalton.com/releases/what-the/) In a career-defining pivot from the Nashville country scene, artist Brian Walton re-emerged in the mid-2000s as a formidable blues-rock force, drawing on his deep Hollywood production experience—including collaborations with the Grammy-winning Robert Glasper Trio and work on the film The Revenant. His 2015 album What the … stands as a masterful synthesis of this eclectic journey, artfully repurposing his extensive soundtrack and jingle catalog into a blues-infused collection that highlights his award-winning guitar prowess and seasoned vocals. Bolstered by pioneering, patented digitization techniques and a playful creative spirit inspired by his cover band, GeeDub, the record achieved chart-topping success, cementing Walton’s legacy as both a virtuoso performer and an innovative producer. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/what-the/) [ Spotify ](https://open.spotify.com/album/7aNbAKGVtrPfcWnKZlypSF?si=uF03GrKfQIyW57UoHKwSqA) [ Apple ](https://music.apple.com/us/album/what-the/1028541145) [ Amazon ](https://music.amazon.com/albums/B013G9V9X8?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_wBBiHIKUue0nqKsRomvHalTUW) [ Youtube ](https://music.youtube.com/playlist?list=OLAK5uy_nmGZ8_DbRxMtNd5c6JAPAFYCt3YEBjDAo) [ Soundcloud ](https://soundcloud.com/briangwalton/sets/what-the?si=f730d852f7ea40b6aa534b5c35c18326&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing) [ Cart-plus ](https://briangwalton.com/shop/?product_tag=what-the) [  ](https://briangwalton.com/releases/what-the-hell-2009/) # [What the Hell!](https://briangwalton.com/releases/what-the-hell-2009/) Born from a spur-of-the-moment soundtrack contribution for a 2009 documentary, Brian Walton’s "What the Hell!" evolved into a breakout blues-rock sensation that defied expectations. Transformed from a 60-second snippet into a chart-topping, gold-selling single, the track draws on real-life relationship struggles, capturing relatable themes that resonated with audiences and awards organizations alike. Today, this unexpected hit stands as a cornerstone of Brian Walton’s catalog, boasting a massive global footprint with placements in hundreds of major television shows and films, including The Mandalorian, Andor, and The Hangover series. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/what-the-hell-2009/) [ Spotify ](https://open.spotify.com/album/3DJ8s9Cl2GuUwOjer3dVof) [ Apple ](https://music.apple.com/us/album/what-the-hell-single/394289835) [ Amazon ](https://music.amazon.com/albums/B0H1YNJ36Q?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_tZWEkt7GaBR8UZLt1oecpaD71&trackAsin=B0H1YFPMND) Youtube [ Soundcloud ](https://soundcloud.com/briangwalton/what-the-hell-2009) [ Cart-plus ](https://briangwalton.com/product/what-the-hell-digital-download/) [  ](https://briangwalton.com/releases/black-widow/) # [Black Widow by Brian Walton](https://briangwalton.com/releases/black-widow/) Black Widow is Brian Walton’s second award-winning gold single, earning multiple songwriting awards, including the Grawemeyer Award for Best Composition. Written in 2005, it has since been featured more than 700 times, by everyone from Adidas to Warner Bros, to electrify audiences and energize action scenes. [ Arrow-alt-circle-right ](https://briangwalton.com/releases/black-widow/) [ Spotify ](https://open.spotify.com/album/58ABwV0jW2DXj9iixlAONr) [ Apple ](https://music.apple.com/us/album/black-widow-redux-single/1553618009) [ Amazon ](https://music.amazon.com/albums/B08WKMQLCQ?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_fpaPtel5ETQ0ICHOzEtRvXeqb&trackAsin=B08WKKYL5G) Youtube [ Soundcloud ](https://soundcloud.com/briangwalton/black-widow) [ Cart-plus ](https://briangwalton.com/product/black-widow/) --- ### [Happy Independence Day!](https://briangwalton.com/happy-independence-day/) **Published:** July 4, 2026 **Author:** Axeman **Excerpt:** In celebration of our nation's birthday, we are proud to announce Brian Walton's 'Merica special Independence Day edition! **Content:**  In celebration of our Nation’s Birthday, we are proud to announce the Special Independence Day Edition of Brian Walton’s critically acclaimed ‘Merica Album featuring the gold-selling hits “Cowgirl Thang”, “Fly Higher”, and “Wear Them Blues”. [ Listen Now! ](#ListenNow) [ Download Now! ](#DownloadNow) ## Listen Now! [ Spotify ](https://open.spotify.com/album/7b1qLeTnwj3e0IR3kZLiIk) [ Apple ](https://music.apple.com/us/album/america/1760955444?uo=4) [ Itunes ](https://music.apple.com/us/album/america/1760955444?uo=4&app=itunes&at=1001lry3&ct=dashboard) [ Deezer ](https://www.deezer.com/us/album/624333191) [ Heart ](https://www.iheart.com/artist/brian-walton-336684/albums/america-282189048) [ Download Now! ](https://briangwalton.com/wp-content/uploads/2026/07/Merica-Album-Special-Independence-Day-Edition.zip) --- ### [Sign In](https://briangwalton.com/signin/) **Published:** May 21, 2026 **Author:** Axeman **Content:** Existing Users Log InUsername or Email Password [Continue with **Google**](https://briangwalton.com/wp-login.php?loginSocial=google&redirect=https%3A%2F%2Fbriangwalton.com%2Fwp-cron.php%3Fdoing_wp_cron%3D1789437055.9236760139465332031250) Remember Me Forgot password? [Click here to reset](https://briangwalton.com/my-account/lost-password/) --- ### [Register](https://briangwalton.com/register/) **Published:** May 21, 2026 **Author:** Axeman **Content:** New User RegistrationChoose a Username\* Email\* [Continue with **Google**](https://briangwalton.com/wp-login.php?loginSocial=google&redirect=https%3A%2F%2Fbriangwalton.com%2Fwp-cron.php%3Fdoing_wp_cron%3D1789437055.9236760139465332031250) \*Required field --- ### [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) **Published:** March 3, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 6. Taking the Old World (1986-1990) ### A Brian Walton Photo Biography Let’s time-warp back to 1985, when Brian was still in the army. The rec center at Kelly Barracks was the ultimate hangout where soldiers could unwind and make some music. Brian had his heart set on playing guitar, and although the one on loan at the rec center was a bit battered and cheap, it got the job done. It was there that he first crossed paths with bassist Mike Lieberberg and drummer Ernst Theobald. Mike, also a veteran, was busy building his 5-Star talent agency, which primarily catered to the military club scene in Germany. Ernst, a local national with a Ph.D. in theoretical mathematics, was juggling his part-time gig at the base exchange (PX) while nurturing his robotics startup on the side. During the stretches between Brian’s deployments, the three of them would come together to jam, primarily focusing on Rush songs that they all loved. As they practiced, they gradually sharpened their skills, landing paid gigs at local rock clubs in Sachsenhausen, near Frankfurt, and at the Rainbow NCO Club in Darmstadt. They decided on the band name 2112 as a playful nod to the progressive rock band they idolized… ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjdkNWNiZWNmIiwiZGlzcGxheU1vZGUiOiJvcGVuIn0%3D) [ Next ](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) --- ### [5. You're in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) **Published:** February 16, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 5. You’re in the Army Now (1981-1985) ### A Brian Walton Photo Biography From the moment Brian entered the group home in Buffalo in 1978, his career counselor, Alex—who had served in both the Korean War and the Vietnam War—was eager to push him into the military. But Brian wasn’t exactly thrilled at the idea of wearing a pickle suit, being sent off to “Bumfuck, Egypt,” or cutting off all his hair, for that matter, but he did want to serve. So in 1980, he brought his dilemma to the local Army recruiter and explained that he wanted to finish high school and at least start college first. The recruiter, being the used-car salesman he was, offered Brian a six-year tour, the first three years in the NY State National Guard, which was offering a $5,000 sign-up bonus, and to finish up his tour on active duty in the regular Army, in exchange for signing up for air-assault school, airborne school, and special forces training. Naive Brian saw nothing but dollar signs. Five grand was a lot of money in those days, and he thought the more school, the better. Hell, the way the recruiter explained it, most of the training was a glorified camping trip! Not really understanding what he was getting himself into, he put his squiggly on the dotted line. Boy, was he going to regret it… ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/capitol-madness/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjQyMDVmY2ZlIiwiZGlzcGxheU1vZGUiOiJvcGVuIn0%3D) [ Next ](https://briangwalton.com/the-magical-journey/taking-the-old-world/) --- ### [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) **Published:** November 6, 2025 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 3. Bite the Big Apple (1980-1983) ### A Brian Walton Photo Biography The only thing worse than the Big Apple’s pungent aroma is its high cost of living. Like many college students, Brian struggled to make ends meet, so between his studies at Juilliard and his gig at Trude Hellers, he took on extra roles and bit parts he usually found on the school’s bulletin board. Most of the time, he was just another face in the crowd, but every now and then, he would land a small part, like a drunk taxi driver, a psychotic drug dealer, or even a typical belligerent NYC cop. For instance, when the movie Fame was being produced, Brian played one of the many extras in the street-dancer scene, and in Raging Bull, he was one of the fight spectators. You get the idea. A quick buck for a bit part… Brian’s daily happy hour gig in the wine bar at Trude Heller’s was his domain. It was the perfect stage for him to hone his craft, dive into jazz and show tunes, and create connections with the bar’s regular patrons. Among those familiar faces was Phil Ramone, the legendary producer and co-founder of A&R Recording Studios. Phil was known for his groundbreaking work with iconic artists like Billy Joel, Paul Simon, and Barbra Streisand. ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/juilli-hard/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjdjY2RmYTQ1IiwiZGlzcGxheU1vZGUiOiJvcGVuIn0%3D) [ Next ](https://briangwalton.com/the-magical-journey/capitol-madness/) --- ### [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) **Published:** June 28, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 2. Juilli-Hard (1980) ### A Brian Walton Photo Biography On a crisp autumn morning, Brian stepped out of the 66th Street–Lincoln Center subway station, hearing the crunch of golden leaves underfoot. The cool air had a refreshing bite that helped him shake off his nerves as he navigated New York City’s busy streets. With his heart pounding, he approached the grand façade of the Juilliard auditorium, notebook in arm, for his audition… Brian had been in the city for a couple of months and had used the time to get his bearings and rehearse. What he hadn’t known on his second day in town, when he brought his paperwork to the pre-screening office on the Juilliard campus, was that to attend, he would have to audition before a panel of judges and that he would not only have to play a piece on the piano but also act out a scene from a play. He also learned that the school would assign which song and theatrical work Brian could perform, and that the piece/scene selection process at the audition would be random, forcing the auditionee to learn the entire thing! Brian was assigned Beethoven’s “Für Elise” for the musical portion of the audition, which was a no-brainer for him. He just sat at the piano at Trude Heller’s after hours and worked it out. But acting?! He hadn’t acted since he was eight; he could never remember his lines, and he just plain sucked at it! Brian had to think quickly, so he asked around the nightclub for any acting courses he could take. Someone steered him toward a studio just a subway ride away on Bank Street… ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/pre-cringe/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjJiMzNmNGMiLCJkaXNwbGF5TW9kZSI6Im9wZW4ifQ%3D%3D) [ Next ](https://briangwalton.com/the-magical-journey/big-apple/) --- ### [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) **Published:** February 9, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 1. The Pre-Cringe Years (1964-1980) ### A Brian Walton Biography Brian George Walton Jr. was born on October 8, 1964, in the sleepy farming town of Duarte, California, just north of where the 210 and 605 freeways intersect in smoggy Los Angeles County. His dad, Brian Senior, was the classic California auto-mechanic type—greased-back hair, a disarming smile, and a philandering attitude. His mom, Virginia Ann Walton (Hess), was from Buffalo, NY’s ethnically diverse East Side. Being a wildflower, she was trying to break away from her stifling German Catholic upbringing and embark on a journey of self-discovery and freedom in the Southern California sunshine. Few can recall exactly how Brian’s parents met, but it was the 60s, and SoCal was the cultural hub of the country, marked by rapid population growth, the rise of the Sunset Strip rock scene, ‘Beach Boys’ surf culture, and expanding aerospace industries. It was a transformative, car-centric era defined by suburban growth and iconic, relaxed lifestyle trends such as backyard pool parties and drive-in culture, as immortalized in the film American Graffiti. And drugs. Lotsa drugs. So, probably at some random house party. ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6ImIwZWQ4MzMiLCJkaXNwbGF5TW9kZSI6Im9wZW4ifQ%3D%3D) [ Next ](https://briangwalton.com/the-magical-journey/juilli-hard/) --- ### [The Magical Journey](https://briangwalton.com/the-magical-journey/) **Published:** March 15, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/)  # The Magical Journey ### A Brian Walton Photo Biography # Forward Putting together this book was like being drunk in the backseat with a road-raged driver. The research team would interrogate me about facts I clearly couldn’t remember, and I’d turn to my wife, who has been half my brain during our 40-plus-year marriage. If she didn’t recall, I’d ask friends, family, even fans, until someone finally nudged some long-unused neuron into recollection, and I’d jot it down, send it to the writers who would line everything up with established facts, and then wash, rinse, repeat. The real wonder is what the imaging team did with the gooey, crusty old photo negatives and faded newspaper clippings I sent them. Cameras weren’t all that great back in the day, and over the years, I lost many of the original photos, or they were so damaged that you couldn’t tell what was in them. It’s thanks to their wizardry that the images in this book bring the story to life with such stunning detail and clarity. Clearer than my memory for sure, and I was there! When I first started down this path, I just wanted to be the nerd behind the glass, twisting knobs, writing sheet music, and running cables. But fate intervened, and I was dragged out of my cozy, warm booth into the cold limelight a whopping 1500 plus times throughout my career. My wife has long said she married two men: the one who gets shit done and the one who hops around onstage like a monkey with a jalapeño up its ass. There wouldn’t be much to talk about were it not for the long-standing partnership with Capitol Records and Sony Entertainment, both of which were there from the beginning and have supported the hundreds of musical projects I’ve produced since. The music business is tough, and without their support, I would likely be dressed in a gorilla suit, spinning a sign outside some discount cell phone outlet. Let me close with this: I am blessed to have such a team by my side from the start. We laughed, cried, and walked through fire together. Some are no longer with us, yet together we made this journey magical. So, without further ado, we hope you enjoy the story… [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjJiMzNmNGMiLCJkaXNwbGF5TW9kZSI6Im9wZW4ifQ%3D%3D) [ Next ](https://briangwalton.com/the-magical-journey/pre-cringe/) --- ### [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) **Published:** April 20, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 8. The Making of Made in the Shade (1993) ### A Brian Walton Photo Biography Brian’s iconic album Made in the Shade, released in 1993, hit Gold status in 2002, a testament to its lasting impact. By 2013, three of its standout tracks had each topped the one-million streams mark, according to MRC Data. This just goes to show how Brian’s music still resonates with fans and how the album continues to connect with listeners over the years. But the album that helped define an era was plagued with problems from day one and almost didn’t happen… ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjRlZGY5ZjciLCJkaXNwbGF5TW9kZSI6Im9wZW4ifQ%3D%3D) [ Next ](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) --- ### [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) **Published:** July 2, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 10. Westend Daze (1997-2000) ### A Brian Walton Photo Biography With Bakersfield officially disbanded, Brian and bassist Randy DeBeers tried a couple of duo projects, but when Randy’s wife had the opportunity to continue her active-duty service stateside, the couple decided it was time to leave Germany. Far from jobless, Brian had plenty to do in the studio and occasionally sat in with his friends’ bands when the bug bit him. Mostly, he spent his extra time with his family. Brian had met singer Rob Hawkins while playing with the Nightstalkers at the Rainbow NCO Club in Darmstadt. Rob was a talent that bassist Bruce Borowski had been grooming to take over the band’s singing duties before it broke up, and he now had a solo act that was doing pretty well. When he heard Brian was available, he hit Brian up about forming a duo a la Brooks and Dunn. Yeah, no. Brian was over covering other artists and countered with doing something original. Rob was hesitant at first until he heard Brian’s latest hit, “Weekend Moon.” He lit up like a firecracker, asked Brian to write more, and even suggested they name the band after the top 10 hit… ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjNkZGNlZmRjIiwiZGlzcGxheU1vZGUiOiJvcGVuIn0%3D) [ Next ](https://briangwalton.com/the-magical-journey/the-pre-cringe-years/) --- ### [10. Still Got My Mojo (2013-2019)](https://briangwalton.com/the-magical-journey/10-still-got-my-mojo-2013-2019/) **Published:** May 19, 2026 **Author:** Axeman **Content:** This content is restricted to site members. If you are an existing user, please log in. New users may register below. Existing Users Log InUsername or Email Password [Continue with **Google**](https://briangwalton.com/wp-login.php?loginSocial=google&redirect=https%3A%2F%2Fbriangwalton.com%2Fwp-cron.php%3Fdoing_wp_cron%3D1789437055.9236760139465332031250) Remember Me Forgot password? [Click here to reset](https://briangwalton.com/my-account/lost-password/) New User RegistrationChoose a Username\* Email\* [Continue with **Google**](https://briangwalton.com/wp-login.php?loginSocial=google&redirect=https%3A%2F%2Fbriangwalton.com%2Fwp-cron.php%3Fdoing_wp_cron%3D1789437055.9236760139465332031250) \*Required field --- ### [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) **Published:** June 29, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 9. Bakersfield, Two Point O (1993-1997) ### A Brian Walton Photo Biography As the “Made in the Shade” album shot up the charts, Brian’s old friend and partner, Mike Lieberberg, began pressuring Brian to sign a deal to open for an upcoming Dwight Yoakam gig. Mike’s company, 5-Star Agency, had secured the deal to represent Yoakam during his 1993 USO world tour and wanted to fill the roster with top talent to back the Grammy-winning artist. But with guitarist Mickey Lee in the wind and bassist Tony Hardin recently retired, only drummer Udo Guckelsberg remained, and he had no interest in a long tour, so Brian had no band. Bummed, Brian reached out to old friends and fellow musicians Chrissy Leon and Keith Headley, and they, once again, came to the rescue… Guitarist Derek Smith and drummer Rex Jones came to Germany from England in the early 70s and, over the years, toured with a variety of big bands, jazz groups, and soul groups across the country. No strangers to country music, they often sat in with Chrissy’s and Keith’s “Pickup” band and were well-versed in the classics. But Brian’s band, “Bakersfield,” offered them a unique opportunity to work on something original, and they immediately jumped at the chance to join. Brian was grateful to have such experienced musicians on the team, as they brought a whole new level of professionalism to the band and promised to take the group to new heights. It was a marriage made in heaven… ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjNhZWMwODQwIiwiZGlzcGxheU1vZGUiOiJvcGVuIn0%3D) [ Next ](https://briangwalton.com/the-magical-journey/10-still-got-my-mojo-2013-2019/) --- ### [13. Wasted in Margaritaville (2011-2013)](https://briangwalton.com/the-magical-journey/margaritaville/) **Published:** May 1, 2026 **Author:** Axeman **Content:** This content is restricted to site members. If you are an existing user, please log in. New users may register below. Existing Users Log InUsername or Email Password [Continue with **Google**](https://briangwalton.com/wp-login.php?loginSocial=google&redirect=https%3A%2F%2Fbriangwalton.com%2Fwp-cron.php%3Fdoing_wp_cron%3D1789437055.9236760139465332031250) Remember Me Forgot password? [Click here to reset](https://briangwalton.com/my-account/lost-password/) New User RegistrationChoose a Username\* Email\* [Continue with **Google**](https://briangwalton.com/wp-login.php?loginSocial=google&redirect=https%3A%2F%2Fbriangwalton.com%2Fwp-cron.php%3Fdoing_wp_cron%3D1789437055.9236760139465332031250) \*Required field --- ### [12. Rocky Mountain High (2006-2010)](https://briangwalton.com/the-magical-journey/rocky-mountain-high/) **Published:** April 15, 2026 **Author:** Axeman **Content:** This content is restricted to site members. If you are an existing user, please log in. New users may register below. Existing Users Log InUsername or Email Password [Continue with **Google**](https://briangwalton.com/wp-login.php?loginSocial=google&redirect=https%3A%2F%2Fbriangwalton.com%2Fwp-cron.php%3Fdoing_wp_cron%3D1789437055.9236760139465332031250) Remember Me Forgot password? 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[Click here to reset](https://briangwalton.com/my-account/lost-password/) New User RegistrationChoose a Username\* Email\* [Continue with **Google**](https://briangwalton.com/wp-login.php?loginSocial=google&redirect=https%3A%2F%2Fbriangwalton.com%2Fwp-cron.php%3Fdoing_wp_cron%3D1789437055.9236760139465332031250) \*Required field --- ### [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) **Published:** June 28, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 7. Bakersfield, First Draft (1990-1993) ### A Brian Walton Photo Biography It’s the 1990s, and country music is all the rage in Europe. Mike Lieberberg’s 5-Star agency has been busy forging connections in the military circuit, particularly with the United Service Organizations (USO). After successfully bringing over a slew of big American acts, he decided it was time to expand his roster to include local talent that wouldn’t break the bank. He asked Brian to put together a list of qualified bands he could pitch for gigs, and on top of that, he encouraged Brian to start his own band so he could join in on the fun. That’s when Brian reached out to his fellow hired guns: guitarist Mickey ‘Lee’ Henke, bassist Tony Hardin, and drummer Udo Guckelsberger. Together, they formed the first version of the band, Bakersfield. At first, they mainly played country covers, with Brian and Tony sharing lead vocal responsibilities—Tony often taking the lead on the classic tracks. But Brian was still a songwriting fool and had a bunch of original songs he wanted to try out. During their rehearsals, he would surprise the guys with one of them, and they’d work together to bring those tunes to life on stage… ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/taking-the-old-world/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjFiOGVkNTVkIiwiZGlzcGxheU1vZGUiOiJvcGVuIn0%3D) [ Next ](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) --- ### [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) **Published:** February 10, 2026 **Author:** Axeman **Content:** ## Contents - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) - [Forward](https://briangwalton.com/the-magical-journey/) - [1. The Pre-Cringe Years (1964-1980)](https://briangwalton.com/the-magical-journey/pre-cringe/) - [2. Juilli-Hard (1980)](https://briangwalton.com/the-magical-journey/juilli-hard/) - [3. Bite the Big Apple (1980-1983)](https://briangwalton.com/the-magical-journey/big-apple/) - [4. Capitol Madness (1983-1985)](https://briangwalton.com/the-magical-journey/capitol-madness/) - [5. You’re in the Army Now (1981-1985)](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) - [6. Taking the Old World (1986-1990)](https://briangwalton.com/the-magical-journey/taking-the-old-world/) - [7. Bakersfield, First Draft (1990-1993)](https://briangwalton.com/the-magical-journey/bakersfield-first-draft-1990-1993/) - [8. The Making of Made in the Shade (1993)](https://briangwalton.com/the-magical-journey/making-made-in-the-shade/) - [9. Bakersfield, Two Point O (1993-1997)](https://briangwalton.com/the-magical-journey/bakersfield-two-point-o/) - [10. Westend Daze (1997-2000)](https://briangwalton.com/the-magical-journey/westend-daze-1997-2000/) # 4. Capitol Madness (1983-1985) ### A Brian Walton Photo Biography Brian’s job at Capitol Records kicked off with a bang, and let’s just say it was chaos from day one. The Nashville office had just undergone a massive reorganization, leaving many critical roles unfilled. When Brian stepped into the office for the first time, he found a nearly empty space—save for his new boss, Rob Stringer, camped out in the only lighted office in the back of the massive workspace. On loan from CBS Records, Rob was temporarily managing the Nashville office while Capitol searched for a permanent replacement. Coming from NYC himself, Rob was already familiar with Brian’s background at A&R Recording and desperately needed his production skills. Brian was supposed to be a lowly staff writer, tasked with crafting scores for upcoming projects. Instead, he found himself juggling far more than just composing—he was also attending meetings, coordinating schedules, reporting to Rob, and even supervising recording sessions. On the bright side, the Capitol Records Nashville office was conveniently located just a stone’s throw from the legendary RCA Victor Studio on Music Row, where Brian spent most of his time producing. To make life even easier, he snagged a cozy studio apartment just down the block on 16th Street. And just in case you’ve been living under a rock, Music Row is a historic section southwest of downtown and the heartbeat of Nashville’s entertainment scene. For Brian, it was pure bliss, with everything he needed within easy walking distance. ### Protected Content This content is protected and requires sign-in. Use one of the options below to sign-in or register for free. [ Sign-In ](https://briangwalton.com/signin/) [ Register ](https://briangwalton.com/register/) [ Previous ](https://briangwalton.com/the-magical-journey/bite-the-big-apple/) [ Menu ](#elementor-action%3Aaction%3Doff_canvas%3Aopen%26settings%3DeyJpZCI6IjMzY2ZkNDgyIiwiZGlzcGxheU1vZGUiOiJvcGVuIn0%3D) [ Next ](https://briangwalton.com/the-magical-journey/your-in-the-army-now/) --- ### [Cookie Policy](https://briangwalton.com/cookie-policy/) **Published:** June 25, 2026 **Author:** Axeman **Content:** This page provides comprehensive information about how we use cookies on our website to enhance your browsing experience, improve website performance, and deliver personalized content. Cookies are small text files that are stored on your device when you visit our site. They help us understand how visitors interact with our website, allowing us to offer a smoother and more efficient user experience. In the table below, you will find detailed information about each type of cookie we use, their purpose, and how long they remain on your device. We are committed to respecting your privacy and providing transparency about the data we collect through cookies. For more information on how we handle your personal data, please see our Privacy Policy. ## Essential Essential cookies enable basic functions and are necessary for the proper function of the website. NameDescriptionDurationwpconsent\_preferencesThis cookie is used to store the user's cookie consent preferences.30 days### Comments These cookies are needed for adding comments on this website. 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This cookie is set when the GA.js javascript library is loaded and there is no existing \_\_utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.30 minutes after last activity\_\_utmcUsed only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.End of session (browser)\_\_utmzContains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server6 months after last activity\_\_utmvContains custom information set by the web developer via the \_setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.2 years after last activity### WooCommerce Sourcebuster SourceBuster is used by WooCommerce for order attribution based on user source. NameDescriptionDurationsbjs\_first\_addTimestamp, referring URL, and entry page for your visitor’s first visit to your store (only applicable if the visitor returns before the session expires)sessionsbjs\_current\_addTimestamp, referring URL, and entry page for your visitor’s current visit to your storesessionsbjs\_migrationsTechnical data to help with migrations between different versions of the tracking featuresessionsbjs\_sessionThe number of page views in this session and the current page path30 minutessbjs\_udataInformation about the visitor’s user agent, such as IP, the browser, and the device typesessionsbjs\_firstTraffic origin information for the visitor’s first visit to your store (only applicable if the visitor returns before the session expires)sessionsbjs\_currentTraffic origin information for the visitor’s current visit to your storesession --- ### [Terms of Service](https://briangwalton.com/terms-of-service/) **Published:** June 25, 2026 **Author:** Axeman **Content:** # Terms of Service Effective Date: June 24, 2026 Website: https://briangwalton.com Welcome to the official website for Brian Walton! These Terms of Service (“Terms”) govern your use of \[https://briangwalton.com\](https://briangwalton.com), including our fan forums, merchandise store, and fan club subscriptions (collectively, the “Site”). Please read these Terms carefully. ## 1. Acceptance of Terms By accessing, browsing, registering for an account, or making a purchase on this Site, you acknowledge that you have read, understood, and agree to be bound by these Terms. If you do not agree with any part of these Terms, you must not use the Site. ## 2. Intellectual Property All official content on this Site—including but not limited to music, audio recordings, lyrics, logos, trademarks, photographs, videos, and album artwork related to Brian Walton—is the exclusive property of Walton International Business Group LLC and is protected by international copyright and trademark laws. You may not copy, reproduce, distribute, modify, or create derivative works from this official content without explicit, prior written permission from Walton International Business Group LLC. ## 3. User Conduct and Community Guidelines We want our community forums and fan club to be a safe, welcoming space for all Brian Walton fans. By using the Site, you agree not to: - Harass or Threaten: Engage in harassment, bullying, stalking, or intimidation of other users, administrators, or Brian Walton. - Use Hate Speech: Post content that promotes violence, hate, or discrimination based on race, ethnicity, religion, gender, sexual orientation, or disability. - Spam: Post unauthorized advertisements, repetitive messages, or promotional materials. - Distribute Unauthorized Media: Upload, post, or share links to unauthorized copyrighted music, unreleased tracks, “leaks,” or bootleg recordings. ## 4. User-Generated Content We love seeing your creativity! When you post fan art, photos, forum messages, or other original materials (“User Content”) to the Site, you retain ownership of your work. However, by submitting User Content to the Site, you grant Walton International Business Group LLC and its affiliates a worldwide, royalty-free, limited, non-exclusive license to use, display, reproduce, and distribute your content on the platform and across our official promotional channels. You also confirm that your User Content does not infringe on the intellectual property or privacy rights of any third party. ## 5. Merchandise Store and Fan Club Subscriptions - Purchases & Availability: All physical merchandise and digital subscriptions are subject to availability. We reserve the right to modify prices or discontinue items at any time without notice. - Shipping Limitations: We strive to process orders promptly. However, shipping times are estimates and may be affected by factors outside our control. We are not responsible for delays caused by postal carriers, customs, or international shipping restrictions. - Refunds and Returns: Physical merchandise may be returned for a refund or exchange within 30 days of receipt, provided the items are unused, unwashed, and in their original condition. Defective items will be replaced at no additional cost. Fan club subscription fees are non-refundable, but you may cancel your subscription at any time to prevent future billing. - Fan Club Subscriptions: Subscriptions will automatically renew at the end of your billing cycle. You must cancel before the renewal date via your account settings to avoid being charged for the next cycle. ## 6. Termination of Use We reserve the right to suspend, ban, or terminate your account and your access to the Site at any time, without prior notice or liability, if we determine in our sole discretion that you have violated these Terms, the community guidelines, or any applicable laws. ## 7. Limitation of Liability The Site and all of its services are provided on an “AS IS” and “AS AVAILABLE” basis. To the fullest extent permitted by law, Brian Walton, Walton International Business Group LLC, and the Site administrators shall not be liable for: - Any site downtime, interruptions, or technical failures. - Loss of data, user content, or unauthorized access to your account. - Any direct, indirect, incidental, consequential, or punitive damages arising out of your use of, or inability to use, the Site or the merch store. ## 8. Changes to Terms We reserve the right to update or modify these Terms at any time to reflect changes in our services or legal obligations. When we do, we will update the “Effective Date” at the top of this page. Your continued use of the Site after any changes are posted constitutes your acceptance of the revised Terms. ## 9. Contact Us If you have any questions or concerns about these Terms, the merch store, or the fan club, please contact us at: Email: info@briangwalton.com --- ### [Privacy Policy](https://briangwalton.com/privacy-policy/) **Published:** June 24, 2026 **Author:** Axeman **Content:** # PRIVACY POLICY Effective Date: June 24, 2026 Website: https://briangwalton.com Welcome to the Brian Walton Fanpage. We respect your privacy and are committed to protecting your personal data. This Privacy Policy explains how we collect, use, disclose, and safeguard your information when you visit our website, purchase music or content, or interact with our services. Please read this policy carefully. If you do not agree with its terms, please discontinue use of the site. ## 1. Information We Collect We collect information that identifies you, relates to you, or could reasonably be linked to you. This falls into two main categories: ### Information You Provide Voluntarily: - Identity Data: Names. - Contact Data: Email addresses. - Financial Data: Payment details (such as credit card numbers or account details) when you make a purchase. ### Information Collected Automatically: - Technical Data: Internet Protocol (IP) addresses, browser type, operating system, and device details. - Usage Data: Details about your browsing behavior, including pages viewed, time spent on the site, links clicked, and interactions with our content. ## 2. How We Collect Your Information We use different methods to collect data from and about you, including: - Direct Interaction: You give us your Identity, Contact, and Financial Data when you sign up for newsletters, create an account, request marketing updates, or make a purchase. - Automated Technologies: As you interact with our website, we automatically collect Technical and Usage Data via cookies, server logs, and similar tracking technologies. ## 3. Why We Use Your Information (Purpose of Processing) We only use your personal data when the law allows us to. Most commonly, we use your data to: - Process Orders: To fulfill transactions, deliver digital content, or manage payments. - Improve Our Service: To analyze how fans use our site, troubleshoot technical issues, and enhance your user experience. - Send Marketing Emails: To keep you updated on new music releases, content drops, or merchandise—but only if you have opted in. You can opt out at any time. ## 4. Information Sharing and Disclosure We value your trust. We do not sell, rent, or trade your personal information to third parties for marketing purposes. We only share your data with trusted third-party service providers essential to running our business: - Payment Processors: Your financial data is securely transmitted to and processed by third-party payment gateways such as Stripe and PayPal. We do not store your raw credit card numbers on our servers. - Legal Obligations: We may disclose your information if required by law, court order, or government regulation. ## 5. Cookies and Tracking Technologies We use cookies to enhance your browsing experience. Cookies are small data files stored on your device. They help us remember your preferences and understand how you use our site. You can set your browser to refuse all or some cookies, or to alert you when websites set or access cookies. However, if you disable or refuse cookies, please note that some parts of this website may become inaccessible or fail to function properly. ## 6. Data Security We have implemented appropriate commercial-grade security measures to prevent your personal data from being accidentally lost, used, accessed in an unauthorized way, altered, or disclosed. While we strive to use commercially acceptable means to protect your personal data, no method of transmission over the internet or electronic storage is 100% secure, and we cannot guarantee absolute security. ## 7. Your Legal Rights Depending on your location (such as the EU/UK or certain US states), you have specific rights regarding your personal data. We extend these core rights to all our fans: - Right to Access: You can request a copy of the personal data we hold about you. - Right to Correction: You can request that we fix any inaccurate or incomplete data. - Right to Deletion (“Right to be Forgotten”): You can ask us to delete your personal data, subject to certain legal exceptions (like maintaining records for tax purposes). To exercise any of these rights, please contact us using the email provided below. ## 8. Children’s Privacy Our website and services are not intended for children under the age of 13 (or 16 in certain jurisdictions). We do not knowingly collect personal data from children. If we learn that we have inadvertently collected data from a child under the minimum legal age, we will delete it immediately. If you believe we might have such data, please contact us. ## 9. Changes to This Privacy Policy We may update this Privacy Policy from time to time to reflect changes in our practices or to comply with legal and regulatory requirements. We will notify you of any material changes by posting the new policy on this page and updating the “Effective Date” at the top. We encourage you to review this policy periodically. ## 10. Contact Us If you have any questions, concerns, or requests regarding this Privacy Policy or how your data is handled, please reach out to us at: Email: info@briangwalton.com --- ### [Videos](https://briangwalton.com/videos/) **Published:** June 11, 2026 **Author:** Axeman **Content:** ## Latest Releases  « Prev 1 / 1 Next »   Official In My Little Town Lyric Video by Brian Walton  Black Widow Lyric Video  Brian Walton & The Toad House Band Live!  F A I T H – Zombie Love (Sneak Peek)  Anthology 2025 Trailer  What the Hell 2025 Anthology  Brian Walton – Fly Higher – Official Music Video  Brian Walton – Wear Them Blues (Merica!) – Official Studio Video  Brian Walton – Cowgirl Thang (Official Studio Video with Outtakes)  Brian Walton – Turning Up the Weekend (Official Studio Video) « Prev 1 / 1 Next »  --- ### [The Bands](https://briangwalton.com/bands/) **Published:** May 21, 2026 **Author:** Axeman **Content:** # The Bands The Bands that helped shape Brian and that Brian helped shape. ## The Early Years  For most of Brian’s early career, he was learning the ropes as a studio nerd, but that doesn’t mean he didn’t get out and play when the opportunity arose. Working in the studio put him in direct contact with many great musicians, many of whom had projects of their own that were missing a man here and there, and Brian was the perfect shoo-in. Brian’s first professional live performance came while he was a roadie for the Buffalo, NY, band Talas in 1977. One of Brian’s jobs as a roadie was to keep the guitars in tune and swap them out during performances. Invariably, the rest of the band caught wind that Brian had some guitar skills, and it was before one performance when guitarist and frontman Dave Constantino injured his hand that Brian was asked to step onstage to help with guitar duties. “I wasn’t afraid to be on stage; I was afraid of screwing up. I didn’t know their songs all the way through,” Brian reflects. Well, it was good enough because Brian became a frequent guest onstage after that. In 1980, when Brian moved to NYC to attend Juilliard and begin his apprenticeship under Phil Ramone at A&R Recording, he was exposed to a whole new level of professional musicians. When they weren’t in the studio as session musicians, they were on the road backing many of the era’s legends or performing on Broadway, essentially selling their services to the highest bidder. It was Brian’s first exposure to the ‘hired gun’ mentality, and for quite some time after that, he thought it was the norm. While in school, Brian couldn’t just hop on tour like his contemporaries, but he did sit in with Cyndi Lauper, Diana Ross, and the band Tanzik whenever he could. He also did a lot of understudy work for a variety of Broadway musicals, since getting paid to rehearse was new to Brian. And of course, he had his weekday happy hour gig at Trude Heller’s, where he rehearsed for school. After graduation, Brian applied the ‘hired gun’ mentality throughout much of the 80s. Even after moving to Nashville and later to Austin, he essentially just hopped in whenever there was a need and added stage time with, among others, J.J. Cale, Willie Nelson, and Tesla to his resume. Brian didn’t actually join a Band until he went on active duty and was stationed in Germany… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## 2112 (1984-1986)  Brian discovered the band Rush while growing up in Buffalo, NY, in the late 1970s, and has been an avid fan ever since. In 1985, when Brian was still in the army. The rec center at Kelly Barracks was the ultimate hangout where soldiers could unwind and make some music. Brian had his heart set on playing guitar, and although the one on loan at the rec center was a bit battered and cheap, it got the job done. It was there that he first crossed paths with bassist Mike Lieberberg and drummer Ernst Theobald. Mike was an expatriate, busy building his 5-Star talent agency, which primarily served the military club scene in Germany. Ernst, a local German national with a Ph.D. in theoretical mathematics, was juggling his part-time gig at the base exchange (PX) while nurturing his robotics startup on the side. During the stretches between Brian’s deployments, the three of them would come together to jam, focusing primarily on Rush songs they all loved. As they practiced, they gradually sharpened their skills, landing paid gigs at local rock clubs in Sachsenhausen, near Frankfurt, and at the Rainbow NCO Club in Darmstadt. They decided on the band name 2112 as a playful nod to the progressive rock band they idolized. When Brian wrapped up his military service, he stayed in Germany, and he, Mike, and Ernst kept going for a while. The band never really dissolved or faded; it merely lingered in the space where the power trio had free time. Mike had shifted his focus almost entirely to his agency, while Ernst was deep into launching his robotics company. Ernst even brought Brian on board to head the lab once he transitioned to civilian life. Meanwhile, Mike had built a solid lineup of bands he could book for military gigs and began sending plenty of hired-gun work Brian’s way… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Bakersfield One Point O (1991-1993)  It’s the 1990s, and country music is all the rage in Europe. Mike Lieberberg’s 5-Star agency has been busy forging connections in the military circuit, particularly with the United Service Organizations (USO). After successfully bringing over a slew of big American acts, he decided it was time to expand his roster to include local talent that wouldn’t break the bank. He asked Brian to compile a list of qualified bands he could pitch for gigs, and he also encouraged Brian to start his own band so he could join in the fun. That’s when Brian reached out to his fellow hired guns: guitarist Mickey ‘Lee’ Henke, bassist Tony Hardin, and drummer Udo Guckelsberger. Together, they formed the first version of the band, Bakersfield. At first, they mainly played country covers, with Brian and Tony sharing lead vocals—Tony often taking the lead on the classic tracks. But Brian was still a songwriting fool with a bunch of original songs he wanted to try out. During rehearsals, he would surprise the guys with one of them, and they’d work together to bring those tunes to life onstage. Bakersfield quickly made a name for itself on the military circuit. Mickey’s skilled country pickin’, Brian’s southern-rock-inspired solos, and Tony’s distinctive, raspy vocals gave them a unique sound that resonated with audiences. However, it was Brian’s original songs—like “Made in the Shade,” “Practical Man,” and “Life on the Farm”—that left fans eager for more. These tracks were battle-tested before live crowds long before Brian even thought about putting them on a record, becoming true fan favorites in the process… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Bakersfield, Two Point O (1993-1996)  After the release of the Made in the Shade album, Brian’s old friend Mike and his 5-Star agency immediately hit Brian up to sign a deal to open for the upcoming Dwight Yoakam world tour he had brokered. But with guitarist Mickey in the wind and bassist Tony recently retired, all that was left was Udo, who didn’t want to go on tour, so there was no band. Bummed, Brian reached out to old friends Chrissy Leon and Keith Headley, and they, once again, came to the rescue, introducing fellow Brits Derek Smith on guitar and Rex Jones on drums. Both Derek and Rex came to Germany in the 70s and began touring with big bands, jazz, and soul groups across the country. Although their style was not exactly country, neither was Brian’s, so the trio gelled well and began working on the ‘Bakersfield’ sound. But Brian still needed a bass player, and as luck would have it, one had just moved in next door… Bassist Randy DeBeers’ wife was a staff sergeant at Rhein Main Air Force Base and, as such, qualified for off-base housing. When an apartment in the building next to Brian’s opened up, they immediately jumped on it. Coming home from work one day, Brian saw the military moving truck and figured he ought to go out and welcome his new neighbors. After a few laughs and a couple of beers, it turned out that Randy had played bass in a band in his hometown and kinda missed performing. Seizing the opportunity, Brian ran home, grabbed his acoustic, and they began jamming in the backyard to the delight of their neighbors, who eventually brought more beer and food. And Viola! They had a full-on barbecue party! [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Weekend Moon (1997-1998)  Brian had met singer Rob Hawkins while playing with the Nightstalkers at the Rainbow NCO Club in Darmstadt. Rob had a solo act that was doing pretty well, and when he heard Brian was available, he asked if Brian wanted to team up and form a duo like Brooks and Dunn. Yeah, no. Brian, still under contract with the 5-Star agency, needed a band, so he brought Udo Guckelsberger back on drums and asked his old friend, bassist Bob Barnett, if he wanted to join. Brian had met Bob Barnett through Chrissy Leon and Dave Bell many years earlier. Bob, a civil service employee of the Army based in Mainz, Germany, was building a home studio. He and Brian often got together to work out technical details and record. Bob also performed frequently with fellow American fiddler Helt Oncale, who had his own gig and often sat in with the top German country bands of the time. Brian now had a band of top players who couldn’t or wouldn’t fully commit to the project because of other obligations, and he wasn’t about to risk the Bakersfield brand. So he came up with a new band name, Weekend Moon, after the hit single he had released just a few months earlier. Initially, things went well; the group was tight and professional, quickly earning the 5-Star agency’s favor. But eventually, Rob felt overshadowed as he tried to keep up with more experienced performers, and he left after only a few months. After that, Bob’s prior commitments began to interfere, and Brian was forced to use hired guns. That put the burden of managing the band and performing entirely on Brian’s shoulders, so he was glad to let the band die out when another opportunity arose… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Westend (1998-1999)  The fall of the Berlin Wall in 1991 marked a significant turning point in both Germany’s political landscape and its cultural scene. From the remnants of the failed German communist state in the eastern province of Thüringen, the band Westend emerged and started making a name for itself in the country music scene. Brian ran into Andy Schingnitz, lead singer of Westend, at one of the many Trucker Festivals they both played when Bakersfield was still tearing it up. It turned out that Brian’s wife had family from Erfurt, the same city as Westend, so it was no surprise they hit it off. Quickly becoming friends, Brian and Andy would cameo at each other’s gigs, goofing around and acting out improv skits to the delight of fans. When Bakersfield hit the skids, the national press began suggesting that Brian would join Westend, so one day, as if ordained, Andy asked Brian if he’d like to join, and Brian, not one to disappoint, accepted. Brian stepped in as the second lead guitarist alongside guitarist Dieter Knoblauch, bringing in lap steel guitar, fiddle, and keyboards as needed. This gave the band a fresh vibe, with tight five-part harmonies and a broader setlist. As a result, Westend rose to the top of the European country music scene and was busier than ever… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## The Buckaroo’s (2000)  In 2000, Brian and his oldest son, Christopher, flew in from Germany first to get things organized (cars, house, furniture, etc.) before Brian’s wife and youngest son, Patrick, flew over. While staying with his family in Bakersfield and using that as a starting point to mount the hunt for new digs, Brian’s old friend, guitarist Jeff DeHollander, whom he met during Dwight Yoakam’s first USO tour, caught wind that Brian was in town and hit him up to step in for him at the Chrystal Palace while he went on tour for six weeks. Brian didn’t realize it at the time, and just so you know, Buck Owens’ Crystal Palace in Bakersfield, California, was a legendary country music venue, restaurant, and museum that closed in 2025. It’s the place where the ‘Bakersfield’ sound—named after the city, not Brian’s previous band—began, and it’s essentially a shrine to Buck Owens and all his famous friends. As far as Brian knew, he took a six-week gig just to make a paycheck as a hired gun… Brian wasn’t given a setlist, so as usual, he showed up at the Chrystal Palace expecting to just play solo guitar to a bunch of standards. He was early, so he set up his gear, ordered a beer, and waited. Bassist Mike Gomez arrived next and started setting up his gear, looking around quizzically at the unfamiliar setup. Brian went over to help him out by introducing himself. Mike smiled ear-to-ear, rummaged through his bag for his book of songs, unceremoniously planted it on a music stand in front of Brian’s gear, and said, “This is what we’re doing tonight.” Brian said, “Cool,” and went back to his drink… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Bakersfield Three Point O (2001)  Camarillo is a charming, family-friendly city in Ventura County, California, known for its Mediterranean climate, agricultural roots, and scenic mountain views. Just an hour away from his new offices at Quantum Digital in Santa Monica and Capitol Studios in Hollywood via the scenic Pacific Coast Highway, it was the perfect place for Brian and his family to settle, far enough from the chaos of LA. Once settled, Brian reached out to his agent to get a sense of the lay of the land, and she immediately suggested he go on tour. Brian had no idea how to set up a tour, so he contacted the only person he knew who did—Mike Lieberberg. However, Mike was in Germany and had no desire to fly over and manage things, so he coached Brian through it, including getting the record company to fund the project in exchange for a new album, finding people to transport and set up the sound system, hiring security to manage the events, and so on. All Brian really had to do on his own was find the musicians. Through his ties at Capitol, Brian found some worthwhile bands to sit in with. You know, professional-grade acts that weren’t so busy as to interfere with Brian’s family life. There was a Richie Valens revival band and an arena rock cover band that he played with regularly at the Whisky a Go Go on the Sunset Strip. Through these groups, Brian met Marvin Huntsman, Rusty Simms, and Nadundo Abasi. Torrey Gerardo and Tiffany Janis were the girlfriends of Marvin and Rusty and were professional backing singers who had toured with the likes of Huey Lewis and the News, Joe Cocker, and Diana Ross. Brian had a band! [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Savor (2005-2006)  After wrapping up the 2001 tour, Brian was tired of performing the same old, worn-out tunes, even if they were his, and he decided to take a break and enjoy some family life. But after a few years, Brian felt a bit restless again and began looking for new projects, so he reached out to his friend, bassist Jose Martinez. They had previously teamed up at Capitol Studios, and Jose’s current gig was with a Santana tribute band called Savor. However, the band’s guitarist wasn’t quite capturing Santana’s signature style, and Jose thought of Brian for the role. When Brian showed up for the audition, he didn’t just mimic Tito Santana’s guitar playing—he embraced the legendary musician’s stage presence and mannerisms. This authenticity blew everyone in the band away, and they offered him the job as lead guitarist on the spot. Excitement buzzed in the air as they kicked off their Southern California tour. Over 22 shows with Savor, Brian delivered stellar performances. The tour culminated in a major televised event that both KTLA and the Los Angeles Times hailed as “electrifying” and full of “double-take moments.” The music was on point, and the band’s chemistry was electric, but as the tour progressed, tensions began to bubble among certain band members. Not wanting to get caught up in any drama, Brian decided it was time to step back and look for new opportunities once the tour wrapped up… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Toad House Band (2006-2010)  The Toad Tavern was a charming nightclub just a stone’s throw from Brian’s home, featuring a mix of local talent and national acts, creating an electric atmosphere for music lovers. Tavern owner Brice Hancock and keyboardist Marty Wallace were old college buddies. When Brice wanted a house band to support national solo acts he was eager to showcase, he asked Marty to put the band together. That’s when Marty stumbled upon Brian’s ad in the newspaper. Intrigued by Brian’s impressive background, he reached out to invite him to audition. When Marty called, he said he was only looking for a lead guitarist, so when Brian arrived for the audition, he brought only his guitar and amp. Brian figured that if there was any interest in his other musical abilities, it would come up during the audition and could just sweeten the deal. He needn’t have worried; Marty was blown away by Brian’s guitar prowess, singing ability, and his ability to learn songs quickly, so he hired him on the spot. Marty’s daytime job was as an educator at the University of Colorado, where he taught music theory, putting him in a prime position to headhunt aspiring talent. After bringing Brian aboard, he often invited students to sit in on rehearsals, during which he and Brian would take turns teaching. The most talented students joined the band, including Ron Ohren on bass and Percival Johnston on drums. But when needed, Marty, who also played saxophone, wanted a full brass section, so he brought Hiram Bartel on trumpet and Sinead Marks on trombone to complete the lineup… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## GeeDub (2006-2008)  Marty wasn’t the only one who reached out about Brian’s ad. Will Young was in a tight spot because his classic rock cover band was without a guitarist for an upcoming gig. Intrigued by Brian’s ad, he called and invited Brian to sit in on one of their rehearsals. As with Marty, Will was blown away by Brian’s guitar skills and his impressive ability to sing just about anything you could throw at him. Will struggled to find other members to join his band. Sure, he could find stand-ins for gigs, but beyond that, nobody really wanted to commit, or they had their own thing going on. So it boiled down to the core members: Will, Brian, and bassist Ken Martinez. The evolution occurred during a rehearsal, when the trio had just finished playing ZZ Top’s “La Grange.” An excited Ken blurted out, “Way to go, GeeDub,” after Brian nailed the vocals and guitar. GeeDub was a play on Brian’s full name, but in a ZZ-Top cool kind of way. Going along with the gag, Brian began calling Ken ‘Rev’ for his penchant for wearing black button-down shirts over white T-shirts, and Will ‘BigDub,’ well, because he was exactly the opposite. Will was the shortest guy in the band. With a sense of humor and a newfound identity, the power trio decided to run with it. By then, Brian had converted his basement into a professional-grade home studio so he could continue his regular production work for Capitol Records. He dragged Will and Ken in to record a demo they could shop around for gigs. The demo was as lighthearted and self-deprecating as the boys themselves, and they began booking gigs around the Denver area. At first, it was just beer joints like the Open Tap and Ziggies Saloon; within a short time, it was outdoor festivals and more established venues like Oskar Blues and Little Bear. But when the offer to tour with the Black Crowes came in, it was time for a come-to-Jesus moment… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Eric Johnson Band (2006-2008)  But wait! There’s more! Local yodeler Eric Johnson (not to be confused with the guitar empresario from the 80s) toured northern Colorado and Nebraska with his country cover band and was in desperate need of a decent country picker. He, too, saw Brian’s ad, but unlike the other guys, there was no audition or rehearsal. After the initial call, Brian was unceremoniously emailed a setlist and a list of dates he was expected to perform on. In the Eric Johnson Band, Brian was just another hired gun. A pretty regular one, but no one who played for Eric was a ‘regular’ member. The band was more like a revolving door, with Eric often scrambling to find anyone who would answer his call before a gig. The band mainly performed country covers that were standard for the time, but when Eric wanted to do a new song, he’d turn to Brian to learn it so Brian could, in turn, teach it to the rest of the band at their next performance. There were no rehearsals, so the band sounded as thrown together as it was. Brian eventually grew fed up with the chaos, stopped answering Eric’s calls, and Eric faded into the background. Looking back, Brian reflects that the only good thing to come of his time with the Eric Johnson Band was the chance to meet other hired guns like himself. After Eric, Brian continued to sit in with local country bands whenever he got the itch, performing across Colorado and neighboring states. He had regular gigs with Chris Lawson, Chris LeDoux, and Walker Williams, and he even shared the stage with Idaho native Pinto Bennett and Texan Cody Canada, who was fronting Cross Canadian Ragweed at the time. Brian was a staple at the Greely Stampede in Colorado, The Million Dollar Cowboy in Jackson, Wyoming, and The Cheyanne Frontier Days, also in Wyoming, where he opened for everyone from Brooks & Dunn to Phil Vasser. He also made quite a few new friendships with fellow musicians, including drummer Kelly Ireland, bassist Isaac Perry, and the up-and-coming Chris Tracy… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Roughshod (2008)  Brian first met Chris Tracy while sitting in with Walker Williams at the Greely Stampede in northern Colorado. Tracy was primarily a vocalist, and Brian didn’t know how the kid muscled in on Walker’s action, but he was really impressive! And ambitious to boot! Chris cornered Brian as he was packing his gear into his truck after the show. When the conversation turned to music production, Chris’ eyes lit up. Chris had a bunch of unfinished songs he wanted to record and lobbied Brian hard to help produce his album. But for Brian, that was a bridge too far this early in the relationship. Instead, he talked the kid into settling on a 3-song demo he could use to book gigs. With that, the two exchanged numbers, and Brian headed home. Chris was on it. Within a week, he was in Brian’s studio recording vocals. To keep costs down, Brian played all the instruments and produced the 3-song demo in about 3 days. It wasn’t Brian’s best work, but it was a hell of a lot better than demos he’d heard from other artists and good enough to shop around Nashville if the kid was so inclined. Chris was ecstatic and told Brian he’d keep him posted… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Brian Walton & The Toad House Band (2009-2010)  Brian was increasingly getting serious work from Capitol Records; he had just wrapped the soundtrack for the American Revolutions: Southern Rock documentary and had 3 other projects waiting in the queue. Brian needed professional representation, so he signed with K&P Enterprises in early 2009. During his intake interview, he was asked what he wanted to do with his solo career. Yeah, about that. At the time, country music, with its rap elements and over-engineered sound, wasn’t anything Brian could identify with anymore. Brian had just made a cameo appearance at the Crossroads Music Festival with his old friend Albert Lee and had opened for the Black Crowes at the Red Rocks Amphitheater. It seemed like blues-rock and crossover-rock were in resurgence, and with the recent success of his song “What the Hell” and constant nudging from his friends, Brian began seriously considering reinventing himself as a blues-rock artist. The decision was pretty much made for him when the offer to open for Robert Randolph & the Family Band fell into his lap. Coincidentally, the Toad House band was in trouble, too. With the economy going belly up, the Rhythm & Blues scene took a big hit, and many artists retired or opted not to tour. As a result, Toad Tavern owner Brice Hancock began hiring cheap local talent to fill the roster, and the Toad House band was forced to look elsewhere for work… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) ## Cracker-41 (2001-2013)  With the legion humming like a well-oiled machine and feeling a bit healthier because of it, Brian had a bit of free time and thought he might hit the stage again. Nothing crazy, just a gig here and there. So he hit the classifieds and found an ad for a band looking for a second guitarist and singer that sounded interesting. He called and reached drummer Herschel Burden III, who promptly invited Brian to audition. It wasn’t much of an audition, per se. Brian connected instantly with the other guys, both personally and musically, and they were willing to work around his limitations. So Brian started right then and there as the band’s new keyboardist/guitarist. Now, all they needed was a band name… What happens when you put a group of middle-aged, politically incorrect, half-rednecks in a room to conspire about anything? You get Cracker-41. Brian, drummer Herschel, guitarist Gary Stanczik, and bassist Dennis Cory came up with the name, which drew on the derogatory Southern term for a white man, ‘Cracker,’ and on Highway 41, the Tamiami Trail, the main route to just about anywhere along Florida’s west coast. “Sure, we had better band names, but Cracker-41 made everybody snicker, so we kept it,” Brian recalls. What made Cracker-41 unique was that everyone in the band had years of professional experience and sang, giving them a huge repertoire of songs to choose from and creating some really cool vocal harmonies. They were ready to hit the ground running, so using his connections with the American Legion, Brian booked gigs at Wounded Warrior Project and Legion events, which gave them the exposure needed to land jobs at biker festivals, outdoor ‘Swamper’ fests, and even highfalutin country clubs. Within a few short months, they went from weekend warriors to headliners and were busy touring the Florida coast. Unfortunately, too busy for Brian… [ Want More? Read The Magical Journey ](https://briangwalton.com/the-magical-journey/) --- ### [Forgot Username or Password](https://briangwalton.com/forgot-username-or-password/) **Published:** May 21, 2026 **Author:** Axeman **Content:** Retrieve usernameEmail Address Reset Forgotten PasswordUsername or Email Forgot username? [Click here](https://briangwalton.com/my-account/?a=getusername) Resend confirmation link? [Click here](https://briangwalton.com/my-account/?a=reconfirm) --- ### [Contact Us](https://briangwalton.com/contact/) **Published:** December 2, 2023 **Author:** Axeman **Content:** # Contact Us Interested in booking information, experiencing a product issue, or accessing member features? Please contact our friendly support staff, who guarantee response times of 24 hours or less. Name Email Message Send --- ### [Thank You](https://briangwalton.com/thank-you/) **Published:** February 11, 2024 **Author:** Axeman **Content:** ## Thank you [swpm_thank_you_page_registration] --- ### [Refund and Returns Policy](https://briangwalton.com/refund_returns/) **Published:** August 31, 2025 **Author:** Axeman **Content:** # Refund and Return Policy Any claims for misprinted/damaged/defective items must be submitted within 30 days after the product has been received. For packages lost in transit, all claims must be submitted no later than 30 days after the estimated delivery date. Claims deemed an error on our part are covered at our expense. If you or your customers notice an issue on the products or anything else on the order, please contact customer service. The return address is set by default to the Printful facility. When we receive a returned shipment, an automated email notification will be sent to you. Unclaimed returns get donated to charity after 30 days. If Printful’s facility isn’t used as the return address, you would become liable for any returned shipments you receive. **Wrong Address –** If you or your end customer provide an address that is considered insufficient by the courier, the shipment will be returned to our facility. You will be liable for reshipment costs once we have confirmed an updated address with you (if and as applicable). **Unclaimed –** Shipments that go unclaimed are returned to our facility and you will be liable for the cost of a reshipment to yourself or your end customer (if and as applicable). If you haven’t registered an account on [briangwalton.com](https://briangwalton.com) and added a billing method, you hereby agree that any returned orders due to the wrong shipping address or a failure to claim the shipment won’t be available for reshipping and will be donated to charity at your cost (without us issuing a refund). Printful does not accept returns of sealed goods, such as but not limited to face masks, which are not suitable for return due to health or hygiene reasons. You hereby agree that any returned orders with face masks won’t be available for reshipping and will be disposed of. **Returned by Customer –** It is best to advise your end customers to contact you before returning any products. Except for Customers residing in Brazil, we do not refund orders for buyer’s remorse. Returns for products, face masks, as well as size exchanges, are to be offered at your expense and discretion. If you choose to accept returns or offer size exchanges to your end customers, you would need to place a new order at your expense for a face mask or a product in another size. Customers residing in Brazil and regretting a purchase must contact our Customer Service and express their will to return the item within 7 consecutive days after receiving it, providing a picture of the item. The withdrawal request will undergo an evaluation to verify whether the product was used or destroyed, even if partially. In these cases, a refund will not be possible. **Notification for EU consumers:** According to Article 16(c) and (e) of Directive 2011/83/EU of the European Parliament and of the Council of 25 October 2011 on consumer rights, the right of withdrawal may not be provided for: 1\. the supply of goods that are made to the consumer’s specifications or are clearly personalized; 2\. sealed goods which were unsealed after delivery and thus aren’t suitable for return due to health protection or hygiene reasons; therefore, we reserve the right to refuse returns at our sole discretion. This Policy shall be governed and interpreted in accordance with the English language, regardless of any translations made for any purpose whatsoever. --- ### [Global Styles](https://briangwalton.com/global-styles/) **Published:** December 2, 2023 **Author:** Axeman **Content:** ## Global Styles - [ Colors ](#colors) - [ Fonts ](#fonts) - [ buttons ](#buttons) This page previews Global Fonts and Colors for this Kit. Changes made in Site Settings will be displayed here. ## Global Colors ## SYSTEM ### Primary ### Secondary ### Body text ### accent ## custom ### BG kIt ### Blue Element ### Blue Light BG ### White Element ### Transparent ### Overlay bg ## Global Fonts ## SYSTEM Primary abcd Secondary abcd body text Looking to change global styles? Click on top left menu in sidebar and then select Site Settings. accent text abcd ## custom 404 title abcd Hero headline abcd Box Title abcd Subtitle abcd Special Title abcd Body Text Italic Capitalize abcd Accent Text Underline abcd Sale Price abcd Sale Label abcd ## Buttons & Links Buttons and links inherit their style from Global Fonts and Colors settings in Site Settings. [ Main CTA button ](#) [ Underline Accent ](#) This is [Hyperlink](#) --- ## Releases ### [What the .... Redux Album](https://briangwalton.com/releases/what-the-redux-album/) **Published:** July 15, 2025 **Author:** Axeman **Excerpt:** Celebrating a decade of his iconic 2015 release, Brian Walton’s "What the … (Redux)" is a powerful testament to his enduring blues-rock legacy and artistic evolution. Born from his prolific work on major soundtracks for films and series like "The Mandalorian" and "Wish", this collection revitalizes classic tracks with fresh production techniques and re-imagined arrangements, effectively offering fans a "new" experience of beloved hits. Since its recent debut, the album has already climbed international charts, hitting the top 100 in just a few weeks and proving that Brian Walton’s award-winning guitar prowess and seasoned vocals remain as resonant and chart-topping as ever. **Content:** In the ten years since the “What the ….” album was released in 2015, quite a lot happened: Many tracks from the original album were reimagined for movie or television soundtracks, putting award-winning producer Brian Walton on the shortlist for a Grammy. Most of the tracks have reached or exceeded gold-selling status, and still appear on international charts. While touring for the US Army’s 250th Anniversary in 2025, a fan approached Brian about releasing a new album. It was the middle of the touring season, and Brian had neither the time nor the material for a full album. But he had many reimagined tracks that, at the time, had only been heard in movie theaters and on TV. So between gigs, Brian hid in his studio and put the finishing touches on “What the …. (Redux)” album, which hit stores just in time for the 10th Anniversary of the original 2015 release. While many tracks on the “What the …. (Redux)” album benefited from the new production techniques Brian had developed since 2015, others were re-recorded with different instruments and styles altogether, making them essentially brand new. Hence the “Redux” classification. This achieved the goal of celebrating the original album’s 10th anniversary while still dropping “new” tracks for fans. And those “new” tracks didn’t slouch on the charts either. Bolstered by instant recognition in big-screen productions like “Wish” and “The Mandalorian”, the album shot up the international charts and hit the top 100 in just a few short weeks. The original “What the ….” came about when in a career-defining pivot from the Nashville country scene, Brian Walton reinvented himself in the mid-2000s as a formidable blues-rock force. He artfully repurposed his extensive soundtrack and jingle catalog into a blues-infused collection that highlights his award-winning guitar prowess and seasoned vocals. Bolstered by pioneering, patented digitization techniques and a playful creative spirit inspired by his side cover band, the record topped the charts and has stayed there ever since. --- ### [Groundbreaking What the ... Album](https://briangwalton.com/releases/what-the/) **Published:** August 15, 2015 **Author:** Axeman **Excerpt:** In a career-defining pivot from the Nashville country scene, artist Brian Walton re-emerged in the mid-2000s as a formidable blues-rock force, drawing on his deep Hollywood production experience—including collaborations with the Grammy-winning Robert Glasper Trio and work on the film The Revenant. His 2015 album What the … stands as a masterful synthesis of this eclectic journey, artfully repurposing his extensive soundtrack and jingle catalog into a blues-infused collection that highlights his award-winning guitar prowess and seasoned vocals. Bolstered by pioneering, patented digitization techniques and a playful creative spirit inspired by his cover band, GeeDub, the record achieved chart-topping success, cementing Walton’s legacy as both a virtuoso performer and an innovative producer. **Content:** In the mid-2000s, Brian Walton grew tired of modern country music, with its rap elements and over-engineered ‘Nashville’ sound, so he decided to try blues-rock instead. Besides, many of the country bands he sat in with were covering the classics anyway. When Brian moved to Colorado in 2006, he joined the Toad House Band, a blues project that Marty Wallace and Toad Tavern Owner Brice Hancock put together to support the many national blues acts Brice invited to play at his venue. Brian was ecstatic to be playing lead guitar again, and as the band’s only experienced lead singer, he did most of the singing whenever they opened for national acts. That nudged him further along the blues-rock path. The turning point came when Brian signed with the LA-based A&R agency K&P Enterprises. During the intake interview, when asked what he wanted to do with his career, he decided to take a leap and said he wanted to become a blues-rock artist, seeing that blues music was on the rise. K&P didn’t waste any time and pushed Brian to write an original blues song, which became the “What the Hell” single and sent him on tour. Since returning to the US from Germany in 2000, Brian has spent a lot of time at Capitol Studios in Hollywood, hammering out award-winning albums and soundtracks. He had just wrapped up producing a gold-selling album for the Grammy-winning [Robert Glasper](https://en.wikipedia.org/wiki/Robert_Glasper) Trio and the soundtrack for the film [“The Revenant,”](https://www.imdb.com/title/tt1663202/) as well as oodles of jingles for local businesses and national chains, when his agent started bugging him for an album in 2015. Brian hadn’t really written any new blues music since releasing the “What the Hell” single in 2009. So he repurposed jingles and soundtracks he’d written for other projects, along with updated versions of singles he had released before the album. He ended up with an eclectic blend of blues, crossover country, and rock, all with a distinctly bluesy style that showcased Brian’s award-winning guitar work and seasoned vocals. However, the real mastery lay in the production, where Brian developed digitization techniques that later became patented industry standards. When the album hit the airwaves in the summer of 2015, many tracks reached the top 100, bolstered by familiarity from their prior use in soundtracks and jingles. The inspiration for the artwork and album title came from Brian’s little side gig playing in the classic rock garage band “GeeDub” with good friend’s bassist Kenny Martinez and drummer William Young. Unapologetically playful, the trio gave each other goofy aliases like “Big Dub” and “The Rev” and often performed in weird costumes or hats. Even the project name was a variation of Brian’s last two initials: “Gee” and “Dub” from his full initials “BGW”. --- ### [What the Hell!](https://briangwalton.com/releases/what-the-hell-2009/) **Published:** February 15, 2009 **Author:** Axeman **Excerpt:** Born from a spur-of-the-moment soundtrack contribution for a 2009 documentary, Brian Walton’s "What the Hell!" evolved into a breakout blues-rock sensation that defied expectations. Transformed from a 60-second snippet into a chart-topping, gold-selling single, the track draws on real-life relationship struggles, capturing relatable themes that resonated with audiences and awards organizations alike. Today, this unexpected hit stands as a cornerstone of Brian Walton’s catalog, boasting a massive global footprint with placements in hundreds of major television shows and films, including The Mandalorian, Andor, and The Hangover series. **Content:** The origin of Brian Walton’s “[What the Hell!](https://amazon.com/music/player/tracks/B0H1YFPMND?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_kN32AvXuqaztWsWgKp1HQOMDQ)” traces back to 2009, when composer [Adam Berry](https://www.adamberrycomposer.com/)—who had previously collaborated with Brian on several independent films—reached out unexpectedly. Berry was struggling with a segment for the soundtrack of the documentary [“Boobs: An American Obsession”](https://www.imdb.com/title/tt1479183/) and asked Brian to create an upbeat, blues-infused chorus. Brian readily agreed, went straight into his studio, and recorded the snippet for “What the Hell” in under an hour, delivering it to Berry that day. At the time, Brian was also taking on more work in Hollywood while reinventing himself as a blues-rock artist. Part of that transition included hiring a new A&R agency, and the ink hadn’t even dried on the contract when K&P Enterprises insisted Brian write an original blues song for the upcoming tour they had planned for him. Stunned, Brian had never written in the blues-rock genre before, and all he had remotely similar was the little ditty he wrote for the “Boobs: An American Obsession” soundtrack. In desperation, Brian took the 60-second segment, locked himself in his studio, and roughly 8 hours later emerged with “What the Hell!” The song’s storyline stems from a real-life situation involving a bass player friend of Brian’s who was struggling with his very rigid girlfriend. She disapproved of his friend’s lifestyle, so whenever they played together, Brian would ask how he was doing, and the bassist would reply, “In the doghouse again,” which became the song’s underlying theme. What nobody expected, least of all Brian, was that his first foray into the genre would tear up the charts, debuting at No. 438 on the blues charts and reaching the top 20 in just a week. Simultaneously, the Society of Composers and Lyricists (SCL) and the Songwriters Guild of America (SGA) added the song to their nomination boards, and the Blues Foundation took notice as well. Today, “What the Hell!” is Brian’s third gold-selling single and has been featured in hundreds of television shows and motion pictures worldwide, including Disney’s [“The Mandalorian,”](https://www.imdb.com/title/tt8111088/) [](https://en.wikipedia.org/wiki/The_Hangover_Part_III)[“Andor,”](https://www.imdb.com/title/tt9253284/) and [“The Hangover Part 2](https://www.imdb.com/title/tt1411697/) and [3″](https://www.imdb.com/title/tt1951261/). **Singles:** What the Hell! --- ### [In My Little Town](https://briangwalton.com/releases/in-my-little-town/) **Published:** October 24, 2021 **Author:** Axeman **Excerpt:** In My Little Town by Brian Walton is a country-rock track inspired by the scandalous rumors circulating at his favorite watering hole, Bux's Place in Challis, Idaho. Blending traditional instrumentation with high-energy rock elements, the song became a local favorite when the rumors it teased proved true. Bux's Place itself, a historic landmark featuring Old West nostalgia like bullet-marked bartops and a 1930s-era neon sign, adds to the song's authentic, storied atmosphere. **Content:** Brian Walton wrote “In My Little Town” to poke fun at the rumor mill surrounding some of the more scandalous folks who hung around his favorite drinking hole, [Bux’s Place](https://en.wikipedia.org/wiki/Bux%27s_Place), in his beloved Challis, Idaho. However, when some rumors proved true, the song took on a whole new, hilarious meaning for locals, making it a town favorite. In typical fashion, Brian blended traditional instruments with rock elements to create a unique country-rock style, crowned with blistering fiddle and guitar solos that leave listeners spinning on their boot heels. [Bux’s Place](https://en.wikipedia.org/wiki/Bux%27s_Place) was listed on the National Register of Historic Places in 1980. From the bullet holes in the bartop to the Deer mounts ranging back to the early 1900s, Bux’s is full of Old West nostalgia. Once a Hotel and Mercantile, Bux’s is the only remaining two-story commercial log building featuring a back bar from the late 1800s. The world-famous neon sign reading “Bux’s Place” dates to the 1930s and has appeared in numerous movies, documentaries, and TV series. “In My Little Town” by Brian Walton is available worldwide on all streaming platforms, most physical music outlets, and on [***Touchtunes***](https://www.touchtunes.com/) and [***Karafun***](https://www.karafun.com/). #### [***New! Now available on Vinyl and CD!***](https://elasticstage.com/brianwalton/releases/in-my-little-town-singleep) **Albums:** 'Merica --- ### [Zombie Love feat. F A I T H](https://briangwalton.com/releases/zombie-love/) **Published:** April 12, 2026 **Author:** Axeman **Excerpt:** Can Zombies fall in love? Give them a handful of Brain and find out! Check out this sneak peek of Brian Walton's Zombie Love created for the popular Netflix online game, upcoming television series and full-length feature film. **Content:** ***Sneak Peek:*** This is the original pre-production version of the song as presented to [Netflix](https://www.netflix.com/). While we are sworn to secrecy about the project itself, we can talk about how the Zombie Love project came about. When Brian was approached by Netflix to produce the theme song for one of their popular streaming games, Netflix was still in the running to buy Warner Bros. But Paramount/Skydance came with a better offer, and Netflix decided to bow out. This was good news for Brian because it meant Netflix wouldn’t outsource and the entire game franchise would stay in-house, meaning that not only would Brian write the theme song but also the soundtrack, and create the music for follow-up projects, like the planned full-length movie pilot and television series. In the original pre-production version, Brian engaged a local singer to perform the vocals, but Netflix dialed up the pressure after the Warner Bros. fiasco, and Brian was forced to find someone else to finish the project. Using his ties to Disney, he reached out to ‘Encanto’ co-producer Clark Spencer, who in turn recommended Carolina Padrón. Brian thought the Ecuadorian-born Padrón was perfect for the project because of her rich experience and vocal range, including the ability to growl certain lines and accents, which fit the project concept to a tee. Brian named the collaboration ‘F A I T H’ after the original singer, but the music supervisory team at Netflix loved the theme song and concept so much that they insisted that he keep it, even after changing singers. So everything pertaining to the project from now on will be under the brand ‘F A I T H’. It’s still early in the project, and the game hasn’t been released quite yet, but we will announce further updates as they occur. In the meantime, enjoy Zombie Love and be sure to check out [Brian’s other releases…](https://briangwalton.com/?elementor_library=elementor-archive-570 "Releases Archive") **Albums:** Anthology **Singles:** Zombie Love --- ### ['Merica by Brian Walton](https://briangwalton.com/releases/merica/) **Published:** July 15, 2022 **Author:** Axeman **Excerpt:** Brian Walton’s critically acclaimed 2022 album, 'Merica, is a multifaceted masterpiece by the accomplished Hollywood composer. It features chart-topping singles such as "Cowgirl Thang" and "Fly Higher," heartfelt tributes, guest performances by Joanna Leaton and Christal Wheelock, and light-hearted tracks guaranteed to plant a smile on your face. The album showcases his immense versatility and musical depth. Beyond the music, the 'Merica initiative channels proceeds from every stream and purchase to vital support for veterans and charities. By listening or purchasing on platforms like Spotify, Apple Music, or his official website, you directly help families and neighbors in need nationwide. **Content:** Brian Walton’s highly praised album “[America](https://open.spotify.com/album/7b1qLeTnwj3e0IR3kZLiIk)” (also known as [‘Merica](https://open.spotify.com/album/7b1qLeTnwj3e0IR3kZLiIk)) was released in 2022 to widespread acclaim. It includes hit singles such as “[Cowgirl Thang](https://open.spotify.com/track/6OX9RKcRtFsc6uEBFfRcz4?si=057ea61dd6644a43)” and “[Fly Higher](https://open.spotify.com/track/2wPEsMi3BKUryCnqJ17LuX?si=33b5d47a390e4460),” which, along with other hits, boosted the album’s chart performance and helped propel the new tracks. The album features songs sung by guest artists, including Joanne Leaton on “[Strange Sensation](https://open.spotify.com/track/46UTgjrCJf61e2Y95ii6Nx?si=f0fdb92c8825430d)” and Christal Wheelock on “[Can Love You More](https://open.spotify.com/track/26uYE7UCGdZCqlMfYHXm6f?si=9bd1d98410694b6b).” It also introduces fans to Brian’s light-hearted side with songs like the trendy “[The Karen (Can’t Understand Normal Thinking) Song](https://open.spotify.com/track/68ySYneb77OBlJn2ZECTgX?si=71b4aa5a96a14d1f)” and “[In My Little Town](https://open.spotify.com/track/6txXQHHm6cs6yzX2ar0TwD?si=cf2279ed9b5d4d2f),” a humorous tribute to his beloved Challis, Idaho. Produced for [Musty Dungeon Studios](https://mustydungeon.com/) at [Capitol Studios](https://www.capitolstudios.com/) in Hollywood, the album showcases Brian’s ability to play multiple instruments. In addition to drums, bass, and guitars, Brian wows with his knack for picking up any instrument and instantly mastering it, as in his lightning-fast fiddle solo on “[In My Little Town](https://open.spotify.com/track/6txXQHHm6cs6yzX2ar0TwD?si=cf2279ed9b5d4d2f)” and his performances on traditional instruments like the banjo, accordion, and mandolin on “[Fly Higher](https://open.spotify.com/track/2wPEsMi3BKUryCnqJ17LuX?si=33b5d47a390e4460)“. Brian played every instrument on every song on the album. Long before Brian embarked on his career as a solo artist, he’s been a celebrated composer and writer in Hollywood, lending his talents to films such as [“Arthur,”](https://en.wikipedia.org/wiki/Arthur_(1981_film)) [“Schindler’s List,”](https://en.wikipedia.org/wiki/Schindler%27s_List) and [“The Ninth Gate.”](https://en.wikipedia.org/wiki/The_Ninth_Gate) So, it is no wonder, then, that he wrote every song on the album. Many have since received numerous awards from the [Songwriters Guild of America](https://www.songwritersguild.com/) and the [Society of Composers and Lyricists](https://thescl.com/), with soundtrack versions of “[Fly Higher](https://open.spotify.com/track/2wPEsMi3BKUryCnqJ17LuX?si=33b5d47a390e4460)” and “[Cowgirl Thang](https://open.spotify.com/track/6OX9RKcRtFsc6uEBFfRcz4?si=057ea61dd6644a43)” even working their way up the food chain into the laps of the Grammy committee. For the past 25 years, Brian Walton has worked alongside veteran organizations to support veterans nationwide through the ‘Merica initiative. This year, in commemoration of America’s 250th birthday, he is doing the same, not just for veterans but for all Americans, through the expansion of the ‘Merica initiative to include the [American Diabetes Association](https://diabetesjournals.org/), the [American Heart Association](https://www.heart.org/), and [Habitat for Humanity](https://www.habitat.org/). Whether you listen to ‘Merica on your favorite streaming platform like [Spotify](https://open.spotify.com/album/7b1qLeTnwj3e0IR3kZLiIk) or [Pandora](https://www.pandora.com/artist/brian-walton/america/ALrXk6lcfXPhkkq), buy the album on [Amazon](https://music.amazon.com/albums/B0DBZYRR73) or [Apple Music](https://music.apple.com/us/album/america/1760955444), or download the album or your favorite singles at a huge discount from our [website](https://briangwalton.com), every cent goes toward helping a family member or neighbor near you. --- ### [Strange Sensation feat. Joanna Leaton](https://briangwalton.com/releases/strange-sensation-feat-joanna-leaton-2/) **Published:** November 24, 2022 **Author:** Axeman **Excerpt:** In 1983, Brian Walton and Stewart Harris met while on tour and collaborated to write the song "Strange Sensation." A variation of this composition was later developed by Jill Colucci and Stewart Harris into the hit "No One Else on Earth" for Wynonna Judd. After years of the song's evolution, including Brian's own recordings, he eventually partnered with Joanna Leaton in 2019 to reimagine and release "Strange Sensation" as a successful crossover hit. **Content:** When Brian Walton moved to [Nashville](https://en.wikipedia.org/wiki/Nashville,_Tennessee) in 1983 to work for [Capitol Records](https://en.wikipedia.org/wiki/Capitol_Records), he picked up a gig playing keyboard for [J.J. Cale](https://en.wikipedia.org/wiki/JJ_Cale)‘s band and hit the road for a US tour. When they made it to [Texas](https://en.wikipedia.org/wiki/Texas) for a show at [Gilly’s](https://en.wikipedia.org/wiki/Gilley%27s_Saloon), Brian met [Stewart Harris](https://en.wikipedia.org/wiki/Stewart_Harris), who was on tour with [Jerry Reed](https://en.wikipedia.org/wiki/Jerry_Reed) at the time, and the two immediately hit it off. After the show, they met back at Stewart’s hotel room for drinks and jams, and that’s when they came up with Strange Sensation. [Jill Colucci](https://en.wikipedia.org/wiki/Jill_Colucci) and Stewart later put their spin on a variation of the song and wrote “[No One Else on Earth](https://en.wikipedia.org/wiki/No_One_Else_on_Earth)” for [Wynonna Judd](https://en.wikipedia.org/wiki/Wynonna_Judd), which, of course, went on to become a top ten Billboard country hit. Brian recorded his variation of the song for his landmark album “Made in the Shade,” but it was later cut from the final release; however, it did end up on the “Made in the Shade Live!” album. Flash forward to 2019, when Brian first heard Joanna Leaton belting out Wynnona songs at a karaoke bar. He thought she was the perfect voice to bring the [Strange Sensation](https://open.spotify.com/track/46UTgjrCJf61e2Y95ii6Nx) to life, so he invited her into the studio, where he rewrote the lyrics to fit her style, laid down the instruments, and Viola! The two had created a crossover hit! **Albums:** 'Merica --- ### [Brian Walton & The Toad House Band Live!](https://briangwalton.com/releases/brian-walton-the-toad-house-band-live/) **Published:** May 16, 2026 **Author:** Axeman **Excerpt:** The album "Brian Walton & the Toad House Band Live!" features their top recordings from the 2010 Colorado tour, where they opened for the Black Crowes, B.B. King, and Robert Cray. It captures live performances in front of sold-out crowds at Fiddler's Green Amphitheater, Red Rocks Amphitheater, and the Toad Tavern. **Content:** The album “Brian Walton & the Toad House Band Live!” features their top recordings from the 2010 Colorado tour, where they opened for the [Black Crowes](https://en.wikipedia.org/wiki/The_Black_Crowes), [B.B. King](https://en.wikipedia.org/wiki/B._B._King), and [Robert Cray](https://en.wikipedia.org/wiki/Robert_Cray). It captures live performances in front of sold-out crowds at [Fiddler’s Green Amphitheater](https://en.wikipedia.org/wiki/Fiddler%27s_Green_Amphitheatre), [Red Rocks Amphitheater](https://en.wikipedia.org/wiki/Red_Rocks_Amphitheatre), and the [Toad Tavern](https://www.westword.com/music/the-toad-tavern-in-littleton-gets-new-owners-5704061/). The album features Brian’s top hit, “What the Hell!”, backed by the musical genius of Marty Wallace on keys and sax, Ron Ohren on bass and vocals, Percival Johnston on drums and vocals, Hiram Bartel on trumpet, and Sinead Marks on trombone. ***Added Bonus:*** Special guests [Robert Randolf and his band](https://en.wikipedia.org/wiki/Robert_Randolph_and_the_Family_Band) make an impromptu appearance on the track “Shaky Ground.” If you love Classic Rock, Blues Rock, or R&B, this album is for you! [Read more about the Toad House Band…](https://briangwalton.com/about/toad-house-band/ "The Toad House Band") **Albums:** Brian Walton & the Toad House Band Live! --- ### [Black Widow by Brian Walton](https://briangwalton.com/releases/black-widow/) **Published:** July 4, 2006 **Author:** Axeman **Excerpt:** Black Widow is Brian Walton’s second award-winning gold single, earning multiple songwriting awards, including the Grawemeyer Award for Best Composition. Written in 2005, it has since been featured more than 700 times, by everyone from Adidas to Warner Bros, to electrify audiences and energize action scenes. **Content:** Black Widow is Brian Walton’s second award-winning gold single, earning multiple songwriting awards, including the Grawemeyer Award for Best Composition. Written in 2005, it has since been featured more than 700 times, by everyone from Adidas to Warner Bros, to electrify audiences and energize action scenes. Black Widow began in 2005 as a TV ad for a national sports retailer, but Brian knew he had a hit the second he wrote it. As he has done so many times before, he used the soundtrack as the basis for the version we all know and love today. Released in 2006, Black Widow immediately charted near the top of Asian and European rock and metal charts and has consistently ranked there since. Black Widow was Brian’s first attempt at writing for the rock and metal genres, and he drew inspiration for the lyrics from the ex-girlfriend of a bassist friend, who was rumored to be a notorious maneater. The main guitar riff was inspired by an exercise Brian had created for one of his students who was struggling to play bar chords. Brian recorded Black Widow during an impromptu session with his old friend and drummer, Steve Gadd. Brian was working on the soundtrack for the film “Blood Diamonds” at Capitol Records in Hollywood when Steve walked into the booth to say hi! Brian had met Steve while working in Nashville in the 80s and knew he was an excellent improv musician, so he invited him into the studio to jam on some concepts he had. One of those concepts was Black Widow, and that session became the basis for the final recording. Brian pitched Black Widow around Hollywood, and it eventually became a go-to for background music in bar scenes or high-energy car chases in feature films. But its major success came as a single in Asia, South America, and Europe, where it dominated the charts, prompting Brian to consider releasing the track in the US. However, Sony wasn’t playing along, and Brian had to wait until he negotiated the release of his music catalog in 2010 before he could even consider releasing the song stateside. The Vampiress theme for the cover artwork came from the genius of graphic artist and typographer Stefan Sagmeister, whom Brian met while appearing on Good Morning America in 2007. At the time, Sagmeister had recently won a Grammy for his design work on the Talking Heads’ “Once in a Lifetime” album, and Brian asked him whether he would be interested in creating the cover for Black Widow. Until then, Brian had featured a likeness of Russian model Natalia Vodianova on the album cover, which was distinctly geared toward the European market. He thought a more Americanized cover might help appeal to audiences stateside. A few weeks later, Sagmeister delivered six oil paintings for Brian to choose from, and Brian chose Vampiress #3 for the cover because, as a torso shot, it was very seductive yet not too risque. Nearly 10 years after its inception, Brian was finally ready to unleash Black Widow on the US market, but he felt it was a bit dated, so he re-recorded it with more modern sounds and engineering techniques and re-released the single in 2015 on his newly founded Musty Dungeon Studios Label. At first, Black Widow moved slowly up the charts, but it got a huge bump in 2020 when Brian, then the Associate Music Director at Disney, featured an instrumental version of the song in the TV series “Andor” and “The Mandalorian.” It has dominated the charts ever since. [Black Window in the News](https://briangwalton.com/tag/black-widow/) | [Black Widow Merchandise](https://briangwalton.com/product-tag/black-widow/) Black Widow Playing Guitar (Vampiress #1) © 2008 Sagmeister Inc.Black Widow Love Me! (Vampiress #4) © 2008 Sagmeister Inc.Black Widow Kiss Me! (Vampiress #3) © 2008 Sagmeister Inc.Black Widow Smoking (Vampiress #2) © 2008 Sagmeister Inc.Black Widow Bloody Satisfied! (Vampiress #5) © 2008 Sagmeister Inc.Black Widow Seductive (Vampiress #3) © 2008 Sagmeister Inc. **Albums:** Anthology **Singles:** Black Widow --- ### [Fly Higher by Brian Walton](https://briangwalton.com/releases/fly-higher/) **Published:** October 6, 2016 **Author:** Axeman **Excerpt:** Fly Higher is a heartwarming coming-of-age story told from the father's perspective, following a daughter as she goes on her first date, gets married, and has a daughter of her own. This touching song by Brian Walton has won multiple SGA American Standards Awards... **Content:** Fly Higher is a heartwarming coming-of-age story told from the father’s perspective, following a daughter as she goes on her first date, gets married, and has a daughter of her own. This touching song by Brian Walton has won multiple SGA American Standards Awards, has been featured in many Disney productions, and, alongside Black Widow, is among his most prolific works. Brian first wrote “Fly Higher” in 2011 to celebrate the birth of his first granddaughter. Over the next 5 years, he explored different styles before settling on a fully acoustic version, which he released in October 2016. The song’s concept departed from Brian’s usual hard-drinking country music style by being family-oriented and thoughtful. At first, fans didn’t know what to make of it, but by the time the song received its first award in 2017, its popularity had shot through the roof, and it began climbing the charts. Brian first pitched “Fly Higher” to Disney for the soundtrack of “Raya and the Last Dragon.” They loved the concept but wanted an orchestral version. Brian then reorchestrated the instrumentation and prepared the score sheets for the final recording, which took place in 2020 at the Disney Studios in Burbank, California. Subsequently, during his tenure as Associate Music Director at Disney, Brian adapted the orchestral score of “Fly Higher” a few more times for full-length animated films like “Elemental” and “Wish.” **Albums:** 'Merica --- ### [Cowgirl Thang (Let's Skin a Buck!) by Brian Walton](https://briangwalton.com/releases/cowgirl-thang/) **Published:** March 20, 2022 **Author:** Axeman **Excerpt:** Experience the undeniable success of Cowgirl Thang, the critically acclaimed gold selling hit by Brian Walton that has captivated audiences worldwide. The special "Let's Skin a Buck!" edition has been digitally remastered for all modern devices. **Content:** The idea for “Cowgirl Thang” came from Brian’s wife, Inge, as they returned home after a day of branding cattle at a local friend’s ranch. Brian was especially impressed by one cowgirl who roped calves as good as the best of them, at times surpassing the most seasoned cowboy. As the conversation progressed, they began listing other typical “cowgirl” tasks, and then Inge suggested Brian write a song about it… And he did just that. As soon as he got home, Brian sat at his computer and wrote the entire lyrics for the song in just under 30 minutes. Then he grabbed his acoustic guitar and worked out the melody line, and in just over an hour, he debuted the song to his wife, who promptly gave him a thumbs-up. Brian knew he had a hit. In the past, when recording a new song, Brian would create score sheets for each instrument and vocal part, book studio time, hire session musicians, and spend a day or two trying out sound and arrangement ideas and mixing. But while he was working for Disney, he had upgraded his home studio with state-of-the-art gear and thought, “What the hell, I’ll just do it from home.” Because recording at home was different, Brian spent the next two weeks recording each instrument and documenting the process for future projects. He played every instrument himself, including the drums, which he ultimately farmed out to his old friend, drummer Steve Gadd, who also had his own home studio, because Brian is *not really* a drummer. Brian founded his own label, Musty Dungeon Studios, in 2010 to manage his enormous catalog and bid directly on Hollywood projects, including the Disney gig from 2020 to 2022. Often, this would put him in the room with some of the best design and media teams in the industry, and it was time to put them to the test… Brian again engaged Grammy Award-winning Stefan Sagmeister for the “Cowgirl” artwork, which featured a distinctly pop-art style applied to the model, Sarah Menendez, in the “blowing out the pistol” pose, photographed in his NYC studio. Media and PR went to the global powerhouse, the McCann-Erickson agency, where Brian had contracted on and off since co-writing jingles with Burt Bacharach in the 80s. And as usual, global distribution went to Sony Entertainment. Within a week of its May 2022 release, “Cowgirl Thang” rocketed up the charts, was featured on “Good Morning America,” and increased Brian’s subscriber base by 50,000. Since then, “Cowgirl Thang” has won SGA & SCL awards for best lyrics and best composition, has been featured on Spotify’s and SiriusXM’s artist spotlight, and is enjoyed daily by tens of thousands of avid listeners worldwide, according to Nielsen/Luminate. Test passed. **Albums:** 'Merica **Singles:** Cowgirl Thang --- ## Products ### [What the .... Flash Drive](https://briangwalton.com/product/what-the-flash-drive/) **Published:** September 12, 2026 **Author:** Axeman **Excerpt:** Aww. What the …. Sporting Brian’s hilariously astonished kisser alongside an exclusive insert, this 8GB flash drive comes pre-loaded with everything you need. It features the original studio-quality recordings in WAV format, 320Kbps MP3s ideal for sharing with family and friends, the complete original print media, and a full media release kit containing detailed information about the album and its tracks. **Content:** Aww. What the …. Sporting Brian’s hilariously astonished kisser alongside an exclusive insert, this 8GB flash drive comes pre-loaded with everything you need. It features the original studio-quality recordings in WAV format, 320Kbps MP3s ideal for sharing with family and friends, the complete original print media, and a full media release kit containing detailed information about the album and its tracks. [***Read more…***](https://briangwalton.com/releases/what-the/) - Drive Specs & Hardware: Built using professional-grade Tier 1 memory chips from SanDisk, Micron, Toshiba, Hynix, Samsung, or Intel. - Customization & Printing: Features full-color custom printing on the flash drive surface and packaging artwork. - Packaging: Packaged in custom cases constructed from 100% new, non-recycled materials. - Shipped worldwide! [Listen on Bandcamp](https://bandcamp.com) ##### Product Images    **Product brands:** Walton's Mountaineers **Product categories:** Music **Product tags:** flash, what-the --- ### [USA 250 Commemorative T-Shirt](https://briangwalton.com/product/usa-250-commemorative-t-shirt/) **Published:** September 2, 2026 **Author:** Axeman **Content:** Celebrate America’s 250th birthday with this official Brian Walton Commemorative T-Shirt from his 2026 Live tour. Just in case you missed getting one at the show. This lightweight crew tee features Brian Walton’s iconic BGW wing logo and distressed Americana design for people who want to wear their pride on their sleeve. Soft Airlume combed and ring-spun cotton keeps the shirt breathable and comfortable whether you’re out on a summer ride, running errands, or layering under a jacket. The subtle distressed and weathered patriotic look gives the shirt a worn-in, lived-with look that fits right into casual, everyday wardrobes. The refined retail fit and ribbed knit collar keep the silhouette neat for pairing with jeans or a utility jacket. Ethically made and REACH-certified, it’s a garment built to wear often and feel good to own. Product features – 100% Airlume combed and ring-spun cotton for breathable, lightweight comfort (Bella+Canvas 3001). – Retail fit with ribbed knit collar and side seams for structure and a neat silhouette. – Shoulder tape and ribbed collar for shape retention; tear-away label to reduce irritation. – Sleeve and neck prints produced with crisp DTF or vivid DTG techniques depending on provider. – Ethically manufactured (Fair Labor Association, Platinum WRAP) and REACH certified; blank sourced from Honduras. Care instructions – Machine wash: cold (max 30C or 90F) – Non-chlorine: bleach as needed – Tumble dry: low heat – Iron, steam or dry: medium heat – Do not dryclean **Product brands:** Walton's Mountaineers **Product categories:** Garb --- ### [What the .... Redux Koozie](https://briangwalton.com/product/what-the-redux-koozie/) **Published:** September 11, 2026 **Author:** Axeman **Content:** Now you can share Brian’s hilariously astonished kisser with friends and family with this dual-side Koozie, which comes in two sizes to fit your regular and slim cans. Crafted from high-grade synthetic rubber, it keeps your drinks cool and your hands warm. • Made from neoprene • Waterproof • Dual-size customization • Ribbed seams • Regular 5″ × 4″ (12 × 10 cm), or slim 6.5″ × 3.2″ (17 × 8 cm) • Spot clean as needed **Product brands:** Walton's Mountaineers **Product categories:** Gear **Product tags:** what-the, what-the-redux --- ### [What the .... (CD-Jewel)](https://briangwalton.com/product/what-the-cd-jewel/) **Published:** September 12, 2026 **Author:** Axeman **Excerpt:** Get your own "What the …." CD, with Brian Walton’s hilariously astonished kisser plastered on the front and back. First released in 2015, the critically acclaimed "What the …." album marked Brian's transition from Country to Blues-Rock, produced 4 gold-selling chart hits, kicked his career into high gear, and set him on the path to Disney, Netflix, and oodles of awards. **Content:** Get your own “What the ….” CD, with Brian Walton’s hilariously astonished kisser plastered on the front and back. First released in 2015, the critically acclaimed “What the ….” album marked Brian’s transition from Country to Blues-Rock, produced 4 gold-selling chart hits, kicked his career into high gear, and set him on the path to Disney, Netflix, and oodles of awards. ***[Read more…](https://briangwalton.com/releases/what-the/)*** - Disc Quality & Printing: Duplicated on high-grade glossy blank media featuring 4800 dpi photo-quality full-color printing on the disc face. - Case Specifications: Standard 10.2mm thick CD Jewel case weighing 2.2 oz, featuring a clear front tray and a black back tray made of 100% new plastic. - Artwork & Inserts: Includes a full-color 2-panel front insert and back tray insert printed on 80# cover-weight, premium-grade gloss paper. - Finishing: Fully assembled and shrink-wrapped. - Shipped worldwide! [Listen on Bandcamp](https://bandcamp.com) ##### Product Images     **Product brands:** Walton's Mountaineers **Product categories:** Music **Product tags:** CD, compact-disc, what-the --- ### [What the .... (CD Only)](https://briangwalton.com/product/what-the-cd-only/) **Published:** September 2, 2026 **Author:** Axeman **Excerpt:** Get your own "What the …." CD, with Brian Walton’s hilariously astonished kisser plastered on the front and back. First released in 2015, the critically acclaimed "What the …." album marked Brian's transition from Country to Blues-Rock, produced 4 gold-selling chart hits, kicked his career into high gear, and set him on the path to Disney, Netflix, and oodles of awards. **Content:** Get your own “What the ….” CD, with Brian Walton’s hilariously astonished kisser plastered on the front and back. First released in 2015, the critically acclaimed “What the ….” album marked Brian’s transition from Country to Blues-Rock, produced 4 gold-selling chart hits, kicked his career into high gear, and set him on the path to Disney, Netflix, and oodles of awards. ***[Read More…](https://briangwalton.com/releases/what-the/)*** - Disc Quality & Printing: Uses premium blank CD or DVD media printed with a full-color 4800 dpi glossy finish. - Sleeve Specifications: Packaged in a clear vinyl safety sleeve featuring a transparent front and a soft cloth backing designed to protect against disc scratches. - Shipped worldwide! [Listen on Bandcamp](https://bandcamp.com) ##### Product Images  **Product brands:** Walton's Mountaineers **Product categories:** Music **Product tags:** blues, blues-rock, country, country-rock, rock, what-the --- ### [What the .... Redux T-Shirt](https://briangwalton.com/product/what-the-redux-t-shirt/) **Published:** September 9, 2026 **Author:** Axeman **Content:** Aww What the …. Celebrating 10 years of one of Brian Walton’s most celebrated albums. This t-shirt sports Brian’s hilariously astonished kisser from 2015 when the album first came out and 10 years later when he released the Redux version in 2025. Like everything Mountaineers, this T-Shirt is sustainably manufactured from only the best materials. • 100% combed and ring-spun cotton (Heather colors contain polyester) • Fabric weight: 4.2 oz./yd.² (142 g/m²) • Pre-shrunk fabric • Side-seamed construction • Shoulder-to-shoulder taping Disclaimer: The fabric is slightly sheer and may appear see-through, especially in lighter colors or under certain lighting conditions. **Product brands:** Walton's Mountaineers **Product categories:** Garb **Product tags:** blues, blues-rock, country, country-rock, rock, what-the, what-the-redux --- ### [What the ... Redux (Digital Download)](https://briangwalton.com/product/what-the-redux-dd/) **Published:** September 11, 2026 **Author:** Axeman **Excerpt:** Celebrating a decade of his iconic 2015 release, Brian Walton’s "What the … (Redux)" is a powerful testament to his enduring blues-rock legacy and artistic evolution. Born from his prolific work on major soundtracks for films and series like "The Mandalorian" and "Wish", this collection revitalizes classic tracks with fresh production techniques and re-imagined arrangements, effectively offering fans a "new" experience of beloved hits. Since its recent debut, the album has already climbed international charts, hitting the top 100 in just a few weeks and proving that Brian Walton’s award-winning guitar prowess and seasoned vocals remain as resonant and chart-topping as ever. Read More: What the .... Redux **Content:** Celebrating a decade of his iconic 2015 release, Brian Walton’s “What the … (Redux)” is a powerful testament to his enduring blues-rock legacy and artistic evolution. Born from his prolific work on major soundtracks for films and series like “The Mandalorian” and “Wish”, this collection revitalizes classic tracks with fresh production techniques and re-imagined arrangements, effectively offering fans a “new” experience of beloved hits. Since its recent debut, the album has already climbed international charts, hitting the top 100 in just a few weeks and proving that Brian Walton’s award-winning guitar prowess and seasoned vocals remain as resonant and chart-topping as ever. Read More: [What the …. Redux](https://briangwalton.com/releases/what-the-redux-album/) [Listen on Bandcamp](https://bandcamp.com) **Product brands:** Walton's Mountaineers **Product categories:** Music **Product tags:** blues, blues-rock, country, country-rock, pop, rock, what-the-redux --- ### [What the .... (Digital Download)](https://briangwalton.com/product/what-the-dd/) **Published:** August 31, 2026 **Author:** Axeman **Excerpt:** In a career-defining pivot from the Nashville country scene, Brian Walton reinvented himself in the mid-2000s as a formidable blues-rock force, drawing on his deep Hollywood production experience—including collaborations with the Grammy-winning Robert Glasper Trio and work on the film The Revenant. His 2015 album What the … stands as a masterful synthesis of this eclectic transformation, artfully repurposing his extensive soundtrack and jingle catalog into a blues-infused collection that highlights his award-winning guitar prowess and seasoned vocals. Bolstered by pioneering, patented digitization techniques and a playful creative spirit inspired by his side cover band, the record topped the charts and has stayed there ever since. **Content:** #### Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Download available in 16-bit/44.1kHz. In the mid-2000s, Brian Walton grew tired of modern country music, with its rap elements and over-engineered ‘Nashville’ sound, so he decided to try blues-rock instead. Besides, many of the country bands he sat in with were covering the classics anyway. When Brian moved to Colorado in 2006, he joined the Toad House Band, a blues project that Marty Wallace and Toad Tavern Owner Brice Hancock put together to support the many national blues acts Brice invited to play at his venue. Brian was ecstatic to be playing lead guitar again, and as the band’s only experienced lead singer, he did most of the singing whenever they opened for national acts. That nudged him further along the blues-rock path. The turning point came when Brian signed with the LA-based A&R agency K&P Enterprises. [Read More…](https://briangwalton.com/releases/what-the/) [Listen on Bandcamp](https://bandcamp.com) **Product brands:** Walton's Mountaineers **Product categories:** Music **Product tags:** blues, blues-rock, country, country-rock, rock, what-the --- ### [45th Anniversary Headgear](https://briangwalton.com/product/commemorative-headgear/) **Published:** August 29, 2025 **Author:** Axeman **Content:** Celebrating 45 years of musical brilliance, this commemorative headgear comes in multiple styles and fits perfectly with just about anything. • 100% chino cotton twill • Green Camo color is 35% chino cotton twill, 65% polyester • Unstructured, 6-panel, low-profile • 6 embroidered eyelets • 3 ⅛” (7.6 cm) crown • Adjustable strap with antique buckle • Blank product sourced from Vietnam or Bangladesh **Product brands:** Walton's Mountaineers **Product categories:** Gear --- ### [45th Anniversary Mug](https://briangwalton.com/product/commemorative-mug/) **Published:** September 9, 2025 **Author:** Axeman **Excerpt:** Celebrating 45 years of musical excellence, this commemorative mug is perfect for your morning java or afternoon tea. • Ceramic • 11 oz mug dimensions: height 3.85" (9.8 cm), diameter 3.35" (8.5 cm) • 15 oz mug dimensions: height 4.7" (12 cm), diameter 3.35" (8.5 cm) • Lead and BPA-free material • Glossy finish • Dishwasher and microwave safe **Content:** Celebrating 45 years of musical excellence, this commemorative mug is perfect for your morning java or afternoon tea. • Ceramic • 11 oz mug dimensions: height 3.85″ (9.8 cm), diameter 3.35″ (8.5 cm) • 15 oz mug dimensions: height 4.7″ (12 cm), diameter 3.35″ (8.5 cm) • Lead and BPA-free material • Glossy finish • Dishwasher and microwave safe **Product brands:** Walton's Mountaineers **Product categories:** Gear --- ### [‘Merica Tour 2026 Mug](https://briangwalton.com/product/merica-tour-2026-mug/) **Published:** July 29, 2026 **Author:** Axeman **Content:** Show your pride with this ‘Merica Tour 2026 Commemorative Mug celebrating America’s 250th birthday! Not only will you wow your friends with this high-quality gear from ACM award-winning artist Brian Walton, but you’ll also support veterans and other Americans in need through the ‘Merica Initiative. Learn more about the ‘Merica Initiative here: https://tinyurl.com/mvence9w • Ceramic • 11 oz mug dimensions: height 3.85″ (9.8 cm), diameter 3.35″ (8.5 cm) • 15 oz mug dimensions: height 4.7″ (12 cm), diameter 3.35″ (8.5 cm) • Lead and BPA-free material • Glossy finish • Dishwasher and microwave safe **Product brands:** Walton's Mountaineers **Product categories:** Gear --- ### [Merica Tour 2026 Dad Hat](https://briangwalton.com/product/merica-tour-2026-dad-hat/) **Published:** July 29, 2026 **Author:** Axeman **Content:** Show your pride with this ‘Merica Tour 2026 Commemorative Dad Hat celebrating America’s 250th birthday! Not only will you wow your friends with this high-quality gear from ACM award-winning artist Brian Walton, but you’ll also support veterans and other Americans in need through the ‘Merica Initiative. Learn more about the ‘Merica Initiative here: https://tinyurl.com/mvence9w • 100% cotton • Unstructured, 6-panel, low-profile • Soft crown • Pre-curved visor • Matching fabric adjustable strap • Metal snap buckle with an antique brass finish • Head circumference: 21.65″–25.19″ (55 cm–64 cm) • Blank product sourced from China and Myanmar **Product brands:** Walton's Mountaineers **Product categories:** Gear --- ### [‘Merica Tour 2026 Album Artwork](https://briangwalton.com/product/merica-tour-2026-album-artwork/) **Published:** July 29, 2026 **Author:** Axeman **Content:** Show your pride with this ‘Merica Tour 2026 Commemorative Album Artwork celebrating America’s 250th birthday! Not only will you wow your friends with this high-quality gear from ACM award-winning artist Brian Walton, but you’ll also support veterans and other Americans in need through the ‘Merica Initiative. Learn more about the ‘Merica Initiative here: https://tinyurl.com/mvence9w • 10 mil (0.25 mm) thick • Slightly glossy • Fingerprint resistant **Product brands:** Walton's Mountaineers **Product categories:** Gear --- ### [‘Merica Tour 2026 Bux's Place Concert Poster](https://briangwalton.com/product/merica-tour-2026-buxs-place-concert-poster/) **Published:** July 29, 2026 **Author:** Axeman **Content:** Show your pride with this ‘Merica Tour 2026 Commemorative Bux’s Place Concert Poster celebrating America’s 250th birthday! Not only will you wow your friends with this high-quality gear from ACM award-winning artist Brian Walton, but you’ll also support veterans and other Americans in need through the ‘Merica Initiative. Learn more about the ‘Merica Initiative here: https://tinyurl.com/mvence9w • 10 mil (0.25 mm) thick • Slightly glossy • Fingerprint resistant • Paper sourced from Japan **Product brands:** Walton's Mountaineers **Product categories:** Gear --- ### [2023 Capitol Studios Autographed Postcard](https://briangwalton.com/product/2023-capitol-studios-autographed-postcard/) **Published:** August 3, 2026 **Author:** Axeman **Content:** Show your pride with this ‘Merica Tour 2026 Autographed Postcard celebrating America’s 250th birthday! Not only will you wow your friends with this high-quality gear from ACM award-winning artist Brian Walton, but you’ll also support veterans and other Americans in need through the ‘Merica Initiative. Learn more about the ‘Merica Initiative here: https://tinyurl.com/mvence9w • Cardboard paper • Paper weight: 7.67–10.32 oz/yd² (260–350 g/m²) • Size: 4″ × 6″ (101 × 152 mm) • Paper thickness: 0.013″ (0.34 mm) • Coated outer surface • Blank product materials sourced from Sweden, US, Brazil, or China **Product brands:** Walton's Mountaineers **Product categories:** Gear --- ### [2026 Hunting Autographed Postcard](https://briangwalton.com/product/2026-hunting-autographed-postcard/) **Published:** August 3, 2026 **Author:** Axeman **Content:** Show your pride with this ‘Merica Tour 2026 Autographed Postcard celebrating America’s 250th birthday! Not only will you wow your friends with this high-quality gear from ACM award-winning artist Brian Walton, but you’ll also support veterans and other Americans in need through the ‘Merica Initiative. Learn more about the ‘Merica Initiative here: https://tinyurl.com/mvence9w • Cardboard paper • Paper weight: 7.67–10.32 oz/yd² (260–350 g/m²) • Size: 4″ × 6″ (101 × 152 mm) • Paper thickness: 0.013″ (0.34 mm) • Coated outer surface **Product brands:** Walton's Mountaineers **Product categories:** Gear --- ### ['Get me a Beer' T-Shirt](https://briangwalton.com/product/commemorative-get-me-a-beer-t-shirt/) **Published:** August 29, 2025 **Author:** Axeman **Content:** Celebrating 45 years of musical excellence, this commemorative ‘Do Something with your Life, Get me a Beer’ T-Shirt is the same trademark design Brian has worn during countless Live performances. • 100% combed and ring-spun cotton (Heather colors contain polyester) • Fabric weight: 4.2 oz./yd.² (142 g/m²) • Pre-shrunk fabric • Side-seamed construction • Shoulder-to-shoulder taping • Blank product sourced from Nicaragua, Mexico, Honduras, or the US **Product brands:** Walton's Mountaineers **Product categories:** Garb --- ### [45th Anniversary T-Shirt](https://briangwalton.com/product/commemorative-t-shirt/) **Published:** August 29, 2025 **Author:** Axeman **Content:** Celebrating 45 years of musical brilliance, this commemorative T-shirt is everything you’ve dreamed of and more. It feels soft and lightweight, with the right amount of stretch. It’s comfortable and flattering for all. • 100% combed and ring-spun cotton (Heather colors contain polyester) • Fabric weight: 4.2 oz./yd.² (142 g/m²) • Pre-shrunk fabric • Side-seamed construction • Shoulder-to-shoulder taping • Blank product sourced from Nicaragua, Mexico, Honduras, or the US **Product brands:** Walton's Mountaineers **Product categories:** Garb --- ### ['Merica Tour 2026 T-Shirt](https://briangwalton.com/product/merica-tour-2026-t-shirt/) **Published:** July 26, 2026 **Author:** Axeman **Content:** Show your pride with this ‘Merica Tour 2026 Commemorative T-Shirt celebrating America’s 250th birthday! Not only will you wow your friends with this high-quality gear from ACM award-winning artist Brian Walton, but you’ll also support veterans and other Americans in need through the ‘Merica Initiative. Learn more about the ‘Merica Initiative here: https://tinyurl.com/mvence9w • 100% combed and ring-spun cotton • Fabric weight: 4.2 oz./yd.² (142 g/m²) • Pre-shrunk fabric • Side-seamed construction • Shoulder-to-shoulder taping • All proceeds go to charity **Product brands:** Walton's Mountaineers **Product categories:** Garb --- ### [In My Little Town](https://briangwalton.com/product/in-my-little-town/) **Published:** August 20, 2026 **Author:** Axeman **Excerpt:** Brian Walton wrote "In My Little Town" to poke fun at the rumor mill surrounding some of the more scandalous folks who hung around his favorite drinking hole. Read more... Available worldwide on all streaming platforms, most physical music outlets, and on Touchtunes and Karafun. New! Now available on Vinyl and CD!